[Overview] [Presentations] [Workshops] [Art Events]

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 Keynotes

• Perttu Rastas — Coded Experience
• Nina Wakeford — The Identity Politics of Mobility and Design Culture
• Joanna Berzowska — Memory Rich Clothing: Wearable Technologies and Reactive Fashion
• Wendy Chun — Control and Freedom: On Interactivity as a Software Effect
• Sarah Kember — Creative Evolution? The quest for life (on Mars)
  
• Jussi Jauhiainen — Geopolitics of urban landscape and technologisation
• Erkki Huhtamo — Pockets of Plenty: An Archaeology of Mobile Media
• Mare Tralla — ISEA2004 FOREGROUNDS: EXPERIENCE AND COLLABORATION
• Matthew Fuller — Completely Common Notions: Shared Bits of Methodologies and Software
• Shuddhabrata Sengupta — The Remains of Tomorrows Past: Speculations on the Antiquity of New Media Practice in South Asia
• Tapio Makela — Theatre of the Invisible: Situating New Media Experience
• Machiko Kusahara — Japanese Mobile Phone Culture and Urban Life

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Paper Presentations

 Processes of Creative Design, Display and Perception

• Christopher Lindinger — Gulliver’s Box
• Artur Matuck — Theory as Performance: The Mediamatic Manifest
• Stefan Agamanolis, Joelle Bitton & Matthew Karau (Human Connectedness) — RAW: Rethinking the editing process and mediation in audiovisual narrative experience

 Scientific Imagery in New Media Art

• Ingeborg Reichle — Genetic Engineering in Contemporary Art – Art in the Age of Technoscience 
• Maria Fernandez — Crises of Representation

 Artists and Scientist in collaboration

• Daniel Woo, Chris Rizos & Nigel Helyer — Syren 
• Marko Peljhan — Makrolab 2004 
• Nigel Helyer, Oron Catts, lonat Zurr, Sarah Jane Pell & Stuart Hodgetts — LifeBoat
• Petri Kuljuntausta — Northern Lights

 Imagining Cities and Public Spaces

• Richard Barbrook — New York Prophecies: The Imaginary Future of Artificial Intelligence
• Jennifer Gonzalez — Visualizing Artificial Worlds: The Political Geography of On-Line Public Spaces

 Interactive Textiles and Wearable Computers

• Linda Melin & Margot Jacobs — Reach
• Jorge Luis Marzo — Me, Mycell and I : Technology, mobility and social life 

Critical Interaction Design Sessions

The Aesthetics of Interaction and Behavior

• Maciej Ozog — Against friendly interface: Aesthetics of ‘Trammelized Interaction’
• Riikka Pelo — Caesura in Marina’s Garden: Interactive Narrative as a Drama of Responsibility and Interruption
• Simon Penny — The Aesthetics of Behavior

Critical Interaction Design in the Everyday

• Mark Palmer — Towards New Forms of the Social
• Trebor Scholz — Critical Cultural Production and the Everyday web-based works

Narratives, subjectivity and interaction

• Axel Roch — Surfaces that See: Subjective Vision and Imagination in Gaze-based Interaction
• Heidi Tikka — Tilanteita Situations: Developing concepts for situated and mobile imaging

Mediated Urbanisms

• Ana Betancour — The Mediated City: Globalisation and emerging urbanities
• Lilian Juechtern, Martin Kim, Nicole Martin — Relief space: Rereading the Skin of the City
• Adam Somlai-Fischer & Peter Hudini — Mediated Spaces: Prototyping Architecture-Engineering Media
• Elizabeth Sikiaridi & Frans Vogelaar — An Architecture of Switching: Hybrid Communication Spaces

Affect & Media(ted) Experiences

• Norie Neumark — E.motional Perturbations 
• Katariina Kyrölä — Shocking Flesh: Fatness, Feeling and the Politics of Interpretation
• Susanna Paasonen — Lust and Disgust: On-line Pornography and Affect

Open Source Culture Sessions

Free Networks, Subversive Networks

• Armin Medosch — Free Network A Scenario Planning Approach
• Jonah Brucker-Cohen — Subversive Networks Disrupting Accepted Models of Human-Networked Interaction

Open Source City

• Michelle Kasprszak & Amanda Ramos — Open Source City: Field Office
• Dennis Kaspori — Communism of Ideas: Towards an Open Source Practice of architecture
• Fælles Grønt Byrum — Communal urban Green Space
• Mirjam Struppek — Interactionfield Public Space: Redefining Urban Public Space in the Digital Age
• Clara Boj Tovar — A trip around a magic puzzle

Tactical social fictions

• Rosanne van Klaveren — Memoires of a Testee: Recorded recollections at Braintec
• Daniel Michelis — Hypertagging, hyperdemic graffiti
• Angie Bonino — Hacking Net: Virtual Organization
• Valentina Nisi — Hopstory: A location based narrative distributed in time and space

Narratives and Images of Open Source

• Mark Tribe — Open Source from Picasso to the Present: A Brief History of Open Source Culture
• Axel Bruns — Stuff That Matters: The Rise and Rise of Open News 
• Miller Puckette — Who Owns Our Culture? A first-person case study

Games and the Art of Hacking

• Kristian Lukic — Civilization IV
• Laetitia Wilson — Play Ethics: The Convergence of Art, Games and Politics
• Tiffany Holmes — Arcade Classics Spawn Art? Current Trends in the Art Game Genre

Histories of the New Sessions

Working across boundaries: Curating and Preserving New Media Art

• Caitlin Jones — Conserving New Media Art: Hardware and Meaning; Variable Media Preservation 
• Steve Dietz — Expectations and Moving Targets: Art After New Media
• Sarah Cook — Overcoming the Distance: Displaying the Data-based and Location-driven New
• Beryl Graham — Interaction and Audience

Uncovering Histories of Electronic Writing

• Michael Mateas — Artificial Intelligence and Art Practice
• Nick Montfort — Continuous Paper: Print interfaces and early computer writing
• Jill Walker — Timestamps 
• Noah Wardrip-Fruin — What was Hypertext?

Documenting Art, Science and Technology

• Wolfgang Strauss & Monika Fleischmann — Netzspannung.org: Knowledge Space For Media Art and Digital Culture 
• Tilman Linden — netart datenbank.org
• Annet Dekker — Dancing in the Light of an Information Overload 
• Alain Depocas — Documenting Art, Science and Technology: The Daniel Langlois Foundation approach
• Darko Fritz — Amnesia International: Early Computer Art Within the Tendencies Network and Bit International Magazine

Histories of Time-Based Art

• Susanne Jaschko — Segmentation and Reassembly of the Digital Moving Image: A Method of Depiction of Temporal and Spatial Nonlinearity
• Sven Sterken — Architecture as a Time-Based Art: Immersive Strategies in Iannis Xenakis’ Polytopes 
• Catherine Mason — The Routes Toward British Computer Art: Art Schools and The Computer Arts Society
• Kiyofumi Motoyama & Masanori Mizuno — A Time Consciousness of Young Japanese Media Artists: “MA” and the Moving Image of ITO Akihito’s Code of the River 
• Caroline Huybrechts — Nicolas Schöffer’s Spatiodynamic Tower in Liège: A Monument to the Information Society?

Race, Representation & Digital Divides

• Karla Schuch Brunet — Multiculturalism on the Internet: A case study of Nettime, an e-mail discussion list 
• Ahasiw Maskegon-Iskwew — CyberSkins: Aboriginal Art on the Web 
• Gary Stewart — inIVA Digital Archive: Race Representation and the Digital Domain
• Ryszard Kluszczynski — New Media Art as Transcultural Interface

Internet Based Practices: (Trans) Local Histories

• Mari Laaniste — Going Digital: Comics and the Internet Era
• Indrek Ibrus — From Uncertainty to Innovation: Web-design and its quest for grammar
• Genco Gülan — Web Biennial 2003: International Bi-annual Contemporary Art Exhibition for and on the World Wide Web
• Fannuel Wallah — RT-IT (real time – inner time): A new media project by AfricanColours

Networked experience sessions

‘The List’ – the mailing list phenomena

• Kathy Rae Huffman — Faces
• Axel Bruns — Fibreculture Internet: theory + criticism + research 
• Charlotte Frost — List Loving?!: Language of new media, or new media nuissance 
• Melinda Rackham — Empyre: Structure and diversity

Social networks of resistance

• Gerald Straub — Societal idea networks: Floating spaces, makro places of escape and avoidance

Translocal networks

• Ronald Jones & Laurie Haycock Makela — Babel Launch
• Jose-Carlos Mariategui, Arturo Rodríguez, Natxo Rodriguez & Marcus Neustetter — TESTER: Connected systems of local detection
• Manuel Bonik & Michael Mikina — split_connect: global net_culture and translocal spaces

Collaboration and production through networks

• Timothy Jaeger — The Peers Are Alright Peer-to-Peer Call-and-Reponse 
• Jonathan Kemp & Martin Howse — fm01 film machine
• Troels Degn Johansson — Staging Relations: Relational Art and Network Technologies in Superflex’ Staging Strategies

Network dynamics

• Nina Czegledy — Network Dynamics: A cross-dimensional comparison
• Trebor Scholz — Free Co-operation

Wireless Experience Sessions

Mapping Space: the Social Potential of Locative Media

• Chris Heathcote — Exhibitionists and Voyeurs: Human Communication Patterns and Their Impact on Locative Media 
• Ben Russel — Not Free: Infinite Trouble with the Finite
• Andrew Morrison — Re-public: Performative public communication with mobile & locational technologies

Mobile Sound and Art Practices: the Local Contexts

• Soh Yeong Roh — Art in wireless
• Adriana de Souza e Silva — Location Based Mobile Games: Blurring the Borders Between Physical and Virtual Spaces 
• Frauke Behrendt — Mobile Phone Music: Ring Tone Culture and the Mobile Phone in Sonic Art
• Ola Pehrson & Olle Karlsson — Mobile: Position based Art and Sound

 Fashion and wearable technologies

• Katherine Moriwaki — Fashion, Mobility and the Tactical Imperative
• Gökhan Mura — Intelligent Interfaces: Transformation of Self-expression, Communication and Fashion with Wearable
• Susan Ryan — Computer Couture? Or, Queer Eye for the Cyborg

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Panels and Round Table Discussions

Artist Presentations

• Tina Clausmeyer & Pam Skelton — The Third Archive Art Detective: Acte KW 
• Kim Stringfellow — Safe as Mothers Milk: The Hanford Project
• Merilyn Fairskye — Connected 
• Thomas Broomé — Hell Hunt 
• Carl Lindh, Ola Stahl & Kajsa Thelin — Counter/Cartographies: The beginnings of a manifesto in process 
• Ian Clothier — The District of Leistavia Welcomes You 
• Gediminas & Nomeda Urbonas — Ruta Remake 
• Julian Weaver — Respirer
• Jason Davidson — Aboriginal Imagination: Ngulliyangi
• Paul Vanouse — Relative Velocity Inspiration Device 
• Stahl Stenslie — Symbiotic Interactivity
• Cat Hope & Anne Walton — a-[d]-dress.mov
• Kati Aberg — Emotions in Man: An interactive dance
• Maja Kuzmanovic — Exercises in Colloquial Luminescence
• Kristina Andersen — Ensemble 
• Marlon Barrios Solano — Unstablelandscape: Bottom-Up Composition and a Post-humanist Era
• Mathias Fuchs & Sylvia Eckermann — FluID:  Arena of identities
• Kate Rich — Feral Trade
• Ugo Vallauri & Matteo Pasquinelli — Warporn warpunk! 
• Diane Ludin — i-Biology Patent Engine
• Linda Melin & Margot Jacobs — Reach

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Meetings

AGM (Annual General ISEA Meeting)

• Angela Plohman (ISEA HQ)
• Nina Czegledy (ISEA Board)
• Anne Nigten (ISEA Board)
• Cytnia Rubin (ISEA Board)
• Mark Tribe (ISEA Board)
• Julianne Pierce (ISEA Board)
• Gunelan Nadarajan (ISEA Board)
• Wim van der Plas (ISEA Board)
• Steve Dietz (ISEA2006)
• Tapio Mäkelä (ISEA2004)

Inter-Society for Electronic Arts Networking meeting

• moderated by Nina Czegledy
• ISEA Board
• ISEA HQ
• ISEA International Advisory Committee
• ISEA Cultural Diversity Committee
• ISEA-sponsored African Digital Network

French Rendez-vous

• moderated by Anne Roquigny

Networking meeting ASEF

• moderated by Hendrik Kloninger

Networking session Africa

• moderated by Marcus Neustetter
• Danda Jaroljmek
• Fannuel Wallah
• Fatou Kandé Senghor
• Saki Mafundikwa

Networking session Asia-Pacific 

• moderated by Shuddhabrata Sengupta & Monica Narula
• Dave Marsden
• Gunalan Nadarajan
• Doyun Lee
• Melinda Rackham
• Dooeun Choi
• Shilpa Gupta
• Serafina Maioraino
• Samina Mishra
• Ian Clothier
• R.E. Hartonto
• Alejandro Azizmendi
• Margaret Tan
• Sang Wook Nam
• Irina Aristarkhova
• Bhagwati Prasad
• Madoka Takashiro
• Mrityunjay Chatterjee
• Linyew Cheang
• Julianne Pierce
• Josephine Starrs
• Anna Hill
• Louise Wright
• Yew Sun
• Mari Velonaki
• David Cranswick
• Keith Armstrong
• Rob la Frenais
• Kirsi Marja Metsahuone
• Soh Yeong Roh
• John Tebbott
• Danda Jaroljmek
• Leon Cmielewski
• Genco Gulan
• Tracey Benson
• Yeoh Guan Hong
• Amanda McDonald-Crowley
• Annick Bureaud

Creative Crossings

• moderated by Minna Tarkka

 Martini Madness

• moderated by Sara Diamond and Susan Kennard