Abstract

I wish to look at what the mailing list offers by way of an art historical tool, what
adaptations we might incur in order to use such a tool efficiently, and why mailing
lists aren’t acknowledged for the new media language generator that the
undoubtedly are.

• Charlotte Frost (UK) is the editor of Furthertxt a website which contextualises net art  practice in a variety of text-based analytical ways. She also regularly writes for Rhizome the online resource for net art and new media based at the New Museum, New York and has written for Mute magazine and Net Art Review as well as The Tube’s Platform for Art. She has just produced a guest selection for Low-Fi on list-serve related artworks. She is also working on a PhD on the historicisation of Net Art at Birkbeck College, University of London, with Dr Charlie Gere. Her latest projects experimenting in the production of net art critique utilising net art technology will be launched later this year.

Full text (PDF) p. 98-99