[Overview] [Presentations] [Workshops] [Art Events]
Keynotes
- Angie Abdilla — Opening Keynote
- Tamiko Thiel — XR extended reality artworks on social and cultural themes
- Postcommodity — A Matter of Worldview
- Tiare Ribeaux — Ulana me ke Malamalama – Weaving with Light: The Experimental Form as Decolonial
- Linda Candy — The Practitioner as Researcher: Creativity, reflection and new knowledge
Full Papers
1. Ecologies of place
- Bengi Agcal, Miles Thorogood & Aleksandra Dulic — Designing a Serious Game Utilizing Beaver Behavior for Water Responsibility Education and Communication
- Nick Atkins, Andrew Johnston & Baki Kocaballi — Message Bank: Time in Location-Based Media
- Leah Barclay & Toby Gifford — Listening to Rivers: Engaging Communities in Freshwater Conservation Through Real-time Audio and Locative Media
- Samuel Beilby — Machinic Paragenesis: Experiments in Handling Noise as an Artistic Material
- Andrew Burrell — overGround:underStory — More-than-human Storytelling with Silicon and Carbon Kin
- Syna Nan Chen, Patricia Flanagan & Haider Ali Akmal — Escaping Human Experience: An Entry into Otherness Through Wearable Technology
- Maria C. Correia & Aleksandra Dulic — The Sensual Experience of Waterways Immersive Exhibition: Applying the Visual Matrix Evaluatory Method
- Dan-Lu Fei, Zi-Wei Wu & Kang Zhang — “Benefit Game: Alien Seaweed Swarms” – Real-time Gamification of Digital Seaweed Ecology
- Patricia Flanagan & Runzhi Xue — After the Digital – Re-materialising Digital Ecologies of Craft
- Shoko Kimura, Ayaka Fujii, Kenichi Ito, Keisuke Kitagawa & Yoshinori Natsume — Experiment of Inclusive Quiet Room as a Chilling Out Space in a Media Art Exhibition
- Carlo Gioia — Art, Technology and Marginal Communities. “Il giorno in cui tornammo ai campi” as a case study
- Nagida Helsby-Clark — Turbulence as an immersive aesthetic for climate extremes
- Troy Innocent — Reworlding: Entangling Indigenous Knowledge and Posthuman Thinking Through Urban Play
- David Kim-Boyle — Sonic Ontologies of Place
- Jeong Han Kim — BirdMan VR: Binocular Rivalry and 4E Cognition
- Patrick Kruse, Ivana Družetić-Vogel, Anja Vormann & Christian Geiger — AR Poengsgenpark: Multiperspective Storytelling with Augmented Reality as an Attempt of Dialogue Facilitation in a Multifaceted Dispute
- Xinyu Ma & Zi-Wei Wu — From Engagement to Integration: Examining Participatory and Systemic Approaches in Contemporary Art Practices
- Nancy Mauro-Flude — Heritage Frontiers in Computational Media Art: The Oceanic provenance of Permacomputing and Codework
- Jon McCormack & Elliott Wilson — Holon: A Cybernetic Interface for Bio-Semiotics
- Elke Reinhuber, Benjamin Seide & Ross A. Williams — Different Layers of Reality. A Retrospective Evaluation on Diverse Possibilities for Digitally Preserving Memories of the Yunnan Garden as an Immersive Experience
- Clarissa Ribeiro & Rute Anacé — Talking Through Tubes: Molecular Ecologies of Place
- Louise Rollman — Collapsing City Narratives: Artistic Activism and Urban Ecologies in Strife
- Mrinalini Singha — Re-Worldings at MIT of Beaver Terrapolis Terristories
- Michael Trommer — Spectral Sound Systems: Mapping the Mnemonic Soundscape
2. Resilient stories
- Dusan Bojic — Take a deep breath: Spiroartis – The First Artbased Spirometry Platform for Adolescent Asthma Patients
- Zhiwan Cheung, Oksana Kryzhanivska & Pan Hui — A Matter of Orientation: Interactive Artwork Recasting Historical Artifacts in Latent Reality
- Mengyao Guo, Yuanlinxi Li, Yadan Liu & Ze Gao — Liaozhai in the Mirror: Exploring Gender Bias and Awareness through Utilizing Serious Games for Gender Education
- WhiteFeather Hunter — Bioart Coven — Co-creating community at the intersection of contemporary witchcraft and biotechnologies
- Raivo Kelomees — Self-surveillance and Self-perception in the Digital Arts
- Chang Liu, Chloë SzeWing Cheuk & Alvaro Cassinelli — An Augmented Reality Installation to Metaphorically Represent the Causes, Manifestations, and Consequences of School Bullying in East Asia
- Jinsil Hwaryoung Seo, Michael Bruner & John Alberse — Immersive Empathy: Developing Interactive 360-Degree Video Projects in Cylindrical Spaces for Social Awareness in a College Art Class
- Paul Sermon — The Dreaming in Telematic Dreaming and Other Stories
- Niharika Shah, Jennifer Seevinck & Heather McKinnon — Creating Conversations: Augmented Reality Experience Design Created to Prompt Conversations About the Australian Aged Care System
- Mingdong Song, Xindi Kang & Varvara Guljajeva — The First Room: An artistic expression combining traditional Chinese IChing culture and EEG technology
- Wim van der Plas — A Short History of the International Symposium on Electronic Art
- Zi-Wei Wu, Xiao-fu Jin, Dan-lu Fei, Yi-fang Wang, Guang-da Zhu & Kang-Zhang — “Hidden Incidents of Pet Food”: Portraying Taurine Deficiency in Cats
- Shujiao Xie & Kangyi Zheng — Transcending Time: The Resurrection of the Intangible Cultural Heritage of Sugar Painting through Human-Robot Dynamics in an “Everywhen” Perspective
- Zhino Yousefi & Claire Brunet — Embosom: Reimagining Home in the Diaspora through a Multi-Sensory VR Art Installation
4. Speculative practices
- Brandon Ables — Peripheral Interaction as Self-Hypnosis Arts Practice
- Quynh Nhu Bui & Lucian Rodriguez Lovell — Play to Preserve the Past: Design Considerations for the Transmission of Intangible Heritage through Augmented Reality
- L. Nicol Cabe — Have You Ever Had a Digital Milkshake Before? Ways of Working from Software Development, Traditional Theatre, and Fringe Festivals Blend Smoothly Together in OnBoardXR 6
- Stahl Stenslie & Zane Cerpina — Art After AI: Utilizing Artificial Intelligence in Art Creation
- Youngjun Choi & Jinjoon Lee — Monochromatic Urban Patchwork: Map of Averaged Urban Ambience
- Julie Y. Chu, Daria Tsoupikova, Harini Kumar & Kenzell Huggins — Fulfillment: A field guide to the logistical city
- Lauria Clarke — The New Uncanny: Stories for Liminal Technology
- Liliana Conlisk Gallegos — Monuments To The Pluriverse: A transfronteriza nepantlera’s approach to rasquache anticolonial artisanal or utilitarian new media art production
- Hugh Davies — From I-Ching to AI: Interrogating Digital Divination
- Johnny Diblasi — Gradient Topologies: Perpetual Tuning of AI Systems as Artistic Performance
- Juan Carlos Duarte Regino — Atmospheric Embodiment: tuning into the voice of the weather
- Steven Durbach — Preliminary Investigations on How to Love a Machine: Apprehending Art Through a Science Aesthetic
- Hin Nam Fong & Pak Hang Wong — An Image-based Multimodal Approach to Post-colonial Everyday Visual Experiences: A Case Study of Superimposition (UK-HK)
- Charlotte Gould — Hekateris Dance
- Grace Grothaus — Collaborations in Art and Science: Disciplinary Entanglements and Public Participation
- Varvara Guljajeva & Mar Canet Sola — We Are The Clouds: Blending Interaction and Participation in Urban Media Art
- Adnan Hadzi — Open Justice Transformations Impacting Extended Reality (XR) Environments
- Celine Pham, Philipp Wintersberger & Juergen Hagler — Animation in the Age of AI: Creative Dialog With Algorithms
- Hui-Ting Hong, Isadora Teles de Castro e Costa & Arnaud Tanguy — A Cross-Temporal Robotic Dance Performance: Dancing with a Humanoid Robot and Artificial Life
- Janina Hoth — The Un/natural Symbionts. Kombucha-Making as Social-Epistemic Practice
- Monika Jaeckel — Realizing noise: creating space for unknown expressions
- Minso Kim — When the Past Technology Comes to the Future Wearable Technology: Speculative Art Project Lock at First Sight (2020)
- Alex Lee — Performative 3D Agents leveraging Reinforcement Learning in the Fold
- Treva Legassie — The meander as curatorial technique for online exhibitions
- Yufan Li, Zhan Wang & Theo Papatheodorou — Staying Vigilant in the Age of AI: From Content Generation to Content Authentication
- Sijia Liu, Kexue Fu, Xiaoke Zeng & LC Ray — Falling Echoes: Expressing the Act of Falling in Dreams Through Generative AI
- Tiancheng Liu, Anqi Wang, Xinda Chen, Jing Yan, Yin Li, Pan Hui & Kang Zhang — PoEmotion: Can AI Utilize Chinese Calligraphy to Express Emotion from Poems?
- Chloe McFadden — Practices of Prediction: Tarot as a Lens for Disrupting ML Eventfulness
- Katri Naukkarinen & Aurora Del Rio — The Atomic Kinship: Re-Imagining Radioactive Agency Through Artistic Research
- Sarah Neville — Embodied and Enacted Futures as Artistic Practice
- Kendra Oliver — Bridging Disciplines: A Transdisciplinary Exploration of Music, Movement, and Microscopy
- Marilene Oliver & Scott Smallwood — Your Data Body
- Bilyana Palankasova — World-building through techno-scientific creative practice: a case study of workshops as material discursive curatorial tools
- John Power — An Interdisciplinary Methodology for Practice-Led Research in Public Ambient Installation
- Gail Priest — In_Listening_In: An Exploration of Ambisonic Audiography as an Alternative Approach within Sound Studies
- Heli Puhakka — Virtual Reality and Creativity: Evaluating Immersive Painting Experiences and Art-based Mindfulness
- Elke Reinhuber & Sebastian Pelz — The Boar in the Flower Shop – Exploring Synthography as a New Genre Beyond Photography
- Carol Sabbadini — The Orphanhood of the Archive in Contemporary Times: Between the Public and the Private
- Tuğrul Şalci — Stable Diffusion Denoising Path Orientation: Implementing L-System in Generative AI Model
- Samuel Swope — Enhancing Embodied Telepresence in First-Person View Drone Pilots through Real-Time Data-Driven Sound Design
- Mario H. Valencia & Elizabeth Granados Salgado — Designing telematic creation spaces: Active Tele-Spaces
- Teresa Veiga Furtado — DB: web art archive of multimedia labs for gender equality
- Carly Whitaker — The Start of a Networked Curatorial Dictionary…
- Hannen Wolfe, Anton Dimitrov & JoAnn Kuchera-Morin — Exhibition Spaces for Human-Robot Interaction Tactile Data Collection
- Shujiao Xie, Ina Conradi Chavez & Mark Chavez — Creating the “Everywhen” Urban Experience in Singapore: An Artist-Driven Interweaving of Time and Space Using AI-Powered Projection Mapping and Screen Installations
- Catty Dan Zhang — Interior Cities: Inhabiting Interactive Cityscapes through the Webcam and the Shared Screen
5. Fourth Summit on New Media Art Archiving
- Selcuk Artut — Media Archiving Tradition: Algorithmic Analysis and Preservation of Geometric Patterns in Historical Architectural Monuments
- Gregory Beller, Hugues Vinet & Guillaume Piccarreta — DAFNE+: Blockchain for Preservation and Valorization of Experimental Music and Sound Production
- Raquel Caerols Mateo & Felipe César Londoño — Latin American Media Art: Political Dimensions of the Archive of the International Image Festival
- Chih-Yung Chiu — An Interdisciplinary Practice-based Research on Constructing “Techno-Art Cloud Exhibition Platform”
- Louise Curham — Re-enactment, Users Manuals and DNA Storage: Methods for Media Art Preservation
- Yu-Chuan Tseng — Always On: Exploring Socially Engaged Internet Art in Taiwan
- Ze Gao, Zheng Wang & Xiaolin Zhang — Documenting the Ephemeral: Strategies for Preserving Early Internet Art
- Shuxin Wang, Simai Huang, Zerong Guo, Yifei Huang & LC Ray — What If Digital Information Dies? — An Interactive Experience for Digital Death
- Xuanyang Huang, Mingdong Song, Varvara Guljajeva, JoAnn Kuchera-Morin & Xindi Kang — Interdisciplinary Translations: Sensory Perception as a Universal Language
6. First Nations Perspectives
- Cynthia P. Villagómez Oviedo — Resonating with Nature: Mexican Electronic Artists’ Tribute to Pre-Columbian Heritage
7. Virtual Presentations
- Elena Giulia Abbiatici — The Demiurgical Principle of Digital Senses
- Luciana Lima et al — (In)Visible Women: Multidisciplinary Creation and Collaborative Re-search in Transmedia Art and Gaming in Portugal