[Overview] [Presentations] [Workshops] [Art Events]

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Keynote Presentations

• Shu Lea Cheang — As The [Science] Fiction Goes…
• Natalie Jeremijenko — The Environment Health Clinic, Collaboratory (Xclinic), Farmacy and Ooz: Towards a Museum of Natural Futures
• Benjamin H. Bratton — The Stack We Have and The Stack To Come
• Pierre Cassou-Noguès — In the Penal (Neuro-)Colony

Keynote panel

• Luc Courchesne, Masaki Fujihata & Jeffrey Shaw, moderated by Caroline Ha Thuc — no title

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Papers

Hacking and Making

• Serena Cangiano, Davide Fornari & Azalea Seratoni — Re-enacting And Open Sourcing As Methods For Experiencing Programmed Art Utopia
• Victoria Bradbury & Suzy O’Hara — Evaluating Art Hacking Events Through Practice
• Matthias Tarasiewicz — Artistic Technology: Coded Cultures, “Making” and Artistic Research

Seeing Visions and Images

• Andreia Machado Oliveira & Felix Rebolledo Palazuelos — Simondon’s Concept of the Image: At the Junction of the Technological and the Animal
• Anastasia Tyurina — Exploring the Medium: The Indexical Function of Artistic Photomicrography Made by the Scanning Electron Microscope

Reclaiming the Urban

• Claude Fortin — Foundations of a Design Framework for DIY Nomadic Public Screens
• Alan Dunning & Paul Woodrow † — The Uncanny Signal
• Eric Powell & Matthew Griffin — Hearing Blind as a New Interface for Exploring the Urban Soundscape

Education

• Nan O’Sullivan — Connecting Indigenous Cultures to Design Pedagogy
• Lee Cheng – Digital Musicianship Training for Classically Trained Music Students in a Laptop Orchestra
• Tommaso Maggio — De-schooling Product Design Education, an Experimental Physical Approach

Sex and Relationships

• Stacey Pitsillides & Janis Jefferies — Intimate Technologies: The Ethics of Simulated Relationships
• Stahl Stenslie — Techno Sex in Art: Mating Man and Machine In the Solve et Coagula Experiment
• Kok Yoong Lim, Wonseok Choi, Sojung Bahng & Joonsung Yoon — Somplexity: An Experiment of Posthumanist Platonic Sex

Creative Industries

• Slavica Ceperkovic — Ideational Drawing as a Foresight Method in Designing Future States of Objects
• Patrice Poujol — On-line Film Circulation in China: The Case of Youku Tudou as a Creative Corporate Soft Power Champion
• Alessandro Ludovico — Music in Print, How Publishing Has Been Able to Flirt with Music

Body Interfaces

• Michelle Lewis-King — Touch as Techne: Pulse Reading as Interface
• Joana Martins, Todd Cochrane, Isabel Valverde & Ana Moura Santos — A Webcam Interface for Somatic-Technological Dance Experiences
• Camille Baker & Kate Sicchio — Performing Identity Through Wearable Sensing

Reality (Virtual, Augmented, Gamified)

• Rewa Wright — Augmented Reality as Experimental Art Practice: from Information Overlay to Software Assemblage
• Francisco Gerardo Toledo Ramirez — A Daydreamer of Someone Else’s Dreams, A Theoretical Framework for the Future Web
• Hugh Davies — Framing a Critique of Reality Based Games

Ghosts and Supernatural

• Doros Polydorou, Kening Zhu, Alexis Karkotis, Antje Illner & Nicola De Main — “This is a techno-necklace from my great grandmother”: Animism-Inspired Design Guidelines for Digitally Ensouled Jewellery
• Indae Hwang, Mark Guglielmetti & Vince Dziekan — ’The Familiar’: Technology-being-with-us
• Jane Grant — The Anomaly: Noise, Ghosts and the Multiverse
• Nancy Mauro-Flude — Occult Computing for Artists: An introduction

Archiving Media Art

• Eivind Røssaak — FileLife: Kurenniemi and the Question of Living Archives
• Karin de Wild — An Interactive Mnemonic Space For Jodi.org: The Process of Re-exhibiting
• Christa Sommerer & Laurent Mignonneau — Between Decay and Preservation: A Personal Approach to Media Art Archiving

Games: Lanscapes, Narratives, Aesthetics

• Kieran Nolan — Arcade Videogame Interface Aesthetics
• Espen Aarseth — Ludemes, Ludo-hermeneutics and the Autonomy-aesthetics of Gameplay
• Peter Nelson & E.H. Macmillan — Starcraft II and Chinese Scroll Painting: Narrative Ideas for RTS Computer Games

Germs: Fermenting, Growing, Creating

• Clarissa Ribeiro — Ulysses Pact: Metagenomic Entanglements
• Nevena Ivanova — Non-anthropocentric Creative Mechanisms in Multispecies Symbiotic Assemblages
• Markus Wernli — Cultivating More-than-Human Lifeworlds: Laudatio on Indigenous Fermentation, Smell and Metabolic Power Grids

Modes of Interactivity

• Ka Wa Cheung — The Role of Eye Contact and Spectatorship in Interactive Installations
• Jillian Scott — Auralroots: Cross-modal Interaction and Learning

Science and Art: Visual

• Chris Henschke — Expressive Experiments: Art and Particle Physics
• Douglas Easterly — Symmetry: Breaking Through the Looking Glass

Robots

• Stanislav Roudavski — Building like Animals: Using Autonomous Robots to Search, Evaluate and Build
• Laura Beloff & Jonas Jørgensen — The Condition Towards Hybrid Agency

Post Human

• Bjarke Liboriussen — Posthuman Hopefulness In Atwood’s “maddaddam”
• Diego Gomez Venegas — The Algorithmic as Agonistic Agency: Approaches on Experimental Design, the Politics of Codes, and PostAnthropocentric Paradoxes in (Media) Cultures
• Ingrid Bachmann — Paradoxical Bodies: Animal Human and Machine Hybrids
• Bogna Konior — Alien Aesthetics: Xenofeminism and Nonhuman Animals
• María Fernández — Posthumanism, New Materialism and Feminist Media Art
• Ingrid Hoelzl & Rémi Marie — Posthuman Vision

Sites of Cultural Heritage

• Lavoslava Benčić — The Virtual Thematic Route Emil Benčić: From Experience to Infinity
• Chanya Hetayothin — Transcoding Nang Talung: An Animated Adaptation of Thai Shadow Play
• Mei-Kei Lai — Flip the Book, Flip the Memories: a Case Study of Multimodal Interaction for the library located in Macao World Heritage site

AI and Cybernetics

• Ricardo Melo & Miguel Carvalhais — Convergence and Divergence: A Conceptual Model for Digital Serendipitous Systems
• Sofian Audry — Aesthetics of Adaptive Behaviors in Agent-based Art
• Ksenia Fedorova — Plasticity and Feedback: Schemas of Indetermination in Cybernetics and Art

Curating Online

• Maria Fedorova, Thecla Schiphorst & Kate Hennessy – The Impoverished Image: Online Video Art Exposure

Glitch

• Lukasz Mirocha — Going beyond the Glitch Art: Critical Glitch Studies as a New Research Paradigm for Analyzing Post-digital Technologies
• Griffin Byron — Semiotics of Glitch Artistic Practice

Sonic Art and Sound: Noise and Soundscapes

• Laura Plana Gracia — Noise Responsive Systems: How Do Those Change the Infrastructure of the Institution?
• Joo Young Oh, Ju Young Lee, You Jin Lee & Kwang Yun Wohn — “Vernacular Sound”: System for Soundscaping of Everyday Objects
• Jane Frances Dunlop — Noise &/as Nervousness: Gertrude Stein in the Interface

Sonic Art and Sound: Instruments

• Jim Murphy, Dale A Carnegie & Ajay Kapur — Using Expressive Musical Robots: Working with an Ensemble of New Mechatronic Instruments
• Byeongwon Ha — An Origin of Interactive Art: Nam June Paik’s Progressive Musical Instruments
• Damien Charrieras & Olaf Hochherz — Chasing After the Mixer

Sonic Art and Sound: DJ Matters

• Karin Weissenbrunner — Joke Lanz is Spinning the Records: Analysis and Graphical Representation of an Improvised Concert of Experimental Turntablism
• Minka Stoyanova & Ariel Huang — Cash Rules Everything Around Me: Reading the Recuperation of Hip-Hop through Rancière’s Political Aesthetics and Attali’s Distinguishing of Signal and Noise

Theories of New Media and Society

• Chris Salter — Disturbance, Translation, Enculturation: A Research Program in New Media, Technology and the Senses
• Roberto Simanowski — Reading Digital Art in the Age of Double-Coding
• Winnie Soon — Microtemporality: At the Time when Loading-in-progress

(Meta-)Reflections on Recent Events

• Tanya Søndergaard Toft — Media-Aesthetic Expressions of Worldly Sympathy The Illuminations of Le Tricolore
• Wing Ki Lee — Cyber Terrorism in name of Cyber Activism: Discomfort in looking at some derivative works in recent Hong Kong
• James Shea — A Double Détournement in the Classroom: HK Protest Online Game as Conceptual Art 

Text(?), Reading(?), Literature(?)

• Yue-Jin Ho — The Unstable Characters: Reading of Chinese Text-based Digital Works
• Christopher B. Patterson — An Erotics of Playing: Using Barthes’ “Texts Of Pleasure” to Read Games

Confusianism and Chinese Tradition in Digital Media

• Keung Hung — How the Traditional Chinese Idea of Time and Space Can Be Applied through Digital Moving Images
• Mi You — Digital Confucianism: a Confucian Take on Computation and Algorithm

Smart Cit­ies and Media Architecture (Satellite Event)

• Tanya Toft & Susa Pop — Turning the City into a medium: stories of media arts city

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Poster Presentations

• Taeko Ariga, Koichi Mori & Takehisa Mashimo — Collaborative Expression Program by Creating Digital Storybooks
• Stavros Didakis — In Search for DomoNovus: Speculations on the New Home
• Glenda Drew, Jesse Drew & Jack Leng — Stories of Solidarity
• Jianyu Fan, William Li & Philippe Pasquier — MVP: An Automatic Music Video Producer
• Byeongwon Ha — Natural Material in Interactive Art
• Haruo Ishii — Nagakute Yuimaaru Website
• Weina Jin, Servet Ulas, Xin Tong, Diane Gromala & Chris Shaw — “AS IF” You Are Suffering in Silence: An Interactive Installation as Empathy Tool for Chronic Pain
• Paola Lopreiato & Alfonso Belfiore — Q: quanta of sound
• Lee Nutbean — Faux Pas
• Jinsil Hwaryoung Seo, Annie Sungkajun, Tiffany Sanchez & Jinkyo Suh — Touchology: Exploration of Empathetic Touch Interaction with Plants for Well-being
• Clea T. Waite — Structural Montage for Immersive Cinema: an Experiment in Transposing Fulldome to VR

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 Panels

Large Displays in Urban Spaces and Elsewhere

• Rachel Armstrong, Sarah Kenderdine, Maurice Benayoun, Mike Phillips, Scott Hessels & Sven Travis — Gigantic: Mediation Beyond Surface   (Panel Description)
• Rachel Armstrong — The Persephone Project: Technologically convergent artificial ecosystem
• Maurice Benayoun — Overscale Art in Public Space: from Play to Dysplay
• Scott Hessels — Built Chameleons: Reactive Media Display
• Sarah Kenderdine — Towards an Embodied Museography
• Mike Phillips — Any resemblance to any other world known or unknown is purely coincidental.
• Sven Travis — Panorama: Space/Time Continuum

Archiving Media Art

• Sarah Cook, Charlotte Frost, Edwin Coomasaru, Louise Shannon & Morgan McKeehan — Rapid Response Art History: Tools and Techniques for a Fast-Changing Art World   (Panel Description)
• Edwin Coomasaru — ‘Democratising’ Curating: Speed, Sexuality and Selfies
• Louise Shannon — Rapid Response Collecting and Curating: Learning from the Victoria and Albert Museum 
• Sarah Cook — From Insider Knowledge to Anecdote to Apocrypha: Reflections on how media art has been and could be historicised
• Morgan McKeehan — The Webrecorder’s challenge of enabling access to dynamic webbased art
• Charlotte Frost — Documenting the Digital Critics: Analysing and Archiving Criticism After the Internet

Generative Art 

• Dejan Grba, Vladimir Todorovic, Tatjana Todorovic, Andreas Schlegel & Melentie Pandilovski — Divergent Generative Art Practices   (Panel Description)
• Dejan Grba — Get Lucky: Cognitive Aspects of Generative Art
• Vladimir Todorović — Emerging Narrative Forms and Bit Sensation
• Andreas Schlegel — Performing Systems
• Tatjana Todorovic — City Made of Software
• Melentie Pandilovski — Artistic Strategies in Generative Art Practices

Reclaiming the Urban

• Martin Koplin, Igor Nedelkovski & Kari Salo — The People’s Smart Sculpture: PS2    (Panel Description)
• Martin Koplin — The People´s Smart Sculpture: Social Art in European Spaces
• Igor Nedelkovski — 4D – Virtual Urban Art
• Kari Salo — Neighborhood Living Room

Germs 

• Tarsh Bates, Jaden J.A. Hastings, Helen Pritchard, Jane Prophet & Gillian Wylde — (Re)volting data   (Panel Description)
• Helen Pritchard — Microbial Revolts
• Jade J. A. Hastings — Trans-Xeno
• Gillian Wylde — revolt, she said
• Jane Prophet — Life, death, growth and decay
• Tarsh Bates — Cum panis: the biopolitics of self, fermentation and revulsion

Education 

• Wai Ching Chung, Pong Lam & Winnie Soon — Computer Programming Education and Creative Arts   (Panel Description)
• Wai Ching Chung — Graphic design principles and computer programming
• Pong Lam — The aesthetics of codes, from multimedia design to creative art education
• Winnie Soon — Software art and design: computational thinking through programming practice and critical code theory

Education and Creative Industries

• Greg Giannis, Hugh Davies, Victoria Moulder & Murray Mckeich — Software Literacy and the Creative Industries   (Panel Description)
• Greg Giannis — Artists and Code
• Hugh Davies — Computational Thinking in Art/Design Education
• Victoria Moulder — Transcoding Place Through Digital Media
• Murray Mckeich — Universities Required a Coding Revolution

Games: China

• Peichi Chung, Ling-Yi Huang & Bjarke Liboriussen — Games and Gaming in China    (Panel Description)
• Peichi Chung — Development and Distribution Strategies of Independent Mobile Games in China
• Ling-Yi Huang — How Active is the Audience? A Study of Chinese Game Fandom
• Bjarke Liboriussen — After the Gold Rush: Gold Farming in China – and in Western Academia

Games: Playing Live(?)

• Emma Witkowski, Daniel Recktenwald, James Manning & Zhang ’Dino’ Ge — Livestreaming in Theory and Practice: Four Provocations on Labour, Liveness and Participatory Culture in Games Livestreaming   (Panel Description)
• Emma Witkowski — Livestreaming, participatory culture, and gender politics at the edge of e-sports
• Daniel Recktenwald — Donation Alerts on Twitch.TV: Commodification of Community and Attention
• James Manning — Don’t Play Videogames
• Zhang ‘Dino’ Ge — Ideology of Liveness and falsification of the ontological “Live”

Science and Art: Quantum Physics

• Mike Phillips, Chris Henschke, Frederik De Wilde & Paul Thomas — The Affect of Quantum Phenomena on Media Art   (Panel Description)
• Mike Phillips — Touchy-feely
• Chris Henschke — The Edge of the Singularity
• Frederik De Wilde — Creativity and imagination in the history of art and physics
• Paul Thomas — Quantum Media Art and its new modalities

Post Human

• Anastasios Maragiannis, Janis Jefferies, Stacey Pitsillides & Ghislaine Boddington — Can Non-anthropocentric Relationships Lead to True Intimacy with Technology?   (Panel Description)
• Anastasios Maragiannis –– Texting a Machine: Assembling an emotional response
• Stacey Pitsillides –– Can non-anthropocentric relationships lead to true intimacy with technology?
• Janis Jefferies –– Closer and The Nether: the end of intimacy as we once knew it
• Ghislaine Boddington –– The Internet of Bodies: future human / machine choreographies

Contemporary Cultural Heritage

• Timothy Murray, Renate Ferro, Maurice Benayoun & Randall Packer — E-discourse in Online Networked Communities: Structure, Timing, Tone, and Affect  (Panel Description)
• Renate Ferro — the list-serv -empyre- softskinned space
• Timothy Murray — e-curating: global networks and curator
• Maurice Benayoun — the blog- the Memory Dump, the disregarded power of undone art
• Randall Packer — the e-conference: Collapsing the Walls of the Arts Conference

Nature, Aesthetics, Politics

• Susan Ballard, Jo Law, Teodor Mitew & Jo Stirling — Data Natures: The Politics and Aesthetics of Prediction through Variability   (Panel Description)
• Susan Ballard — The Radioactive Ecologies of Ken and Julia Yonitani
• Jo Law — The Study of Things in the Air
• Teodor Mitew — Object Hierophanies and the Mode of Anticipation
• Jo Stirling — The Modern Midden

Creative Work and Well-Being

• Andrew Demirjian, Ellen Pearlman, xtine burrough, Cassini Nazir & Heidi Boisevert — Emerging Platforms for Artist Interaction   (Panel Description)
• Ellen Pearlman — Volumetric Society
• Cassini Nazir — Creative Disturbance
• Andrew Demirjian — Videokaffe
• Heidi Boisvert & Xtine Burrough — Virtual Artist Salon

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Artist / Work-In-Progress Talks

Technosex, Porn, and Intimacy

• Cornelia Sotlfrank — Dress of Distress
• Dana Dal Bo — Algorithmic Pollution: Media Narcissism and the Production of Authenticity
• Ghislaine Boddington — Future Love: The Internet of Bodies
• Xin Liu — Tear Set

Digital Ethology

• Sarawut Chutiwongpeti — The Installation Series Of Untitled (wishes, Lies and Dreams >> Primitive Cool…)
• Samuel Adam Swope — Banana Mission: A Monkey Behavioral Study
• Jiayi Young & Shih-Wen Young — Multi-dimensional Sound Mapping of Migration Tracks of Pelagic Species
• Colin Ives — Cotainer
• Elizabeth Demaray & Ahmed Elgammal — The Pandorabird Project: Identifying the Types of Music that May Be Favored by Our Avian Co-inhabitants
• Young Suk Lee — Felt Technology Through Interactive Critters

Dreaming VR and Post-Screen

• Mert Akbal — Reproduction of Dream Experience in Virtual Reality
• Adam Nash & Stefan Greuter — Aspirational Space
• Rewa Wright — Augmented Virtuality Via Experimental Art: Leap Motion and Control over Invisible Matter
• Nick White — Grasp of the Viscous Screen
• Julija Naskova — Have a Panoramic Wall but No Panoramic Footage? Make a Triptych!
• Jaeyub Noh, Eunha Park & Joonsung Yoon — Reconstruction of Images: Real/illusion

Technoanimal

• Laura Beloff — The Fly Printer, Extended
• Ingrid Bachmann — Pelt (bestiary)
• Louise Mackenzie — (Forgive Me for I Am) A Curious Animal
• Leigh Smith & Jordan Yerman — Street Cat Photo Booth
• Haoshin Chang & Ding-yeh Wang — Life, Living Organisms, and Lost Histories
• Hege Tapio — HUMANFUEL

Urbanism, Electromagnetism

• Julien Ottavi & Jenny Pickett — Electro-magnetic Research Code 0608
• Darko Fritz — Imaginary Futures
• Robert Gero — Infinity Structures
• Space is the Place: Interrogating the Electro-Magnetic Spectrum
• Lea Kannar-Lichtenberger — Gagging in Dystopia

Databases, Interactive Narratives

• Steven Wingate — Forging Reasonable Hopes: Artificial Intelligence and Digital Narrative
• Bernardo Queiroz  — What ‘s in A Name: Effects of Naming in Gaming Narratives Generated by Recombining Databases
• Sandra Krasimirovna Moskova — Form_out_of_Fiction
• Elke Reinhuber — Venomenon: Exploring Multiple Versions of One Narration
• Diane Derr & Law Alsobrook — From There to Then

Game Love, Game Life

• Tom Penney — Critical Affection: The Artist as “Player” of Online Dating Cultures
• Milan Loviška, Otto Krause, Herman A. Engelbrecht, Jason B. Nel, Gregor Schiele, Alwyn Burger, Stephan Schmeißer, Christopher Cichiwskyj, Lilian Calvet & Carsten Griwodz — Third Life Project
• Lindsay D. Grace — Subverting the Conventions of Affection Games in the Digital Wild
• Lindsay Grace — Stolen Kisses: Demonstrative Critical Gameplay

Games: Aesthetics and Criticism

• Peichi Chung, Jing Chiang, Kening Zhu & Gina See Yuen Wong — Red Hot Spinning: Immersive 3d Narrative in Tri-asian Gaming
• Vibeke Sjovoll — This is not a chair – the ecological approach to visual perception
• Ragnhild Tronstad — Aesthetics of Play Revisited
• Troy Innocent & Steven Conway — Play-ability?: A Taxonomy of Art Games
• Lindsay Grace — Critical Gameplay: Black Like Me

Game Art

• Timothy D — A Portrait of Bradbury in Gamer Space
• Allison Berkoy — Company
• Nathan Guo — Media Art Rhetoric: A Case Study of Wanderl_st
• Reza Safavi — Four Letter Words
• Lindsay D. Grace — Critical Gameplay: Big Huggin’

Interfaces

• Yu-Chuan Tseng, Yi-Ching Huang, Kuan-Ying Wu & Chi-Ping Chin  — The Summoning: Chimeras Sing a Song
• Marco De Mutiis — A Study on Light Touches
• Victoria Bradbury — Cycles of Accusation: Accountability and Performative Code-based Interface

Music

• Andrea Manzoni & Marcel Zaes — sjö : två
• Ariel Huang — Violence of a Different Kind (I am a Conquistador)

Glitch and Noise

• Yuichi Ito & Carl Stone, Masashi Yamada & Shinya Miyazaki — fmiDmsHK
• Ewelina Bakala & Philippe Pasquier — Internal
• Boris Debackere & Steven Devleminck — All That is Signal Distorts into Noise
• Nicholas Bratton & Jing Yu — Recursive Function No.1
• Stefan Tiefengraber — WM_EX10 WM_A28 TCM_200DV BK26

Embodiment and Kinesis

• Giorgio Olivero — Re-programming and Open Sourcing Kinetic Art from the 1960’s
• Andréia Oliveira, Evaristo Nascimento, Fabio Almeida, Marcos Cichelero & Matheus Moreno — Entremeios (Between_Milieus)
• Shaleph O’Neill — Permanent Headwind
• Issey Takahashi & Akihito Ito — SyncDon II: Sharing of emotion by bio-synchronical communication

Cultural Heritage and Preservation

• Amelia Johannes — Family Crockery (whiteness) + Signifiers of Ritual Mask (animals) + Planting Ritual, Video Artworks 2011-2013
• Jean Ippolito — Chinese Characters as Concept and the International Language of Visual Art
• Keyan Jiang, Joonsung Yoon  & Jangwon Lee — Integration of Media Art and Chinese Culture Heritage
• Ian Wojtowicz — B’seder: A Social Medium for Polish and Jewish Communities
• Kingsley Ng — Casting Light
• peter chanthanakone — Loos: Preserving Culture Through Animation
• Suzete Venturelli & Antenor Ferreira Correa — Ephemeral Art and Interactive Art: The Quest for Preservation and Dissemination
• Seth Ellis — Footnoting as Art: Thinking About a Poetics of Historical Examination
• Carolina Fernandez-Castrillo — Reconfiguring the Negotiation of Cultural Heritage: An Overview from “the Last Promontory of Centuries”
• Tim Shaw & John Bowers — Re-render: Public Making with the ISEA Archive
• Elke Reinhuber — Mail Polish

Dance

• Red Pig flower — Dance of Infinity: Installation Example
• Ewelina Bakala, Yaying Zhang & Philippe Pasquier — Mavi: Movement Aesthetic Visualization Tool and its Use for Dance Video Making and Prototyping
• Jung In Jung — Locus
• Gregory Bennett — Impossible Choreographies: The Database as Creative Tool
• Megan Young (MegLouise) — Scores for Distributed Dancing

Poetry, text, print, space

• Tares Mashtalir — Pythio: Digital Oracle
• Derick Ostrekno, Jesse Allison & Vincent Cellucci — Causeway
• Yeohyun Ahn — Creative Code
• Andrew Demirjian — Color_yourself_inspired
• Collier Nogues — The Ground I Stand on is Not my Ground: Interactive Erasure Poetry
• Alessandro Ludovico — The Touching Charm of Print

Animism, Shamanism, Confusianism, Buddhism

• Michael Hornblow — 5footway
• He-Lin Luo — Digital Buddha 2015
• Lisa Park SoYoung — Confucianism’s (in)visible Influence on New Media Art

Sound and Light

• Ashley Lane, Bhakti Duran & Jinsil See — Sound Painting
• Tim Howie & Nick Cope — Flags
• Paul Schuette & Mary Laube — The Warp Whistle Project: Nightly Light from Suns
• Bingfai Fung — Interactive Re-mapping of Temporality in the Actualization Process of Pre-scored / Sheet Music with Dynamic Imaging Techniques under Data-flow Programming
• Sungeun An, Juyoung Lee, Sanghoon Shim & Ji-Hyun Lee — Playlight: Enriching Music Experiences through Interactive Lighting Based on Motion

Pedagogy, developmental psychology

• Jinsil Hwaryoung Seo — Intouch: Ambient Remote Communication in Parent-child Relationships
• Taisuke Murakami — Ear Ball for Empathy: To Realize the Sensory Experience of People with Autism Spectrum Disorders.

Body as Archive

• Cedar Zhou & Iris Long — Ccaa Wow
• Fito Segrera — Accumulated Memory Landscapes: Real-time On-line 3d Landscapes Based on Prosthetic Memory Data
• Tara Cook — The Usb Finger Project: Storing a Digital Work of Art Within the Body
• Camille Baker & Kate Sicchio — Hacking the Body 2.0 Performance

Memories

• Andrés Salas — Je me Souviens: Colombian political refugees in Sherbrooke, Quebec
• Kyoungah Kwon & Joonsung Yoon — Memories and Rememories
• Gabriel Menotti Gonring — Souvenirs (Corcovado Series)
• Betty Sargeant — How Far is Up? The Remediation Loop from Picture Book to App to Animated Film to Picture Book

Politics, Democracy, and the Posthuman

• Milena Popov — Acceleration Toward Post-human, Post-anthropocene
• Mitre Azar — Disembodiment of the Gaze as Political Battlefield
• Dorothea Etzler — China Made In Germany
• Gerald Nestler, Sylvia Eckermann & Maximilian Thoman — Social Glitch: Radical Aesthetics and The Consequences of Extreme Events
• Zane Cerpina — Global Change App

Cultural Heritage and Politics

• Gianni Corino — Internet of Props: New Media Ontology for Cultural Artifact
• Peter Nelson — Grottspace
• Anne Balsamo, Dale MacDonald, Leticia Ferreira de Souza, David Wilson & Sean Landers — Aids Quilt Touch Project
• Benjamin Poynter — Resurrect from Digital: Interactive Site-specific Projection Mapped Sculpture (2)
• Judy Jheung — Heritage: Composingyou – Chinatown

Robots

• Yvette Granata — Processing/lampreys: Parasite Aesthetics and Generic Eels
• Colin Johnson — The Exhaustive, Inexhaustible Philosopher
• Dean Terry — A Robot that Sleepwalks
• Daniel Franke — Abstract History Machine
• Michael Straeubig — Towards Play Design for Machines
• Daniel Franke — Disscern
• SohYeong Roh — Emotional Robot

Makers

• Paz Sastre — Performativity and Computer Art: Towards a DIY Society
• Tiffany Sanchez & Jinsil Hwaryoung Seo — Heartwood
• Rosalie Yu — Embrace in Progress
• Jasmin Theresa Grimm & Sally Abu Bakr — Future Heritage
• Tapio Makela — Utopia, Experiment, Hack, Prototype. Transformative Rhetoric and Action in Net Art and Contemporary Maker Culture
• Jerry Galle — 23′ Download

Interactivity, minds and bodies

• Andrew Blanton — Virtual 3d Sound Sculptures for Realtime Performance: Reapropration of Game Engines for Visual Music Performance.
• Vygandas “Vegas” Simbelis & Anders Lundström — S T R A T I C
• Sahar Sajadieh & Nathan Weitzner — The Body is Present?
• June Kim — Interactive Mirroring: Being and Thing Become Space
• Sahar Sajadieh — Virtual Body Art (or Virtual Touch Cinema)

Science and Art

• Anastasia Tyurina — Watermarks
• Thomas Asmuth & Sara Gevurtz — Turbidity Paintings
• Sofian Audry, Stephen Kelly & Samuel St-Aubin — Vessels
• Chris Henschke — Cosmic Tea Party
• Clarissa Ribeiro & Mick Lorusso — The Cat’s Eyes Nebula
• Chris Henschke — Nature of the Apparatus

Disc*very Channel: Philonature

• Eitan Mendelowitz, Damon Seeley & David Glicksman — Whorl: An lmmersive Dive into a World of Flowers, Color, and Play
• Tatjana Tanja Vujinovic Kutej — Universal Objects: Garden
• Lora Nouk — Rock Hospital
• Miho Aoki — Forty-nine Views of Denali (mt. Mckinley)
• Tiare Ribeaux — Conversation Pieces: Art Objects from Rare Earth Elements

Human Condition, Ethnicity, Politics

• Maite Cajaraville & Gisle Froysland — From DNA to NSA
• Don Ritter — Unnecessary Signage

Toxic Environment

• Hege Tapia — Human fuel
• Lucy H.G. Solomon & San Marcos and the League of Imaginary Scientists — The Incredible Balancing Act
• Eva Sjuve — Noise In the System: Noise In the Clouds
• Elia Vargas — Crude Illumination

Cryptofinance, Money

• Perry Bard — Nydkgz
• Tarasiewicz Matthias — Bitcoincloud
• Matthew Kenyon & Mclain Clutter — Giant Pool Of Money + domestic/data Occupations
• David Guez — Kronos: Time Money

Politics and Social Change

• Glenda Drew & Jesse Drew — Teller Machine
• Rhys Jones — Videogames as a Tool of Political Activism in Hong Kong
• Glenda Drew — Media for Social Change
• Hamilton Mestizo — Pollution’s Traffic Light Version 4

Climate Change

• Gene Felice II — Oceanic Scales
• Cynthia Beth Rubin & Susanne Menden-Deuer — Antarctica Underwater: Art & Science
• Antti Tenetz — Gaze

Digital Literature

• George Legrady, Andres Burbano & Angus Forbes — Imaginando Macondo
• John Cayley — The Listeners
• Betty Sargeant & Floyd Mueller — Reimagining Picturebook: A Fictorical Fable
• Inmi Lee — A Tribute to the Machine

Bio-art, bio-tech

• Ziping Zhao, Jongcheon Shin & Joansung Yoon — Biocybernetic Serendipity: The Acceptance Of Noise and Mutation in Biocybernetic Art
• Byron Rich & John Wenskovitch — The Interrupted Living Machine (working Title)
• Byron Rich, John Wenskovitch & Heather Brand —Immor(t)al
• Clarissa Ribeiro, Jennifer Nikolov(a), Mick Lorusso & Joel Ong — Microbiome: A Mad Hatter’s Tea Party
• Tarsh Bates — On Being A Microbioartist: Making Art In A Microbiology Laboratory

Digital Identity, Surveillance, Cyberactivism

• Ashley Wong & Andrew Crowe — Icebox: Internet Security for Everyone
• Jamie Dolinko — Drama Bombs!
• Wolfgang Kick — Big Brother Is Listening To You!
• Joelle Bitton — Living in the Material World
• Nakano Hitoyo — Anonism
• Bishop Zareh & Ryan Hovenweep — Venice Texas (http://venicetexas.com)

Catastrophy and Death

• Martin Reiche — Drone Garden
• Hugo Yeung — What Death Tells Me
• Jiayi Young — Reconstruct Danse Macabre: Negotiating the Passage of Time
• Melentie Panditovski — Age of Catastrophe

Visualization & Documentary

• Ziv Schneider & Laura Chen — Recovr: Mosul
• Raivo Kelomees — Conceptualization of Audience Participation in Interactive Documentary
• Yeohyun Ahn — Being Ignored from the Invisible Project

Creative Work and Well-Being

• Michelle Lewis-King — Pulse Project: A Sonic Investigation across Bodies, Cultures and Technologies
• Jason Huff — Work-life.tips
• Xtine Burrough — Vigil for Some Bodies
• Tapio Makela — Future Lake Hiidenvesi Centre For Art, Research And Design
• Devin Fleenor — The Intention Resonator
• Cat Jones — Somatic Drifts

Digital Drawing and Painting

• Antonin Fourneau — Waterlight Color
• Rosalie Yu & Alan Chitayat — Skin Deep
• Tel Achituv — Universal Expression in Computer-mediated Paint
• Francisca Gonsalves, Ivo Teixeira, Rodrigo Carvalho & Tiago Rocha — Drippigment

Performance and Installation

• Byeongwon Ha — Endless Ripples: A Growing Interactive Donation Device
• Edmar Soria & Roberto Cabezas — Memoirs from Hiperreality
• Dean Terry — Error as Armor: Data Obfuscation in the Yakamoto Industries Project
• Lee Cheng — One and Three Launchpads
• Tiago Franklin Rodrigues Lucena, Talita Novacoski, Vinicius Oberleitner & Hygor Vinicius Pereira Martins — Online Social Network Based on Internet of Things and Habit of Drinking Coffee in South of Brazil
• Robert Lisek — Unrendered
• Juliana España Keller — A Performance Work By Sonic Electric

Sonic Art, Electro-Acoustical Instruments

• Edmar Soria — Lasciate Ogne Speranza Voi Ch’entrato
• Edmar Soria — Morphic Babylonia
• Josefin Lindebrink & Matthew Azevedo — Efterklang
• Ed Osborn — Terrainor

Participation, Urban Screen, Public Art

• Pete Froslie — Rendezvous
• Christoph Meyer — Rush Hour: Divergent Movement Teleporting
• Aquiles Hadjis — Outlining Presence, Punctuating Space
• Margarete Jahrmann — The Ludic Society’s Void Book soirées
• Paul Sermon & Charlotte Gould — Peoples Screen
• Jason Cheung Yi Kai, Trent Fealy & Matthew Riley — Aria (hk)

Hearing, Listening, Participating

• Jane Grant & John Matthias — Fathom
• Mathias Fuchs — 45 Revolutions
• Abby Aresty — Active Listener
• Michelle Lee & Darin Reyes — Soundscapes: Environment Generation through Voice, Ambient Noise, and Alternative Perceptions of Reality
• Blake Johnston & Henry Dengate Thrush — Your Hearing Them
• Seunghun Kim, Changheun Oh, Juhan Nam & Graham Wakefield — Sonic Participation in the Evolving Audio Feedback System

Digital Photography

• Peter Williams & Sala Wong — Conglomerate Distortions I: Japan X Taiwan X Hong Kong
• Vygandas Simbelis — Panorama Time
• Tamas Waliczky — Using Photography In My Computer Artworks
• George Legrady — Shifts in the Photographic Paradigm through Digitality and the Aesthetics of Noise
• Veron Sung — Vcyclescope Upcycling World
• Dorotea Etzler — Iphones: Hands at Work

Audiovisual Performance

• Paola lopreiato — Pieces And Parts
• Ian Willcock — Ways Of Seeing
• Patrick Lichty — The Revival of Slow Scan Television Art and the SSTV Open Archive
• Andreas Weixler & Se-Lien Chuang — The Colours of a Wooden Flute, ISEA2016 version

Digital Portrait, Social Network

• Chiara Passa — “Postcards from Beyond, from Elsewhere…” Series Of N Widgets
• Yu-Chuan Tseng — Digital Portrait Series: David & Amy
• Claire Jervert — Android Portraits
• Creama Wong & Claudia Rebola — Group Selfie: Pinhole Camera to Promote Interaction among People

Networked Performance

• Myfanwy Ashmore — New Machines for Inefficiency: A Device for Interacting with Strangers
• Mario Humberto Valencia Garcia & Elizabeth Granados Salgado — Restructuring the Presence and Movements of the Audience in Creating Telematics Models
• Ian Hatcher — Drone Pilot v0.4

No References (Satellite Event)

• Danny Yung — Video Circle
• Ellen Pau — Great Movement

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Institutional Presentations

Schools and Educational Projects

• Glenda Drew  & Jiayi Young  — Design @ University of California, Davis
• Michaela Ortner  & Christa Sommerer  — Selected lnterface Cultures Projects: Practice based Reseach on Interactive Art
• Matthew Riley  — Playful Studio Practice At MAGI, RMIT University
• Stahl Stenslie  — Education in Art and Technology at Aalborg University
• Vladislav Severtsev  — Online Education in Audio Visual Arts

Networks and Incubators

• Soh Yeong Roh — Art Center Nabi
• Vicki 5owry & Jonathan Parsons — Cultural Revolution: A Case Study of How Two Experimental Arts Organisations Are Surfing the Wave of Change in Australia.
• DAVID GUEZ & Anne Roquigny  — Hostanartist
• Kate Spacek & John Craig Freeman  — Zero1 American Arts Incubator

ISEA and Friends

• Hongbo Fu  — SIGGRAPH Asia 2016
• Cynthia Beth Rubin — ACM SIGGRAPH Digital Arts Community
• Andres Burbano & Danielle Siembieda-Gribben — LEAF
• Bonnie Mitchell & Wim van der Plas — ISEA Archives

Museums and Platforms

• Ying Wang & Yun-jou Chang — Cinevolution Media Arts Society
• Hannah Star Rogers  — Emerge: Artists and Scientists Redesign the Future
• Anna Szylar — Forming Historical Remembrance in the Digital Age: How Polish Interactive Museums Deal with National Heritage
• Stahl Stenslie — PNEK: Production Network for Electronic Art, Norway
• Ashley Wong — Sedition: Distributing Digital Art
• Anders Sundnes Løvlie — Meaningful Personalisation of Virtual Museum Experiences

Projects

• Marco De Mutiis  — Mapping the Phenomenon of In-game Photography
• Olga Mink — Hack The Body: Critical Reflection on the Blurry Boundaries between Intimacy, Privacy and Technology
• Marty St James & Steven Adams — Building a New Frankenstein
  Denis Astakhov & Sila Sveta — New Media as a Cultural Presentation Tool
• Ziva Ljubec, Mujin Bao, Stavros Didakis & Taqi Shaheeo — Technoetic Art in China: The Ascott Studio at DeTao Masters Academy, Shanghai

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Academic Satellite Events

Symposium on Gender/Queer Sexualities and Digital Activism

Panel 1: Sexually Explicit Imagery & Gender Politics in the Hong Kong Media Sphere

• Panel Intro — Sexually Explicit Imagery and Gender Politics in the Hong Kong Media Sphere
• Donna Chu — To Consent and to Resent: Discourses of Sexual Agency in Hong Kong Media
• Ching Yau — Sex for Work, Fun and Revolution in Early Hong Kong Media
• Katrien Jacob — Hong Kong Women’s Queer Port Tastes and Twink Fantasies
• Sonia Wong — Let’s Watch Porn: Pornography and Sexually Formation in Young Hong Kong Lesbians

Panel 2: Feminist Stirrings and Social Media in Mainland China

• Panel Intro — Feminist Stirrings and Social Media in Mainland China
• Holly Hou Lixian — Transcending Boundaries, Making Creative Resistance: A Study on the Young Feminist Activist Group and Their Online Activism in China
• Xiao Meili — Case Studies on Young Feminist Activists Using New Media

Panel 3: Ethnography of Gay Eroticism and Activism

• Panel Intro — Ethnography of Gay Eroticism & Activism
• Francesco Macarone Palmieri — 21st Century Schizoid: Bear Masculine Transitions Through Net Pornography
• Travis Kong — Resonse to 21st Century Schizoid: Bear Masculine Transitions Through Net Pornography