[Overview] [Presentations] [Workshops] [Art Events]

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Keynotes

• Masao Kohmura — Tenchi-Orai…Apocalypse of Media Art
• Hiroshi Suda — Towards the establishing of a new country through the scope of communication
• Hiroshi Yoshioka & Roger Malina — Toward a Cultural Connectionism

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AGM

• Inter-Society for the Electronic Arts (ISEA) —  Annual General Meeting
• Wim van der Plas & Cynthia Rubin — Webcast from ISEA2002 to the New York Guggenheim Museum

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Paper Presentations

Music, Theater, Interaction

• Mikako Mizuno — The Ontological Meaning of Musical Interactivity towards the aesthetic research of musical interactive art
• Ian Whalley — ‘Kansei’ in Non-Linear Automated Music Composition Semiotic Structure and Recombinicity
• Hadassa Shani & Ahuva Belkin — Actual-fictive-virtual space theatre interactivity within a ‘liquid architecture’
• Rodney Berry, Naoto Hikawa, Makoto Tadenuma & Mao Makino — Metaphors in the Mix

Media History

• Diana Dominguez — Day-Dreaming States in Interfaced Environments 
• Erkki Huhtamo — ‘Here’s Peeping at You’: The Computer Screen, the Logic of the Gaze, and the Miniaturization of the Image Window
• Oliver Grau — The Art of the Interface in Mixed Realities Predecessors and Visions

Imagineering, Webcams, Correlation between Space

• Susanne Jaschko — Space-Time Correlations Focused in Film Objects and Interactive Video 
• Richard Kriesche — Imagineering
• Michael Naimark — VR Webcams Time Artifacts as Positive Features
• Brigitte Steinheider & George Legrady — Pockets Full of Memories: The Collaborative Construction of a Digital Archive

Orai, Comings and Goings

• Tapio Mäkelä — White New Media Mythologies On Interacivity and Orientalism
• Michael Punt — Orai and the Transdisciplinary Wunderkammer
• Masanao Katsumata — Cyberspace: the Space of ‘Orai’? 
• Roy Ascott — Making Sense of Orai

 Projects in Virtual Environment

• Colette Gaiter — Writing on the Walls of Cyberspace 
• Michael Quantrill & Ernest Edmonds — Modeling Intention in Creative Systems Logics and Generative Art
• Anne-Sarah Le Meur — Into the Hollow of Darkness: A Virtual Environment Project on Interactive Peripheral Perception

Art and Social Placement

• Elías Levin Rojo — Natural History Cycles 
• Denisa Kera — Terrorist Video and the New Iconoclasm in Art after 11. September
• Patrick Lichty — Artifacting New Media: Towards a Historiography of New Media

Orai, Sense, Interface

• Ted Krueger — Notes on the Fabrication of Synthetic Senses
• Horace Ip, Young Hay & Alex Tang — Body Brush
• Eric Sadin — Complex Poetical Practices and New Technologies: the creation of writing agency agence_d’écritures

Wearable Program, Programmed Body

• Constance Fleuriot — Mobile Bristol 
• Yasuto Nakanishi, Kenji Oka, Shohei Matsukawa, Masayuki Kuramochi, Yoichi Sato & Hideki Koike — Narrative Hand Applying a fast finger-tracking system for media art 
• Karen McCann — Programming Literacy for Artists 
• Asako Soga — Web3D Dance Composer: A Web-based Ballet Performance Simulation System

Boundary in the Information Art

• Craig Caldwell — Expanding the Boundaries: Designing New Media Interdisciplinary Curriculum 
• Stephen Wilson — Artist Explorations of the Boundary between the Virtual and the Physical 
• James Faure Walker — Muybridge, Motion and the Still Image 
• Lehan Ramsay — Mysterious Booths, Blowing in the Winds: Collaborative Learning

 Orai and Architectual Space

• Tobi Schneidler — The ReFashion Lab Building digital matter and hybrid space 
• Sharon Daniel — Ethics and Pragmatism: Technology, Context and Collaboration in Public Art 
• Enrica Colabella & Celestino Soddu — Generative Art, Preludi, natural mirrors 
• Glorianna Davenport & Pengkai Pan — Wonderland in Pocket

 Avant-garde, Language, Morality

• Annet Dekker — The Influence of New Technologies on Language 
• Rachel Schreiber — The (True) Death of the Avant-Garde 
• Hongjohn Lin — The Final Fantasy Ethic in Cyberspace in Psychoanalysis Terms

Aesthetics, Semiology, Art

• Jacqueline Goss — Look at Helen Keller: New Aesthetic Possibilities from Assistive Technologies for the Blind and Deaf in the Post-Lingual Age 
• Artur Matuck — A Theoretical Proposition For Interactive Telemedia Design
• Iba Diadji Ndiaye — L’esthetique numerique, une lecture Africaine

Digital Design

• Michael Willadt & Holger Mettler — Design of Ambient Intelligence
• Miho Matsumoto & Robert Yien — Visual Information Design of Digital Picture Cards: A Computer-based Therapy for Aphasics 
• Hideaki Ogawa, Yuichiro Haraguchi, Masa Inakage, Mizuya Sato & Atsuro Ueki — Tangible Media Communication Design in Future Home Environments: @home project

Associated Program

• Roy Ascott — Planetary Technoetics: art, technology and consciousness

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Panels and Round Table Discussions

• Hiromi Unakami, Yoshinori Tsuda, Masao Kohmura & Seijiro Niwa — Orai
• Hiromi Unakami (Moderator) — Post-Globalization, remote control, controlled society, and security
• Fumihiro Nonomura (moderator) — Will Media Art Be In A Museum?
• Masao Kohmura (moderator) — Possibilities for the future of the media arts

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Institutional Presentations

• Paul Chan, Tarikh Korula & Rania Ho — Lunches Tender: Live Media Manipulation as Performance 
• Peter Benz — Nihon: A Project of the Bauhaus-University Weimar 
• Stephen Pope & George Legrady — Introducing the Media Arts & Technology Inter-disciplinary graduate program at the University of California, Santa Barbara 
• Mark Tribe — Rhizome as Social Sculpture 
• Shinji Kanki — Net_Composition: A creative research and study project at CM&T
• Hitomi Hasegawa — Coming! Questions and discussions around the theme: moving image/architecture/public space 
• Jeremy Gardiner — Art in the Digital Domain 
• Roy Ascott — CAiiA-STAR
• Ricardo Barrento & Paula Perissinotto — The Culture of Immanence 
• Presenter unknown — The CICV Pierre Schaeffer