About the ISEA Symposium Archives

ISEA Symposium Archives


This website is an archive of the printed and digital materials from the International Symposium on Electronic Art (ISEA).  Since 1988, this nomadic symposium has been organized in a different city by a different team each time. The ISEA symposium is overseen by ISEA International  (http://www.isea-web.org/), a non-profit organization fostering interdisciplinary academic discourse and exchange among culturally diverse organizations and individuals working with art, science, the humanities and emerging technologies.


ISEA2020 has been postponed to October ____ The new date of the Summit is October 16

The whole symposium will be an online event. See  isea2020.isea-international.org


during ISEA2020 in MONTREAL, Canada: Friday October 16

The Summit is organised with the purpose of presenting a roadmap towards the goals of the Liverpool Declaration*).

This is a co-operative effort of the ISEA, Ars Electronica, SIGGRAPH and ADA archives.

PRELIMINARY PROGRAMME (times will be adjusted in accordance with the online presentation of the Summit)

  • Introductory Keynote: Prof. Dr. Oliver Grau, Department for Image Sciences, Donau¬Universität Krems, Austria: Museum-Network Digital Arts: For a concerted Collection, Documentation and Conservation Strategy
  • Adam Lockhart — VR as a Preservation and Simulation Tool for Media Artwork Installations
  • Hava Aldouby — Archiving and Researching Media Art in Israel: Challenges, Innovative Solutions, and Potential International Collaborations
  • Rodrigo Guzman Serrano — A History of the Internet through MoMA’s Exhibition Sites. Web-Archiving Art Content at NYARC
  • Byeongwon Ha — Archiving Interactive Art for Art Practitioners and Theorists
  • Devon Mordell — Preservation Begins at Creation: An Embedded Digital Archivist Within the University of Windsor’s School of Creative Arts
  • Vladlena Gromova — A Database Of Interdisciplinary Art In Russia
  • Elisa Ines Arca Jarque — ePPA: Espacio/ Plataforma de preservación audiovisual (ePPA – Space/ Platform for Audiovisual preservation)
  • Scott Rettberg — ELMCIP Electronic Literature Knowledge Base
  • Camille Baker — Brief history of STARTS and STARTS related EU policy overview
  • Tadeus Mucelli — Digital Art Festival, Biennial Of Digital Art and Labcult (UFMG/PPGCI)
  • Melanie Swalwell — Archiving Australian Media Arts: Towards a method and a national collection
  • Bertrand Gervais: Carving out a Path: Building Research and Knowledge environments (RKE) in a Digital Culture
  • Manuela NaveauBonnie Mitchell & Wim van der Plas: Short presentations on archives of Ars Electronica, SIGGRAPH Art Show and ISEA
  • Break Out Sessions: collective preparation for concluding session
  • Oliver Grau & Bonnie Mitchell (moderators): Conclusions and directions: structured road map and concrete proposals.

-Free for ISEA2020 participants, others pay the symposium fee, announced on  isea2020.isea-international.org.
-Proceedings will be published. Streaming info to be announced. For updates see this web page.

*) MEDIA ART NEEDS GLOBAL NETWORKED ORGANISATION & SUPPORTInternational Declaration, signed by 500 professionals representing the key institutes in the field. Link to: Media Art History Declaration

For more information on the Summit contact Wim van der Plas at wvdplas[at]xs4all.nl


[updated August 6, 2019]

From now on, we will regulaly inform you here on the progress we make in improving and updating this archive as well as on the development of the new version of the ISEA Online Symposium Archives. Also, we will include other information related to the history of ISEA.

The Proceedings of the successful 25th International Symposium on Electronic Art, held from June 22-28 2019 in Gwangju, South Korea, are now included. You can find them here. All the other data of ISEA2019 will soon be uploaded.

On the occasion of the 25th ISEA symposium, the Dutch artists and early symposium contributors Peter Sweenen & Robin Noorda made a wonderful short animation, called “The International Symposium on Electronic Art: From The Netherlands to the Republic of Korea in 25 Great Achievements”. Even though it is very short, it, in a way, contains the whole story. Look at it more than once, you will keep discovering new elements. Thank you very much, Peter, Robin and Alfred (who processed the outer space sound).

The animation  is here.

[end of news section]



Since the fall of 2013, Wim van der Plas and Bonnie Mitchell have been working on version 2.0 of the archive, updating it to the present day. What is online now is a work-in-progress.

We are currently in the process of building an even newer site (version 3.0) with advanced capabilities such as automated data relationships, access to artworks and much more.  When finished, this new archive will contain the publication of profiles (‘bios’) of speakers and contributing artists, as well as photos, videos, press clippings, and related materials like posters. The original ISEA archive site was initiated in 2008 and funded by the Mondriaan Foundation and VSB Fund (both in the Netherlands). The current archive is supported by Bowling Green State University (US) and the Wim van der Plas’ archival collection.

In the meantime, the existing archive (2.0) is constantly being updated with the primary ISEA Symposium materials:

  • the full set of available Proceedings and Catalogues
  • Abstracts and statements for all available papers, panel sessions, workshops and tutorials, art events, concerts & performances


Archive Development Directors:

  • Wim van der Plas – content manager
  • Bonnie Mitchell – back-end development

Archive Planning Team

  • Wim van der Plas – Content Manager
  • Bonnie Mitchell – Back-end Development
  • Thomas Asmuth – Funding and Support
  • Terry Wong – Future Sustainability and Connection to Symposia
  • Elizabeth Hertenstein – Metadata and Library Science Standards

ISEA International Board Archive Committee (in formation)

  • Mike Philips (chair)
  • Ricardo Dal Farra
  • Bonnie Mitchell
  • Wim van der Plas


  • This agreement governs your use of the materials located on the ISEA Symposium Archives. If you do not agree to these terms, please do not use the information located on this site.
  • Access to the ISEA Symposium Archives is granted for scholarship and research purposes only. Copyright for the individual documents, artworks and other material is held by the authors of those materials and not ISEA International.
  • Because the ISEA symposia have been hosted by numerous individuals, organisations and institutions from around the world, permission to use the materials has been granted in a variety of ways and documentation has not always been forwarded to ISEA International (formally known as The Inter-Society for the Electronic Arts). If an author or artist does not want his or her work in the archives, they are welcome to contact us via email and state the materials they would like removed and we will remove the requested copyrighted information from the archive as soon as possible.
  • Some of the content available in the archive may be governed by local, national, and/or international laws and regulations, and your use of such content is solely at your own risk. You agree to abide by all applicable laws and regulations, including intellectual property laws, in connection with your use of the ISEA Symposium Archive.
  • According to standard academic practice, if you use the ISEA Symposium Archive’s collections for any research that results in an article, a book, or other publication, you list the ISEA Symposium Archive as a resource in your bibliography along with the information about the author.
  • The ISEA Symposium Archives is provided to you on an as-is and as-available basis. You understand and agree that ISEA International makes no warranty or representation regarding the accuracy, currency, completeness, reliability, or usefulness of the content in the archives.
  • You agree to indemnify and hold harmless ISEA International and its officers from and against any and all liability, loss, claims, damages, costs, and/or actions arising from your use of the ISEA Symposium Archive.
  • You acknowledge that you have read and understood the ISEA Symposium Archive’s Terms of Use and using this site constitutes the full and complete agreement between you and ISEA International.

If you find inaccuracies, omissions, or other issues with the site, please contact us at:


We welcome your input and hope you find the archives useful.


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Past Sponsors:    mondriaan    vsb