[Overview] [Presentations] [Workshops] [Art Events]
Keynotes:
- Ken Mogi — The Contingent Brain
- Sam Furukawa — AIR Dynamics
- Lawrence Lessig — The Proper (and Essential) Place for Copyright
Paper Presentations
- Lanfranco Aceti — Instantaneously Mediated Virtual Visions: The Transmedia Circuit of Images, Body and Meanings
- Andrea Ackerman — Synthetic is More Sensuous: Advances in Neurology and the Aesthetics of New Media
- Trish Adams — Scientific Visualisations and Mixed Realities at the Art/Science Nexus
- Wilfried Agricola de Cologne — The Network: A Challenge in New Media
- Franck Ancel — No Space for This Time
- Elif Ayiter — Ground: the Enablement of Creativity in a Metaverse
- Taeko Ariga & Koichi Mori — Sensory Vision: Development of Toolkits and Training Course Using an I/O Module and Sensors
- Giorgos Artopoulos & Eduardo Condorcet — The House Of Affects Project Correlating Digitally Distributed Narrative to Adaptable Spaces
- Helen Bailey, Simon Buckingham-Shum, Sita Popat & Martin Turner — e-Dance: Relocating Choreographic Practice as a New Modality for Performance and Documentation
- Mark Ballora, S. Lee Hong, Brian Panulla & David Hall —Information through Sound: Understanding Data through Sonification
- Su Ballard — Antipodean Media Ecologies: Journeys to Nowhere and Back
- Denise Bandeira, Michelle Aguiar & Helio Galvão Ciffoni — From Sketches to Scenes: How to Develop Games
- Annette Barbier — Representation – Visualization – Art and Science
- Paulo Bernardino Bastos & Maria Manuela Lopes — Intersection of the New Technologies in the Creation of Images (Fine Art) at the End of the XX Century
- Zorah Mari Bauer — duliö Olé! A Mobile, Swarm-intelligence Based Football Game: Game proposal for the European Football Championship 2008, Austria – Switzerland
- Viktor Bedö — The Many Faces of Interactive Urban Maps
- Tracey Meziane Benson — No Place Like Now, Now Like No Place
- Rodney Berry — Hyper-Augmented Reality: Looking at AR Through Some Old Postmodern Goggles
- Lisa Bode — Casting From Forest Lawn Cemetery: Re-Animating Dead Screen Stars
- David Bouchard & Pattie Maes — Embodied Emergence: Distributed Computing Manipulatives
- Chris Bowman & Teresa Leung — Visualising the Locative Experience
- Michael Brodsky — “MacArt” Revolution on a Desktop 1984-1990
- Paul Brown — Far from the Main Stream
- Karla Schuch Brunet — Mapping and Psychogeography
- Axel Bruns, Jason Wilson, Barry Saunders, Tim Highfield, Lars Kirchhoff & Thomas Nicolai — Locating the Australian Blogosphere: Towards a New Methodology
- Roberta Buiani — Visualizing as Exorcism: Learning from Viruses
- Dmitry Bulatov — The Living Future: Nonorganic Life
- Andrés Burbano — On Brains and Urbanism
- David R. Burns — Virtual Borders and Surveillance in the Digital Age – Visit-US
- Danny Butt — Creative Research and Creative Practice: Bridging Histories
- Byoung Chul Kim & Jong Soo Choi — A Study on the Alternative Artworks and Gallery based on AR
- Karen Cham — Reality Jamming: Beyond Complex Causality in Mediated Cultural Systems
- Pai-Ling Chang & Yuh-Shihing Chang — Drawn: The Artist, Audience and Interactivity
- Dimitris Charitos, Harriet Mitrakou & Haris Rizopoulos — Investigating New Models of Communication as A Spatial Practice through the Implementation of a Locative Media System
- Ayoka Chenzira, Yanfeng Chen & Ali Mazalek — RENATI: Recontextualizing Narratives for Tangible Interfaces
- Hyunkyoung Cho & Joonsung Yoon — Illusion of Technology in the Human-Computer Interactive Art
- Chris Clarke — Post Appropriation
- Cecelia Cmielewski & Ilaria Vanni — Into the Locative: Grassroots Cultural Production and the Digitalisation of Urban Borders
- Todd Cochrane, Grant Corbishley, Patrick Herd, Bryan Haynes & Emil McIvoy — An Intelligence for Cross-world collaboration, Real and Virtual
- Andrew Colquhoun & María de Marías — Strategic Transmissions: Livemedia and the Intensive Spatium
- Claudia Cragg — The Use of UGC and Web 2.0 in a New Media, Digital, Non-Fiction, Collaborative Project
- Nina Czegledy — On Translations
- Brian Degger — Location! Location? Location!! Can location Neutrality Exist in Artworks?
- Derrick de Kerckhove, Cristina Miranda de Almeida, Andrea Cruciani & Matteo Ciastellardi — w.Book and e.Margin. Wired Book and Electronic Margin
- Annet Dekker — PPS: PublicPrivateSpace
- Faith Denham — Block H & Reality Jamming Conflict Reporting via the FPS Game
- Martijn de Waal — Locative Media and the Concepts of Dwelling and Public Sphere
- Nancy Diniz — Body Tailored Space: Experiments in Evolving Spatial Interactions
- Denise Doyle — Conditions of the Imaginary in Virtual Worlds
- Jonathan Duckworth, Peter H. Wilson, Nicholas Mumford, Ross Eldridge, Patrick Thomas & David Shum — Art and Play in a Multi-modal Interactive Workspace for Upper Limb Movement Rehabilitation
- Aleksandra Dulic & Keith Hamel — Intersections Media-Action-Place
- Aniruddha Dutta — Negotiating a Newer Hybridity: Technology in Bollywood Film Songs
- Ollivier Dyens, Dominic Forest, Patric Mondou, Valérie Cools & David Johnston — The Geography of Posthumanity
- Vince Dziekan — Locating Media: On Spatial Associations between Digital Media and Exhibition Space
- Alejandro Jaimes — Urban Sensoria
- Douglas Easterly & Matthew Kenyon — Exploring the Metahuman through Inverse Biotelemetry
- Herlander Elias — First Person Shooter: The Subjective Cyberspace
- Catherine Fargher & Terumi Narushima — DNA in a Suitcase: Border Transmissions and Hybrid Bio-Collaborations in BioHome
- Lesley Flanigan & Andrew Doro — Plink Jet
- Francesca Franco — New Media, Politics and the 1968 Venice Biennale
- Karmen Franinovic — Architectures of Play: The Will to Act
- Mathias Fuchs — Welcome to the Pleasure Dome
- Martha Carrer Cruz Gabriel — Voice in Electronic Art: From Whistle to Speech Recognition
- Martha Carrer Cruz Gabriel — Life and Art in Second Life
- Miguel Gally — Displacements of Creative Activity in Brazilian Visual Arts
- Iliana Hernández García — Immersive Worlds, Artificial Life, and Systems in Unstable Equilibrium
- Merce Rodrigo García — A Virtual Modus Operandi
- Alison Gazzard & Alan Peacock — Folded Space: How Computer Games Rework Our Ideas of the Maze
- Greg Giannis — Peripato Telematikos
- Lawrence George Giles — Invisible Signs
- Jefferson Goolsby — The Distribution Revolution – A Global Recalibration of Media Production, Ownership, and Economics
- Yara Guasque, Hermes Renato Hildebrand & Silvia Regina Guadagnini — Station “name to be chosen with the local population” Multi-user Platform
- Ian Gwilt — From Digital Interface to Material Artifact
- Lone Koefoed Hansen — Lost in Location
- Dew Harrison — Moving into the Stillness of a Daydream
- Tomoko Hatanaka — “Japanesque Modern” in Media Design Education
- Irene Hediger & Jill Scott — Artistsinlabs: Reality Jamming between Lucid Fields of Practice
- Falk Heinrich — On the Embodiment of the Virtual: In the Age of the Collapsing Distinction between Fiction and Reality
- Nigel Helyer — The Sonic Commons: An Embrace or Retreat?
- Deanna Herst & Jan Torpus — LIVING-ROOM2: Domesticating the Multiverse
- Scott Hessels — GPS Film: Not a Moving Picture, A Picture Moving
- Sabine Himmelsbach — A Medial Perspective to Ecological Concerns
- Geoff Hinchcliffe — Losing Control: Looking Beyond the Surface of the Aesthetic Interface
- Joanna Hoffmann — “Whispers of Harmony” Is the Pythagorean Notion of Harmony Still Relevant in Our Times?
- Klaus Hu — Space and Narrative Identity (upon spatial and temporal heterogeneity and multiple narratives)
- Christina Nguyen Hung — American Vectors: A Project Combining Biomaterials, Streaming Media and Military Imagery
- Liesbeth Huybrechts & Thomas Laureyssens — Place @ Space
- Jean M. Ippolito — Words to Avatars: Expressing Place in Cyberspace
- Daniel Incandela & Despi Mayes — Cramming Aesthetics, Art Appreciation and Education into a Fun Museum Experience
- Cameron Ironside — Quantum Uncertainty: Fragmentation in Art, Life & Reality
- Khairul Azril Ismail — Pudu Jail’s Graffiti: Aesthetics Beyond the Walls of the Prison Cells
- Hana Iverson & Rickie Sanders — The Neighborhood Narratives Project: An Exploration of New Media Technologies
- Anke Jakob — Blurring Boundaries Between the Real and the Virtual: About the Synthesis of Digital Image and Physical Surface
- Haru (Hyunkyung) Ji & Graham Wakefield — Artificial Nature as an Infinite Game
- Nathan Johnston — The Nature of Experience in Transcultural Cinema
- Nedine Kachornnamsong — In Place-Spective
- Lijia Ke — Traditional Art Concept in Digitalised Era
- Susan Kerrigan — Collaborative and Creative Documentary Production in Video and Online
- Dorothée King — Decoding Gaze in Science, Technology and Interactive Media Art
- Nicholas Knouf — Reinterpreting Networks of People as Fluid for Political Purposes
- Joyce Beetuan Koh & PerMagnus Lindborg — Project Time Revisited: Thoughts on Skin Therapy, Urban Planning and Singaporean Angst
- Veroniki Korakidou & Dimitris Charitos — On the Language of Abstract Animation
- Machiko Kusahara — Making Art as Commercial Products: An Ongoing Challenge of Device Art
- Maja Kuzmanovic & Nik Gaffney — Cursory Speculations on HPI (Human Plant Interaction)
- Colm Lally & Verina Gfader — Condensation Revisited: A Lecture on Pigments
- Valerie Lamontagne — Peau d’Âne: Where Wearables Meet Fairy Tales
- Katja Franziska Langeland — Digital Strategies to Change the World
- Iro Laskari & Dimitris Charitos — Generative System for the Synthesis of Audiovisual Narrative
- Sophie Lavaud-Forest — Active Matrix, a Serious Game to Play with Kandinsky’s World
- Hyun Jean Lee & Ali Mazalek — Experiences on the Boundaries: Screens In Between
- Bjarke Liboriussen — Digital Dwelling: Building in Online Worlds
- Kyungho Lim & Joonsung Yoon — Media Art Using Korean Traditional Cultural Archetype
- Jam Carole Lipsyc — Variable Fiction, a New Literary Genre Questioning Cooperative Writing and Reality
- Jung-Yeon Ma — Over the Border
- Mona Mahall & Asli Serbest — Paradox and Play: Beyond Computer Games
- Tapio Mäkelä — Technologies of Location: Affect of Place in Artistic Uses of Mobile and Social Networks
- Atteqa Malik — Media Blackout: Networking News inside Pakistan
- Atteqa Malik — Reflections on Karachi: Past, Present and Future
- Rosanne Marshack & Richard Valentin — On Augmented Reality-Enabled Social Network Traces of Pratitya-samutpada (Interdependence)
- Mara Martins — Animated Documentary: Technological Change and Experimentation in India
- Mizuno Masanorim & Motoyama Kiyofumi — To See and to Touch the Light Source
- Sherry Mayo — The Prelude to the Millennium: The backstory of digital aesthetics
- Ali Mazalek, Hyun Jean Lee, Yanfeng Chen, Aimee Rydarowski & Ken Perlin — Flora Electronica: A Media Performance Space Across the Physical and Virtual Worlds
- James McArdle — Placing Space/Time through Photography’s Old and New Technologies
- Caroline McCaw & Rachel Gillies — Dunedin Does Not Exist
- Caroline McCaw — Visualizing New Zealand: A Web of Sites
- Kevin McGee, Srikumar Subramanian & Pierre Martin — MusicALife Composition: An Alternative Representation for Musical Notation
- Luke Moloney & Marc Tuters — Fête Mobile: A Hyper-Local Self-Surveillance and Media Broadcast Experiment
- Alok b. Nandi & Ajaykumar — a_m_m_s: is zero no.thing?
- Carlos Nóbrega — Art as a Field Phenomenon
- Sally Jane Norman — “Jam to-morrow and jam yesterday – but never jam today”
- Hide Ogawa, Horst Hoetner, Yuichi Tamagawa & Taizo Zushi — Inokashira Player: The Creation of Mashup Web Media Linked with a Public Facility in the Real World
- Pekka Ollikainen, Juha Kaario & Jouka Mattila — Collective Film Script Writing: Experiences in Using Mobile Creative Writing Tools
- Michal Ostrowicki — From the Image of a Person to Its Electronic Incarnation
- Emma Ota — Inaccurate Coordinates
- Daniel Palmer — The Critical Ambivalence of Play in Media Art
- Juan Pampin, Eunsu Kang & Joel S. Kollin — Entanglement
- Claudia Costa Pederson — Critical Play Interfaces
- W. R. Pensyl, D. K. Jernigan, S. P. Lee & T. H. D. Nguyen — Beyond the Table Top, Everyman, the Ultimate Commodity
- Sheila Petty — Self-styling Locality in Cryptic: A Traveler’s Diary
- Daniela Alina Plewe — Transactional Arts: Interaction as Transaction
- Andrea Polli — Ground Truth: Weather and Climate Observation and Embodied Experience in Antarctica
- Nigel Power — Same Difference: A Note on the Interplay of the Physical and the Virtual in the Creation of a Digital Image Series
- Barbara Rauch — Virtual Emotions and Facial Expressions
- John Richards & Tim Wright — Auto, Crack, Slimework and the Seven Leg Spider
- Georg Russegger — Creative Delineation Practices of Human-Mediated Self Organization in Polylogic-Cooperative Cultures of Interactivity
- Susan Elizabeth Ryan — Encompassing the Body: Wearable Technology vs. the Avatar
- Semi Ryu, Stefano Faralli, Paolo Bottoni & Anna Labella — From Traditional to Virtual Interactive Puppetry: A Comprehensive Approach
- Gavin Sade — Charmed
- Daniel Sauter — Light Attack: Media Art and the ‘Moving Moving’ Image as an Intervention in Public Spaces
- Margaret Schedel & Elizabeth de Martelly — Realizing the Moment: Towards a Continued Role for Technology in Art
- Jill Scott — Neuro-Media
- Paul Sermon — HEADROOM: A Space Between Presence and Absence
- Thasnai Sethaseree — What Can We Learn From Street Scenario
- Margaret Seymour — Reality Jam: the Uncanny Space of CCTV-based Video Art
- Byul Shin — Virtual Reality in Science Fiction Films
- Lily Shirvanee — Collective Territories: The Shared Space of Locative Media
- Eva Sjuve — AudioTagger: Urban Space and Wireless Phonography
- Jack Stenner — Logical Operations: And ! Or
- Martijn Stevens — Virtual Memory: Art Museums and the Internet
- Constantinos Stratoudakis — Applications of the Soundscape Reconstruction (SR) Technology in Acoustic Ecology Research, Education and Entertainment
- Wolfgang Strauss & Monika Fleischmann — Aesthetics of Knowledge Space
- Janez Strehovec — From Work of Art to New Media Art as Research
- Bahtiar Dwi Susanto — A Reflection of Photography as a Media of Art and Technology in Indonesia
- Narayana Takacs — The Ecstasy of Hyperrealism
- Tan Meng Yoe — Reality and Subjectivity: Digital Films as Cyborg Texts in a Post-Modern World
- Regina Trinidade & Hervé Guillou — Deciphering Realities, Moving Frontiers
- Colette Tron — Writing, Creating and Knowledge in a Digital Medias and New Technologies Society
- Ragnhild Tronstad — Aesthetics of Play: Locating the Ludic in Interactive Art
- Daria Tsoupikova — Aesthetics as a Medium
- Marc Tuters — Tracing Things: Beyond Locative Media
- Isabel Valverde & Yiannis Melanitis — Generating Virtual Environments for Playful Touch Interactions: Touch Terrain
- Eelco Wagenaar & Arjan Scherpenisse — PING, An Alternate Reality of Control
- Bruce Wands — Rewriting Contemporary Art History
- Andreas Weixler & Se-Lien Chuang — Virtuoso Audiovisual Realtime Performance
- Laetitia Wilson — Serious Play: Counter-actions and Interventional Dissent in the Game Space
- Hanna Wirman & Olli Leino — For Interface, Against Regression! An Exploratory Surgery of a Transhuman Umbilical Cord
- Ian Wojtowicz — Notes on Nation Building
- Sala Wong & Peter Williams — SITE-seeing: Image Geotagging and the Vernacular
- Suzette Worden & Andrew Squelch — Arts and Science Collaborations for Mineralogy and Cultural Heritage
- Terence Wright — The Interactive Village: Ethnography and Narrative
- Yow Siew Kah — The Asian Traditional in the Works of Liu Kang and Tan Kai Syng
- Jamie Zigelbaum, Jeevan Kalanithi, Marcelo Coelho & Alyssa Wright — Violent Interfaces: The Jack Bauer Training Kit
- Rachel Zuanon — Co-evolving Affective Wearable Computer
- Tien Wei Woon — CRUMBS dialogues
Public Lecture
- Lev Manovich — How to Track Global Digital Culture
Panels and Round Table Discussions
Invited Panels and Fora
- Adrian David Cheok (chair) — Culture, Technology and Asian Pop Culture
- Vicki Sowry (Chair) — Way to Go: The Impact of Process on Artists’ Residencies in Science and Research Settings
- Samtani Anil & Harry Tan (chairs) — Copyright And The Creative Commons
- Kóan Jeff Baysa (chair) — Passing and Peril on the Information Super Highway
- Hiroshi Yoshioka (chair) — Animated Ideas: Investigating the Language of Animation
- Tania Aedo, Director of Laboratorio Arte Alameda (chair) — Transitio_MX Curatorial Approaches: Impolis, In(communities) and Free Synthesis
- Maja Kuzmanovic (Chair) — Luminous Green in Singapore: Electronic arts in turbulent weather
- Nina Czegledy, Daniela Reimann & Lynn Hughes — LEF@ISEA2008: At the Crossroads of Media Arts&Science and Technology: Education in the 21st Century – What is to be done?
- CRUMB —Blissful Dialogues: Common Ground for Curators
- Urban Climate Camp
- Victoria Vesna (chair) — Art Science Exchange, Mixer, Show and Launch
Other Panels
Intelligent Architecture
- Paul Thomas, Mike Phillips, Chris Speed & Shaun Murray — Intelligent Architecture
- Paul Thomas — The Chemist as Flâneur in Intelligent Architecture
- Mike Phillips — Base Data for/to Model Behaviours
- Chris Speed — Getting Over the Fence
- Shaun Murray — Recovering the Reflexive in Architecture
Curating in/as Open System(s)
- Joasia Krysa, Yukiko Shikata, Geoff Cox, Vincente Matallana & Beryl Graham — Curating in/as Open System(s)
- Joasia Krysa — Curating in/as Open System(s): Social Technologies and Emergent Forms of Curating
- Yukiko Shikata — Living Agency: Curating in the Age of Digital Networks
- Geoff Cox — Antisocial Notcurating
- Vicente Matallana — Information Must be Free to be Effective
- Martha Patricia & Niño Mojica — Hack-able Curator
- Luís Silva — Folksonomies as Social Curating: The I tag you tag me Exhibition Case
Eastern-Western Interaction in Digital Media
- Kerstin Mey, Yvonne Spielmann, Zaki Omar, Ingrid Hoofd, Sean Cubitt & Wendy Hui Kyong Chun — Eastern-Western Interaction in Digital Media
- Sean Cubitt — Settler Dread and Indigeneity: Digital Media Arts in Oceania
- Hui Zhu, Bruce Wands, Sven Travis & Xiaobo Lu — From East to West: Computer Animation Education in China and the United States
From isolation to networking: Cyber homosovieticus in search of promised land
- Ryszard Kluszczynski, Nina Czegledy, Renata Sukaityte, Zoran Pantelic & Maciej Ozog — From isolation to networking: Cyber homosovieticus in search of promised land
- Ryszard W. Kluszczynski — Spaces of Intimacy
- Nina Czegledy — The Contemporary Art Centres of the Soros Foundation and C3
- Maciej Ozog — Liminal acts: Using Mobile Technology as a Critical Medium
Mediated Hauntings: Conjuring Cultural Memory in the Present
- Monika Kin Gagnon, Leila Sujir, Larissa Lai, Scott Toguri McFarlene & Alice Ming Wai Jim — Mediated Hauntings: Conjuring Cultural Memory in the Present
Locating Cyberfeminism
- Irina Aristarkhova — Locating Cyberfeminism Art in Singapore
Artist Talks
- cym — Connected 07
- cym — No Men’s Land
- cym — Walkersdorf: Center ofthe World
- Zach Blas — Queer Technologies
- Karla Brunet — Collaborative moblog and ephemeral self-portraits
- Michael Brynntrup — Sudden and Unexpected
- Kael Greco — POWERED BY Google: The Agency of Mapping in the 21st Century
- Kael Greco — MINUS WORLDS, Lost Levels and Glitchscapes
- Scott Hessels — GPS Film: Not a Moving Picture, a Picture Moving
- Klaus Hu — Space and narrative identity (in the global forum)
- Rachelle Viader Knowles — Border Crossings: blurring places and spaces of art, pedagogy and global citizenry
- Julian Konczak — Using Computational Techniques in Locative Media
- Yuta Nakay-ama & Steven Zhou ZhiYing — Illuminant
- Kate Richards — Stasis and mobility: ludic interface, gameplay and audience affect in 2 recent Australian software artworks
- Semi Ryu -& Stefano Faralli — Experimental Virtual Wayang
- Vicki Smith— Locating Media
- Victoria Vesna — Water Bodies: Reflections on network ecologies
- Hugh Davies — Physical Facebook and User Generated Art
- Ingrid-Quy Gontran & Brandon Ballengée — Love Motels for Insects or The Impalpable Writing of a Temporary Fly
- Martha Carrer Cruz Gabriel — SKINdoscope in Second Life
- Roger Ferragallo — Interactive On-Line Exhbition of Massive 546 Million Pixel Mural With Gigapan Tools
- Sarah Drury — Iconographies of the Different Body-eVokability: The Walking Project
- Gheorghe Dan — Balkan.OS: A Multi-World Operating System
- Nicola Kaye & Stephen Terry — Bypass: What is an opera without an audience?
- Kristy Kang — Visualizing the Invisible: Exploring the Border between Science and Culture
- Zita Joyce — Radio-location in Aotearoa/New Zealand
- Jeanne Jo — Physical Manifestations of Online Spaces
- Troy Innocent, Darren Tofts & Stewart Haines — Literacies of Speed: nonverbal communication in a MUVE
- Keung Hung, Ka Chun, Bartholomew Iu & Chun Sing Chung — INSECT PROJECT: Simulation of the Crowd Behaviour of Insect/Chinese Calligraphy
- Christina Nguyen Hung — American Vectors
- Joanna Hoffmann — Whispers of Harmony
- Margaretha Haughwout — dangerous fiction: the body, desire, and narrative
- Dew Harrison, Denise Doyle, Mark Grimshaw & Jab Robbins — Kritical Works in Second Life
- Yolande Harris — Sun Run Sun: experiencing sonic navigation
- Somaya Langley — The Suspect Backpack, Terrartism and Interplay: recontextualising the outsider in post-9/11 society
- Maroussia Lévesque & Jason Lewis — Lost in Transportation
- Ellen K. Levy — Emotional States and ‘Dreamachines’
- Sarah Lewison & Duskin Drum — World Heritage Beer Garden Picnic
- Maria Lopes — ETHOLOGY I
- Marta de Menezes — Crossing borders: the outcome of art and biology collaborations
- Dan Monceaux & Emma Sterling — Supermarket: audio-visual immersion
- Francesco Monico — TAFKAV: The Artist Formerly Know As Vanda
- Kazushi Mukaiyama — Flowers: the interactive pictures
- Melentie Pandilovski — About Visual Imagery, Intuition and Teleportation
- Helen Papagiannis — Flipping Between Analog and Digital: Lenticular Augmented Reality
- Daniel Peltz — Beepez-le
- Daniel Peltz, Dennis Hlynsky & Chuan Khoo — Lepton and Call and Reponse: Web-based video collaboration tools and a case study in cross-cultural web-based video dialogue
- Rainer Prohaska — KRFTWRK: Global Human Electricity
- Geoffrey Alan Rhodes & Caitlin Fisher — Approaching a Material for Expression in the Aesthetics of New Media
- Geoffrey Alan Rhodes, Andrew Roth, Andrei Rotenstein & Mikhail Sizintsev — 52 Card Psycho: Re-Imagining Cinema
- Russell Richards & Maurice Owen — KikiT VisuoSonic Performance
- Jaromil (Denis Roio) — dyne:bolic GNU/Linux: a nomadic operating system
- Paul Sermon — HEADROOM: A Space Between
- Hyunjin Shin — r u logged on ^^;?
- Kate Southworth — Distributed network art: protocol and ritual
- Milena Szafir & Mariana Kadlec — Post-Panoptic Era: Liquid Rethorics in Mobile Networks
- Leon Tan, Antti Saario & Amanda Newall — Reality Jockeying in an age of Social Media: Moving across the virtual-actual continuum
- Grischinka Teufl & Tina van Duyne — Project «•»
- Nicolas Thély — Zita2010’s melancholy and the “low resolution” artists
- Yu-Chuan Tseng & Chia-Hsiang Lee — Who is chatting with you? All Ways-O’s Chatroom
- Yu-Chuan Tseng & Chia-Hsiang Lee — Flowerman: A robot with the empathy conceiving of understanding
- Siew Kah Yow — The Asian Tradition in the Works of Liu Kang and Tan Kai Syng
- Jiayi Young & Shih-Wen Young — Regular Irregularity (R.I.)
- Mat Wall-Smith — Perception, Momentum and Continuity in Generative Systems
- Gian Pablo Villamil — Neon Music: turning cities into sound
- Manuel Schmalstieg — Aether9
- Stephanie Carrick — bestweforget.org
- Louis-Philippe Demers — Embodied Agents
- Natalie Bewernitz & Marek Goldwski — Secret Sounds
- Angelo Vermeulen — Biomodd
- Michael Filimowicz — Play and Fortune
- Greg Schiemer — Pocket Gamelan – Mandala 7
In-conjunction Sessions
- ASEF & IFACCA — Mini-Summit on New Media Arts Policy and Practice
- ASEF & IFACCA — Ludic Times: the Art of Gaming
Institutional Presentations
- Anne Nigten & Wim van der Plas — ISEA Archives
- Deborah Lawler-Dormer & Frances Joseph — Communities of Inquiry: The Development of Co-Lab, Aotearoa (New Zealand)
- Hasnizam Abdul Wahid — Computer-Related Experiments in Art and Technology Studio (c.r.e.a.t.e.s): Locating Media, Medium and Content
- Sabine Himmelsbach — Edith Russ Haus
- Miki Fukuda & Takayuki Fujimoto — Yamaguchi Center for Arts and Media (YCAM)
- Kerstin Mey — ISEA2009@ISEA2008
- Gustaff Iskandar — Common Room
- Kathy Rae Huffman — CornerHouse
- Oliver Grau — Media Art Histories Initiative
- Konrad Becker — “Non Stop Future”, New practices in Art and Media (Book Launch)
- Venzha Christ — House of Natural Fiber
- Danny Butt — PLACE (Book Launch)
- Su Ballard, Zita Joyce & Stella Brenna (ADA) — The Aotearoa Digital Arts Reader (Panel and Book Launch)
- Tania Aedo — Lab Media Alameda
- Paul Sermon — MA-Net
- Ampat Varghese et al — Srishti School of Art, Design and Technology
- Annette Wolfsberger & Floor van Spaendonck — Virtueel Platform
- Kees de Groot & Viola van Alphen — PLANETART
- Melentie Pandilovski — Experimental Art Foundation and Launch of Art In The Biotech Era
- Colin Reaney & Isak Berbic — Phase3, College of Fine Arts and Design, University of Sharjah
Artist Presentations
see Art Events