[Overview] [Presentations] [Workshops] [Art Events]

---

Keynote Presentations

• Andy Bichlbaum & Mike Bonanno (the Yes Men) — Tactical and Creative Resistance
• Brian Massumi — Collective Expression: The Ecology of Thinking in Action
• Hildegard Westerkamp — The Disruptive Nature of Listening
• Dominique Moulon — Digital Art: A Contemporary Art
• Sara Diamond — Action Agenda: Vancouver’s Prescient Media Arts
• Michael Connor — Rhizome

---

Paper Presentations

Climate Change

• Susan Elizabeth Ryan — Hyperdressing: Wearable Technology in the Time of Global Warming
• Angus Forbes — Turbulent World: An Artwork Indicating the Impact of Climate Change
• Peter D’Agostino & David Tafler — World-Wide-Walks: Glaciers in the age of global warming

Environments + Ecology

• Teresa Connors — Audiovisual Installation as Ecological Performativity
• Ricardo Dal Farra — Breaking Paradigms: Electronic Arts & Humanitarian Actions
• Garth Paine, Leah Barclay, Sabine Feisst & Daniel Gilfillan — The Listen(n) project: acoustic ecology as a tool for remediating environmental awareness

Art, Wellbeing and Society

• Emily Ip, Sunmin Lee, Wynnie Wing Yi Chung & Thecla Schiphorst — A Wearable Experiment to Radiate Prosocial Wellbeing Through Psychophysiological Mirroring of Laughter
• Gail Kenning — Art, Affect and Aging: Creativity vs Deficit
• Bec Dean — The Artist is Patient: Collaborative Biomedical Art and Curatorial Care
• David Dowhaniuk — Personal Nature: An Artist’s Approach to Assistive Technology

Communities: Culture and Art in the Field

• Shelly Farnham, Jeff Brice, Genevieve Tremblay & Ana Pinto da Silva — Fostering A Community of Innovation at the Intersection of Art and Technology in the Pacific Northwest
• Anja Venter — Smash the Black Box: designing for creative mobile machinery
• Jiayue Cecilia Wu & Francois Conti — The Virtual Mandala

Intangible Heritage

• Annie On Ni Wan — Can Art Save Hong Kong? A Case Study of Preserving Hong Kong Cinema as an Intangible Cultural Heritage
• Jacek Smolicki — De-totalizing capture: on personal recording and archiving practices
• Jonathan Amakawa — Historical Residue: an Augmented Reality App and the Exploration of the Lost Town of New Philadelphia, Illinois
• Kate Hennessy, Claude Fortin, Aynur Kadir, Reese Muntean & Rachel Ward — Producing New Media Ethnographies with a Multi-Sited Approach

Cities and Urbanism

• Edward Johnston, Michael Richison & Marina Vujnovic — Augmented Asbury Park: Disrupting the Present with Remnants of History in Augmented Reality
• Jenny Filipetti — Cart(ont)ology: Mapping Self-as-Network in Three Carts
• Yun Tae Nam — White Night Melbourne in 2013 and 2014: Disruption or Contribution Toward the Socially Engaged Public (Art)?
• Laura Lee Coles — Disrupting Conventional Boundaries of Public Art In Urban Space
• Sandra Álvaro Sánchez — Disruptive strategies in the Postdigital city
• Michael Hornblow — O’megaVille: Excursions in Planetary Urbanism

Communities: Public Art

• Paul Sermon, Claire McAndrew & Swati Janu — 3×4: Exploring metaspace platforms for inclusive future cities
• Claude Fortin & Kate Hennessy — Designing Interfaces to Experience Interactive Installations Together
• Charlotte Gould & Paul Sermon — Occupy the Screen: A case study of open artworks for urban screens

Exploring Culture through Visualization and Interaction

• Paula Levine & William Hsu — City to City
• Geoff Hinchcliffe — DaDa Visualisation
• Jing Zhou — Living Mandala: The Cosmic of Being
• Yara Guasque — Reopening the inscription Rodrigo Arteaga: from the inscription to the phenomenon
• Scott Hessels — Too Big To See: The Need for Design Strategies to Visualize Multiple Spatiotemporal Datasets

Interactive Text

• Daniel Temkin — Esolangs as Experiential Art
• Maryse de La Giroday & Raewyn Turner — Steep (I): a digital poetry of gold nanoparticles
• Leslie Nobler — The Scroll Unfurled: Ancient to “Vanguard”
• Anastasios Maragiannis & Janis Jefferies — ‘Twitter’: Practice in Writing, a recipe for Creativity & Creative Interpretation
• Lotte Philipsen — Aesthetic Experience by Proxy: Science Description and Science Fiction in New Art Practices
• Cecile Le Prado, Stephane Natkin & Lubna Odeh — Comparing two Sound Design Styles: Between Determinism Emergence and Interactivity
• Alessandro Ludovico — Printed radicality
• Álvaro Seiça — The Digital Diasthima: Time-Lapse Reading Digital Poetry
• Simone Osthoff — The Suplemento Dominical do Jornal do Brasil: Art, Poetry, and Media Design in Yellowed Newspapers and Digital Archives

Surveillance

• Annina Rüst — Participatory (Counter-)Surveillance and the Internet
• Margaret Seymour — Remote and Embodied Sensing: observations on interactive art and politically engaged practice
• Tom Kohut — Towards an Autopoiesis of Surveillance
• Leo Selvaggio — URME Surveillance: Analyzing Viral Face-crime

GeoPolitics and Activism

• Tugce Oklay — An Aesthetic Reading of Online Artivist Projects
• Tomas Laurenzo — Geopolitical Subjectivity
• Andreas Zingerle — Scambaiters, Human Flesh Search Engine, Perverted justice, and Internet Haganah: Villains, Avengers, or Saviors on the Internet?
• Vicki Moulder, Michael Heidt & Lorna Boschman — Transcoding the Aesthetics of Activism

Disruptive Methodology

• Je-Ho Oh & Chung-Kon Shi — Disruptive Aesthetics for Interactive Artwork
• Aisling Kelliher & Daragh Byrne — Research through Design, Documentation, Annotation, and Curation
• Donna Szoke — Researchify: Artists’ Research as Disruption

Bodies and Presence

• Louise Boisclair — “Chair de lumière” by Marjolaine Béland: How Disruptive Conditions and Mimicry Capture Attention and Favor Empathetic Resonances
• Carolina Bergonzoni — Alea (iacta est): Dance of Presence
• Bill Hill — Augmented Simulacra: conditioning the post-digital body
• Andrea Sosa — Multiple Bodies in Interactivity: Representations and pathways of the corporeal
• Julie Akerly — Post-Humanism in Post-Modern Dance

Embodied Interaction and Dance

• Megan Beckwith & Kim Vincs — Parallax: Dancing the Digital Space
• Greg Corness, Jinsil Hwaryoung Seo & Kristin Carlson — Perceiving Physical Media Agents: Exploring Intention in a Robot Dance Partner
• Mark Hursty & Victoria Bradbury — Puzzling Gestures: Creating a Teleoperated Interactive Artwork About Tactility, Structure and Movement

Expanding Performance

• John Toenjes & M. Anthony Reimer — LAIT, The Laboratory for Audience Interactive Technologies: Don’t “Turn it Off”; “Turn it On!”
• Christopher Bishop, Mark Guglielmetti & Vince Dziekan — Mashup Realities: Exploring Experience in Networked Interactive Environments for Dance
• Shannon Cuykendall, Michael Junokas, Kyungho Lee, Mohammad Amanzadeh, David Kim Tcheng, Yawen Wang, Thecla Schiphorst, Guy Garnett & Philippe Pasquier — Translating Expression in Taiko Performance
• Jordan Vincent, Kim Vincs & John McCormick — ‘Splitting Centre’: directing attention in trans-media dance performance
• Carla Capeto — Dramaturgy as an enquiry on how interweave space, body and technology in performative interactive installations
• Claudia Núñez-Pacheco & Lian Loke — The Felt Sense Project: Towards A Methodological Framework For Designing and Crafting from the Inner Self

Movement and Bodies

• Michael Junokas, Kyungho Lee, Mohammad Amazadeh & Guy Garnett — Capturing and Recognizing Expressive Performance Gesture
• Lise Hansen — From scripts to scores: Movement as an embodied material for digital interaction
• Alice Ming Wai Jim — Technologies of Self-Fashioning: Virtual Ethnicities in New Media Art

Immersion

• Jinsil Hwaryoung Seo & Greg Corness — Aesthetics of Immersion in Interactive Immersive Installation: Phenomenological Case Study
• Ian Hattwick, Valerie Lamontagne, Christopher Salter, Marcello Giordano, Ivan Franco & Marcelo Wanderley — The Ilinx Garments: Whole-body tactile experience in a multisensorial art installation
• Katerina Kontini, Dimitris Charitos, Iouliani Theona & Mike Philips — Investigating the artistic potential of the fulldome as a creative medium: the case of the E/M/D/L project

Bio-Art

• Name removed, Diane Gromala & Xin Tong — Grene Epiphytes, an Immersive Bio Artificial-Life Artwork
• Marta Heberle — Living media: Transgressing bios, transgressing techne and paving the way to further transgressions
• Patricia Badani — Radical Reordering: bit-size chunks in the AL GRANO project
• Clarissa Ribeiro & Huanqi Zhu — Owner of a Lonely Heart: (Danio rerio) Embryonic Heartbeats
• Melentie Pandilovski — Toxicity at the Equidistance of Biotechnology and Biopolitics
• Diego S. Maranan & Angelo Vermeulen — When Ideas Migrate: A Postcolonial Perspective on Biomodd [LBA2]

Liquid Transformations

• Jean Brundrit — At sea with the past: reflections on an artwork
• Christoph Theiler & Renate Pittroff — Fluid Control: Media Evolution in Water
• Zelf Koelman, Mark J. de Graaf & Hans J. Leeuw — From meaning to liquid matters
• Karen Cochrane, Prophecy Sun, Kristin Carlson, Maria Lantin & Thecla Schiphorst — Mother, Body, and Weather: An Artistic Exploration of Transcending the Physical Experience of Motherhood

Interacting with the Virtual

• Saeedeh Bayatpour, Ulysses Bernardet, Steve Dipaola, Alexandra Kitson & Bernhard Riecke — Exploring Facial Expressions for Human-Computer Interaction: Combining Visual Face Tracking and EMG Data to Control a Flight Simulation Game
• Rewa Wright — Mobile Augmented Reality Art and the Politics of Re-assembly
• Priyanka Borar — Puppetree: a remediation of theatre, from spectatorship to co-authoring
• Timothy Barraclough, Dale Carnegie & Ajay Kapur — Pyxis Minor: App Design for Novel Social Music Experiences

Virtual Reality

• Daria Tsoupikova, Scott Rettberg, Roderick Coover & Arthur Nishimoto — Hearts and Minds: The Residue of War
• Karin Guminski, Christoph Anthes & Marlene Brandstätter — Sen-se-paration
• Yun Tae Nam — Unified Physical and Digital Experiences: Exploring Art and Digital Media via Augmented Reality Interface
• Seth Thompson — VR Panoramic Photography and Hypermedia: Drawing from the Panorama’s Past

Sculpture

• Kevin Badni — Creating Observational 3D Sculptures
• Michael Blow — Disrupted Architecture: Reimagining Buildings through Sound
• Mark-David Hosale — homunuculus.agora (h.a), an architectonic art installation
• Mo H. Zareei, Dale A. Carnegie & Ajay Kapur — Noise Square: Physical Sonification of Cellular Automata through Mechatronic Sound-sculpture

Robots

• Jason Long — Augmenting Virtual Worlds with Musical Robotics
• Gregory Garvey — Disruptive Behaviors: AI, Robots and the Autism Spectrum Disorder
• Shannon Mcmullen & Fabian Winkler — The Algorithmic Gardener: Tales of Nature and Code
• Elizabeth Demaray, Qingze Zou, Ahmed Elgammal & Simeon Kotchoni — The IndaPlant Project: An Act of Trans-Species Giving

MetaCreators: The Generative Artists

• Arne Eigenfeldt — A Composer’s Search for Creativity Within Computational Style Modeling
• Francesca Franco — Disruptive Systems and Organizing Principles in Generative Art: Two cases (1980-ongoing) by British artist Ernest Edmonds
• Christiane Paul — From Immateriality to Neomateriality: Art and the Conditions of Digital Materiality
• Jessica Rodríguez & Rolando Rodríguez — LiveCode Readings: Algorithms viewed as text

Generation and Human Factors

• Carl Diehl & Lindsey French — Antonymic Exchange
• John McCormick, Steph Hutchison, Kim Vincs & Jordan Beth Vincent — Emergent behaviour: learning from an artificially intelligent performing software agent
• Steph Hutchison, John McCormick & Kim Vincs — META: Notes From A Dancer From Inside A Duet With An AI Agent
• David Cotterrell & Jordan Kaplan — Ostrich Effects
• Simon Laroche & Etienne Grenier — Project EVA: Subservient Techno for Subservient Minds

Generative Visuals

• Daniel Hawkins, Devin Cook & Philippe Pasquier — Comedy53: A system’s design for generating image and text to create humorous comics
• Aleksandra Dulic, David Kadish, Homayoun Najjaran & Kenneth Newby — The Order of Passions: A Portrait of Polyphonic Canada
• Francois Lemarchand — Visual Arts Creation Assisted by BICASSO: Brain-Inspired Computationally Aesthetic Selective Savant and Observer

Networked and Mobile Sound

• Oliver Bown, Lian Loke, Sam Ferguson & Dagmar Reinhardt — Distributed Interactive Audio Devices: Creative strategies and audience responses to novel musical interaction scenarios
• Rocio von Jungenfeld — The Audiovisual Ghetto Blaster Effect
• Ben Houge & Javier Sanchez — The Tomb of the Grammarian Lysias: Real-Time Performance and Crowd-Distributed Music Diffusion with Networked Mobile Devices
• Jeffrey Morris — Weblogmusic: A Performance Platform for Individually Time-Shifted Improvisers

Generative Sound

• Sarah Opolka, Philipp Obermeier & Torsten Schaub — Automatic Genre-Dependent Composition using Answer Set Programming
• Eric Heep & Ajay Kapur — Extracting Visual Information to Generate Sonic Art Installation and Performance
• Arne Eigenfeldt, Oliver Bown & Benjamin Carey — Manifesto for a Musebot Ensemble: A platform for live interactive performance between multiple autonomous musical agents
• Evan Merz — Musical Structure Imitation using Segmentation, and k-Nearest Neighbors (kNN)

Brains in Electronic Arts

• Jill Scott — ESKIN: Disruptive potentials for Transdisplinary Teams
• Kellyann Geurts & Mark Guglielmetti — Imagining Thought in Digital Space
• Mirjana Prpa, Bernhard E. Riecke & Svetozar Miucin — State.scape: a brain as an experience generator
• Ellen Pearlman — The Brain As A Hackable Driver

Smart Materials

• Aleksandra Kaminska — Designing Nano-Media Across Disciplines: Circular Genealogies and Collaborative Methodologies at the Optical Frontier
• Neil Glen — Frozen: Exploring creativity and the process of making using photogrammetry
• Jessica Berry & Jinsil Hwaryoung Seo — Incorporation of Shape Memory Polymers in Interactive Design
• Shih-Yuan Wang, Yu-Ting Sheng, Alex Barchiesi & Jeffrey Huang — Transient Materialization: Ephemeral Material-oriented Digital Fabrication

Interacting with Visual Art and Graphic Design

• Bill Manaris, David Johnson & Mallory Rourk — Diving into Infinity: A Motion-Based, Immersive Interface for M.C. Escher’s Works
• Kristine Diekman & Tony Allard — Drawing_in_the_Media_Stream
• Jonathan Hanahan — From A-ha to Oh Shit: From Graphic Design to Glitch Design
• Tara Elizabeth Cook — The Image Compressed

Evaluation and Valuation

• Andrew Newman — Experiments in art and value: burning Bitcoins to buy Ai Weiwei
• Russell Richards — Responsive Environments and Protagonism: The Sustenance Principle
• David R. Burns — The Economic Valuation of Digital Media Arts
• Gerald Nestler — The Renegade or an Aesthetics of Resolution
• Christa Sommerer & Laurent Mignonneau — The Value of Art: Transforming User Attention into Monetary Value in a Series of Interactive Artworks

Subversion Conceptions

Raivo Kelomees — Artist’s experiment and scientific experiment: the “provability” and creative distinctiveness of an artwork
Julian Stadon — Hybrid Ontologies: An Attempt to Define Networked Mixed Reality Art
Lizzie Muller, Jill Bennett, Lynn Froggett & Vanessa Bartlett — Understanding Third Space: Evaluating Art-Science Collaboration

Curation

• Suzy O’Hara — An investigation into the impact of collaborations between the commercial digital and artistic sectors on the curatorial realm
• Deborah Turnbull Tillman & Mari Velonaki — Curating: a disruptive technique for disruptive technologies
• Daragh Byrne & Aisling Kelliher — Identifying community resources using data mining, crowdsourcing, and networked co-curation

DIY Instruments and Sound

• Byeongwon Ha — A Pioneer of Interactive Art: Nam June Paik as Musique Concrète Composing Researcher
• Diana Cardoso & Paulo Ferreira-Lopes — DMIs Among The Others: Live at the concert hall
• Patrick Saint-Denis — The Lungta Project: Physical Visual Music
• David Strang & Vincent van Uffelen — transmission+interference: noise, resonance and territory

DIY Processes

• Abigail Susik — Mimesis And Code: The Aesthetics of the Microcontroller in New Media Art
• Alessandro Ludovico — Against the Looping Stupor: Regaining a Perspective on DIY
• Tim Shaw & John Bowers — Public Making: Artistic Strategies for Working with Collections, Technologies and Publics
• Miguel Valenzuela — Redundant Technology: Disrupting Lineal Narratives

Theory and Critique

• Sophie-Carolin Wagner — Change: The aporia of conservation and subversion
• Ko-Chiu Wu, Saiau-Yue Tsau & Yu-Chun Lin — Floating Identities: Me, Her and Us. An Interactive Site-Specific Art Installation Based on Adler’s Inferiority Complex to Conclude the Detachment and Reform of Modern Females
• Eileen Skyers — On Internet Art: A Critique of the Imperceptible Interface
• Kevin Hamilton & Katja Kwastek — Slow Media Art: Seeing Through Speed in Critiques of Modernity

Navigating Communities and Data

• Giselle Beiguelman — Aesthetics of the Digital Ruins and the Future of Art Conservation
• Filipe Pais — Infiltration, decontextualisation, appropriation and hoax: Medium Reflective artworks in the age of electronic crowds
• Claire Hentschker & Ali Momeni — Statuevision: A participatory, collaborative, cross-generational, urban intervention with public monuments as primary content

---

Poster Sessions

• Lisa Marie Patzer — aka Profile Glitch
• Brad Tober — Colorigins: Disrupting Color Theory Pedagogy with a Tactile Color Mixing and Matching Game
• Bozena Kaminska et al — Designing Nano-Media: How to Build a New Media Surface with Extraordinary Optical Effects and Data Storage at the Nano Scale
• Simon Fay, Oksana Kryzhanivska & Jeff Boyd — Disturbed System
• Daniel Cermak-Sassenrath, Ayaka Okutsu & Stina Hasse — Electromagnetic Landscape: Very Disruptive Volcanos
• Martin Zeilinger — Making Data Felt: Untitled Bombardment Visualization
• Stahl Stenslie — Performing The Body And Space With Somatic Sound
• Anna Lindemann & Eric Lindemann — Rhythm Zoo: Musical Composition Modeled on Genetic Networks
• Michael Kuetemeyer & Anula Shetty — Time Lens: Interactive Art Project
• Ana Jofre — Anthropomorphic Things: Disrupting the Boundary Between Subject and Object
• Saila Susiluoto, Mika ‘Lumi’ Tuomola, Shakti Dash, Antti Nykyri & Rasmus Vuori — Antikythera: Tactile audiovisual poetry app for tablets
• Margaret Schedel & Perrin Meyer — AVB: A New Protocol for Multi-Channel Multimedia
• Joan Truckenbrod — Coding to Create Art in 1975
• Joan Truckenbrod — Collaborative Disruption: Video vs Object vs Video
• Abraham Avnisan — Collocations
• Michaela Lakova — DEL? No, Wait! REW: The Impossibility of Authenticating Erasure
• Leslie Nobler — Disruption in Reconstruction
• Margaretha Haughwout, Tara Hui & Ian Pollock — Guerrilla Grafters
• Alexander Berman & Valencia James — Improvising virtual dancer meets audience: Observations from a user study
• Chiara Passa — Live sculpture
• Amanda Tasse — MIRAWORLD: poetic science as design methodology
• Karl Baumann — Old Tech and New Spaces: Repurposing Payphones for Community Design
• Martha Ladly, Ana Jofre, Laura Wright & Bryn Ludlow — Postcard Memories: an interactive tablet application for elders with dementia
• Wynnie Wing Yi Chung, Emily Ip, Sunmin Lee & Thecla Schiphorst — Repurposing Laughter in a Wearable Design for Social Interaction
• Karin Guminski, Christoph Anthes & Marlene Brandstätter — Senseparation
• Vicki Moulder & Michael Heidt — The Aesthetics of Activism: See-through Effect
• Victor Zappi & Andrew McPherson — The D-Box: How to Rethink a Digital Musical Instrument
• Richard Holeton — Thirteen Ways of Killing a Scrub-Jay
• Anis Haron & George Legrady — Wave voxel: A multimodal volumetric representation of three dimensional lookup tables for sound synthesis
• Andreas Zingerle & Linda Kronman — ‘Let’s Talk Business’: an Installation to explore online scam narratives

---

Artist Talks 

• Christopher Coleman — 3D scanning, Animation and VR: the Media of METRO: Re/De-construction
• Karla Brunet — ThalassoGlitch: Disruption on the oceans and data bending
• Erik Zepka — ‘xoxox.com’, ‘phonics abrogate’ and ‘rust chortle effete’
• Austin Stewart — Second Livestock
• Davis & Davis — Hauling Ice
• Jody Zellen — Expanding Net Art to Mobile Art
• Robert Lisek — Deciphering Randomness
• Agoston Nagy & Bence Samu — Shape Composer
• Michael Rodemer — Some thoughts about Time
• Adam Trowbridge & Jessica Westbrook — polyCopRiotNode_
• Milena Szafir & Clarissa Ribeiro — MindRemix (navigational extra-sensorium)
• Abbey Hepner — Nuclear Illuminations
• Josh Harle — PirateMaps: disruptive WiFi map server on Raspberry Pi
• Ana Jofre — Anthropomorphic Objects
• David Simons — antiThesis: InnaGadda Detective
• Paul Sermon & Charlotte Gould — Occupy the Screen
• Simon Biggs — A Language Apparatus
• Dominique Zeltzman — Radical Home: Container as Social Construct, Seducing the Ghost Through the Lens of Performance and Video
• Mari Ohno — Acoustic Cluster
• Mari Ohno — Floating Sound
• Mari Ohno — Speaking Clock
• Michaela Davies — Duty
• Michaela Davies — Game On
• Bill Vorn & Louis-Philippe Demers — Inferno, A Participative Robotic Art Performance
• Andy Weir — Data Panic
• Adam Brown — ReBioGeneSys: Origins of Life
• Maurice Benayoun — Connecting and Disrupting Public Spaces: from the “Tunnel under the Atlantic” to the “Open Sky Campus”
• Sarah Sweeney — The Forgetting Machine
• Amanda Newall & Antti Sakari Saario — The Hoover Diaries
• Yael Braha — illUmiNations: Protecting Our Planet
• Maziar Ghaderi — Mexe: Wearable Technology and Capoeira Performance (a Playformance Project)
• Raivo Kelomees — Conceptualization of audience participation in interactive documentary
• Victoria Gibson — Bandwidth: Interactive Installation, an exploration of Integrated Media Art
• Agoston Nagy — U-lang
• Martin Bricelj Baraga & Slavko Glamocanin — DarkStar
• Jennifer Weiler — Mushi
• Dani Ploeger — Live demonstration of Ascending Performance 2013
• Andrew Hugill & Jo Lawrence — Land of Lace
• Tracey Benson — Words for Water and Finding Ghosts: Disrupting ideas of place
• Anna Davidson & Mark Chang — The Plant Theremin
• Maria Papadomanolaki — A certain geography: disrupting site-specific sound through networked performance
• Azadeh Emadi — Motion within Motion: pixel, frame, body
• Deborah Cornell & Richard Cornell — Dys/onance and Dys/ruption: Collaboration in video, print and sound
• Andrea Polli, Erin Fussell & Rachel McCauley — g_olo_g: Choreographing with Networked Mobile Media
• Ana Carolina von Hertwig — Unfinished Business
• Tatsuya Ishikawa — Where Virtual Image is Formed
• Gregory Beller — The Sound Space
• Joanna Bonder & Adam Polaczek — Camera Linea
• Yun Song & Jong-Soo Choi — Noise
• Pirkka Åman, Lukas Kuehne, Ava Grayson & Karina Jensen — Passio Musicae Open Source: Interactive Sonification of the Sibelius Monument
• Marten Berkman — Remote Sensibility: the ecology of perception
• Michael Krzyzaniak & Garth Paine — Kiki
• Catalina Cortazar Valdes — Search Behind the Scenes
• Thomas Defrantz — The Weight of Ideas: Demonstration of Kinect Interface
• Tatsuo Unemi & Daniel Bisig — Visual Liquidizer or Virtual Merge
• Matteo Crivella — Resonating Rotation of a Rigid Body
• Abhishek Narula — Kinetic Voices: A Tangible Musical Experience
• Peter Bosch & Simone Simons — Mirlitones, a physical and sensorial sonic experience
• Stefhan Caddick — Gulliver
• Yoki Lee Yung Ki, Leong Pui Yee, Tarr Kálmán & Tomás Laurenzo — RUDEbot
• Birgitta Cappelen, Anders-Petter Andersson & Fredrik Olofsson — Polly: Disruptive Changes of Practises, Expressions and Experiences
• Jacek Smolicki — On-going project: on tactical archiving of one’s life via digital instruments
• Cynthia Naggar — They watched the sea! (ils ont regardé la mer!)
• Tomás Laurenzo & Christian Clark — Barcelona
• Jaden Hastings — Experimentation as Performance
• Jaden Hastings — x0 Planet
• Jaden Hastings — Echoes of Alakiwohoch
• Sherman Finch — Symphonic Infinitum 2015
• Philip Galanter — Xepa: Autonomous Intelligent Light And Sound Sculptures That Improvise Group Performances
• Denis Farley — Interference (Tracking the unseen)
• Nipesh Palat Narayanan, Girish Chandran & Jhanu Chanthar — Selfie of an Indian City
• Ben Lacker — New Interfaces for Data-Driven Musical Interaction
• Sasha de Koninck — Garments for Uncomfortable Social Situations
• Linda Kronman, Andreas Zingerle & Ushi Reiter — Behind the smart world: analyzing 22 hard drives from a West African e-waste dump
• Elke Reinhuber — VENOMENON: an immersive video installation to evoke counterfactual thoughts
• Alexander Thumm — Pallas of Vines: Branched and Nested Relationships in Video Game Performance and Play
• Nicole Clouston — Artist as Researcher: Knowledge at the intersection of art and science
• Sheryl Oring — I Wish to Say
• Josephine Starrs & Leon Cmielewski — The Future Is Unmanned
• Claudia Pederson & Nicholas Knouf — Art for Spooks
• Mike Hornblow — O’megaVille: excursions in planetary urbanism
• Laurel Terlesky — Intersubjectivity of Touch through the installation project: Hallowed Winds
• Erin Smith — Growables
• Donna Szoke — New Work, or, Automatic Control and Utopian Media Devices
• Zane Cerpina, Julija Spicina & Stahl Stenslie — Earth Cancer
• Lisa Seidenberg — Sky Is Not The Limit
• Meredith Tromble — Dance Vortex: Work-in-Progress
• Francois-Joseph Lapointe — Big Data / Big Problem (The Making of “Artist’s Shit 2.0”)
• Gary Craig Hobbs — We Come In Peace
• Brook Pearson & Nathan Fabian — Imaginary Cities: Graffito Series α
• Eva Sjuve — Metopia
• Colleen Ludwig — Pod.Field
• Sarah Lahti & Jesse Gonzalez — Decoration as a Form of Disruption
• Tiffany Sanchez — Mesquite: Grafting the organic with the digital
• Matthew Garcia — Community Language Space: Reimagining Endangered Indigenous Language through Interactive Art
• Liam Jefferies — From Space to Interface
• Yeohyun Ahn — TYPE+CODE!!!
• Stephen Black & Eugene Soh — SPOKEN: A Disruptive Phenomenon of Virtual Reality, Visual Art and Creative Writing
• Peter Mcnestry — Abandoned Urban Space / Holy Visions
• Laura Curry — Bicycles and Bodies at the Edge of Roadway Design
• Ben Bogart — Watching and Dreaming
• Marie Lelouche, Antoine Barlet & Cécile Picard-Limpens — I Am Walking In: an interactive sound installation that makes listening to space
• Eric Smallwood — The Octava Project: Reimagining Concerts in the Moment
• Margaret Dolinsky & Roger Hangarter — The Leaf as Artistic Easel: Painting with Chloroplasts
• Aina Braxton & Kaylin Norman-Slack — Movement and Sound: a Pathway to Increasing Immersion in Digital Environments
• Rebekah Blesing — Mined Intervention
• Jesse Jackson & Luke Stern — Marching Cubes Made Physical
• Sujan Shrestha — Visual composition with shapes and lines in a three-dimensional perspective
• Peter Hassall, Yulius Yulius & Omnia Amin — Dynamic Kaleidoscope of World Languages in Dubai
• Margaret Dolinsky & Ed Dambik — Hardwired
• Kelly Dobson, Mengyu Chen, Rebecca Conrad, Samuel Galison, Akiko Hatakeyama, Cho-Tao Huang & Xin Liu — The Energy Propagated
• Nancy Lee & Kiran Bhumber — Pendula
• Harshit Agrawal — Creating New Ways of Experiencing and Expressing Poetry
• Jim Bizzocchi, Arne Eigenfeldt, Miles Thorogood, Matt Horrigan, Jianyu Fan, Le Fang & Justine Bizzocchi — Seasons: A generative audio-visual experience
• Joel Ong — Forced Intimacy and The Post-Immersive, Parametric Soundscape
• Ann Morrison — Vibrotactile Language: Bi-directional Interaction between a Vibrotactile wearable vest and a Vibroacoustic Humming Wall
• Hye Rim Lee — Black Rose Lucid Dream work in progress
• Suzi Webster — Electric Heart
• Cecile Le Prado — The Listening Walker: Interactive Sound Walk in a Virtual City
• Julia Litman-Cleper & Alex Cruse — Unraveling Augmentation: Imaginal Biological Architectures and their encounter with Digital Information Processing
• Colin Ives — Work in Progress: The Sinuous Index
• Jessica Arseneau — Walking A Cappella
• Judith Doyle — GestureLab: Workshop as Case Study
• Kate Macdonald & Les Sears — Disrupt! Light Interventions in Public Spaces
• Jennifer Mawby — @Xcerpt: an experimental social media narrative project
• Byron Rich, Heather Brand & John Wenskovitch — IMMOR(t)AL: Biopolitics, Body Sovereignty, and Scientific Practice
• Peter d’Agostino — World-Wide-Walks / between earth, sky & water / Ice-Deserts
• Laleh Mehran — Middle East Politics and The Cube
• Helena Lambrechts, Dieter Brusselaers & Benjamin Vandewalle — Proceedings of artistic research project Peri-Sphere: the choreography of the gaze through analog embodiment
• Akiko Hatakeyama — Soak
• Bruce Charlesworth — Retraction: An Interactive Narrative Environment
• Allison Moore — Suburban Terrarium: Video Dioramas.
• Patrick Lichty — Revivication of an (un)Dead Medium: Experiments in Slow Scan Television and the Open Source SSTV Art Archive.
• Benjamin Grosser — Privacy Through Visibility: Disrupting NSA Surveillance With Algorithmically Generated “Scary” Stories
• Frederick Ostrenko — [HIVE] High-performance Interactive Visualization and Electroacoustics
• Urich Lau — Video Car 3.0
• Carole Woodlock & Peter Byrne — Collaboration, change and dislocation: Two Painters reinventing their creative voice through digital entanglement
• Claudio Rivera-Seguel — Sonic/Reflection
• Kristin Stransky — Common/Myth: FabLinks
• Michael Century — Artist Talk

---

Panels & Round Tables

PANELS

• Arthur Lara, Aila Silva, Antonio Ferreira Junior & Denise Melo — Digital performance in flesh and bones
• Martin Kusch, Dimitris Charitos, Mike Phillips, Marie-Claude Poulin, Ruth Schnell & Thomas Dumke — EMDL: European Mobile Dome Lab for Artistic Research
• Nicholas Knouf, Claudia Pederson, Jennifer Gradecki & Derek Curry — Poetic Disruption in a Time of Surveillance
• Elif Ayiter, Diane Gromala, Mike Phillips & Paul Thomas — Didactic Disruption: Roy Ascott’s Models for Arts Education and Research
• Anna Everett, D. Fox Harrell, Jennifer Jenson & Soraya Murray — The Visual Politics of Play: On The Signifying Practices of Digital Games
• Lorna Boschman, Michael Heidt, Vicki Moulder & Robin Oppenheimer — Analyzing Disruptive Tactics and Strategies in Media Activism
• Claude Fortin, Jean Dubois & Dave Colangelo — Disrupting the City: Using Urban Screens to Remediate Public Space
• Artur Matuck, Antonio Herci & Ivaldo Brasil — Media design as a creative language, the artist as meta-artist
• Beryl Graham & C.E.B. Graham — New Collecting: Curating After New Media Art
• Carlos Castellanos, Tyler Fox, Tagny Duff & Matthew Garcia — Human/Non-Human: Biologies, Ecologies and Subjectivities in New Media Art
• Catherine Richards, Maria Lantin & Maureen Matthews — Objects and Agency: Art, Digital Media, Anthropology
• Charissa Terranova & Yvan Tina — Complexism: Art + Architecture + Biology + Computation, A New Axis in Critical Theory? (part 1 and 2)
• Donna Cox — 30+ Years of Artistic Data Visualization: evolution, trends, opportunities
• Gillian Russell, Dani Admiss & Craig Badke — Disruption Through Design: Critical Exploits and Spaces of Possibility
• Léon McCarthy, Steve Gibson, Jackson Twobears & Leonard Paul — Disrupting audio-visual paradigms with real-time technology
• Lizzie Muller & Caroline Langill — Curating Lively Objects: Post-disciplinary perspectives on media art exhibition
• Stahl Stenslie & Christa Sommerer — Pain, Art and Communication
• Terry Flaxton, Charlotte Humpston & Leon Gurevitch — Waves of Technology: The Hidden Ideologies of Cognitive Neuroscience and the future production of the Iconic

ROUNDTABLES

• Don Sinclair, Joanna Berzowska, Marek Hatala & Mark-David Hosale — Computational media technology programs in Canada
• Martin Zeilinger, Skot Deeming, Eddo Stern, Lynn Hughes, Isabelle Arvers & Matteo Bittanti — The Gallery At Play: On the Politics of Exhibiting Game Art
• Paul Benzon, Matthew Schilleman, Sarah Sweeney, Seth Ellis, Amaranth Borsuk & Nick Montfort — The Aesthetics of Erasure
• Daniel Ploeger, Diana Damian-Martin & Irini Papadimitriou — Materialness, Consumer Technology and Electronic Waste
• Jamie Hilder, Danielle Bustillo, Bryne Rasmussen-Smith & Nicholas Arehart — neverhitsend: Drafting a Collective
• Thomas Defrantz — SLIPPAGE

---

Institutional Presentations

• Bonnie Mitchell, Wim van der Plas, Peter Anders, Ian Clothier & Sue Gollifer — ISEA International
• Diego S. Maranan, Frank Loesche & Sue Denham — Plymouth University CogNovo: Cognitive Innovation for Technological, Artistic, and Social Domains
• Jen Mizuik, Kerry Stauffer & Tyler Jordan — Banff Centre: the Intersection of Art and Ideas
• Christiane Paul — Designing a Curriculum for the Post-Medium Age: School of Media Studies, The New School, New York
• Jil P. Weaving & Laura Lee Coles — Repurposing Urban Space: Arts as the Catalyst for Change
• Jill Scott — The Artists-in-Labs program: Institute of Cultural Studies, ZHDK
• Joris Weijdom & Kaisu Koski — HKU University of the Arts Utrecht, Media and Performance Laboratory: Learning by doing, making by playing, sharing by performing
• Sarah Reid, Ajay Kapur & Perry Cook — Kadenze: An Interactive MOOC Platform for Arts & Technology
• Adam Trowbridge & Jessica Westbrook — Array [ ] New Media Approaches for 2035
• Alain Thibault — AUTOMATA: Art made by machines for machines 3rd International Digital Art Biennial
• Aleksandra Dulic — The Centre for Culture and Technology at the University of British Columbia
• Allison Collins & Db Boyko — Western Front
• Anastasios Maragiannis — University of Greenwich, Department of Creative Professions & Digital Arts: Digital Grand Challenge
• Caroline Salaun — Association de création et diffusion sonore et électronique: Avatar
• Christopher Coleman — Emergent Digital Practices Program at the University of Denver
• Claudio Rivera-Seguel — University of Concepcion: Master in Digital Communication
• Cynthia Rubin & Rejane Spitz — Digital Arts Committee of ACM SIGGRAPH
• Don Sinclair & Mark-David Hosale — Educational Institution: Digital Media Programs at York University, Toronto
• Greg Corness — Educational Institution: Interactive Arts and Media Department at Columbia College Chicago
• Janet Bellotto & Adina Hempel — Zayed University, Dubai
• Jeremy Keenan & Tom Slater — Approaches to the production and curation of multichannel sound art
• Jinsil Hwaryoung Seo — Soft Interaction Lab, Department of Visualization, Texas A&M University
• Leo Bridle & Carla Rapoport — The Lumen Prize Exhibition
• Liane Davison, Jordan Strom & Alison Rajah — Anticipating the Net Generation and Beyond: Surrey Art Gallery’s Commitment to the Production and Presentation of Digital Art
• Martin Kusch & Ruth Schnell — Digital Art Department, University of Applied Arts Vienna
• Matthias Tarasiewicz & Andrew Newman — JRC: Journal for Research Cultures
• Mike Nutt & Alisa Katz — North Carolina State University Library Program, Code+Art: Computing the Aesthetic of the 21st Century Library
• Mike Stubbs, Peter Zorn & Susa Popp — European Collaboration and Exchange
• Moritz Behrens — University College of London: The Bartlett Space Syntax Laboratory
• Nina Valkanova — Copenhagen Institute of Interaction Design
• Patrick Harrop & Robin Dupuis — Perte De Signal
• Ryan Stec & Remco Volmer — Artengine: a center for art, design and research
• Stahl Stenslie — Art & Technology @ Aalborg University
• Stephane Natkin & Cecile Le Prado — ENJMIN: The graduate school of Video Games and Interactive Media

View Page