[Overview] [Presentations] [Workshops] [Art Events]
Keynotes
Londonderry Keynote
Belfast Keynotes
- Louise Purbrick — Contested space: cultural property and the art of appropriation
- Clive van Heerden — Keynote
- UBERMORGEN.COM — Keynote
- Lea Mauas & Diego Rotman (Sala-Manca) — Keynote
- Moritz Waldemeyer — Keynote
- Mika ‘Lumi’ Tuomola — Keynote
- Yvonne Spielmann — Keynote
- Sadie Plant — Mobiles as Mobilising Tools
Paper Presentations
ISEA2009 Exhibition Papers
- Kathy Rae Huffman — ISEA2009: The Exhibition
- Kerstin Mey — Foreword to the ISEA2009 Catalogue
- Yvonne Spielmann — Mapping Scapes of Sound and Vision (Notes on Simultaneous Echoes, by Masaki Fujihata)
Londonderry Presentation
- Paul Moore, Frank Lyons, Brian Bridges & Greg O’Hanlon — The River Sings Project
Posthumanism
- Denisa Kera — Postbiology between protocol and manifest: portraiture of a passing specie
- Tobie Kerridge — Material Beliefs: Designing Speculatively with Biotechnology for Public Engagement
- Natalia Matewecki — Hybrid Bodies: Bionic Bodies, Semi Living Bodies, Modified Bodies
- Gavin Sade & Priscilla Bracks (Kuuki) — e. Menura Superba
- Angela Barnett — The Dancing Body as a Screen: Synchronising Projected Motion Graphics onto the Human
- Camille Baker — MindTouch: embodied ephemeral transference; mobile participatory performance research
- Eunsu Kang — Shin’m: Reshaping the Perceived Body with Sound
- Joan Healy — Cyborgs and the Duality of Perception and Morality in Performative Interaction
- Daniel Rubinstein — Listening to the Image: Digital Photography between Discourse and Inhabitation
- Jeremy Levine — Products of negotiation and spaces of possibility: quantum systems and interactive media art
- Audrone Zukauskaite — The Body without Organs: Deleuze and Guattari Meet Romeo Castellucci
- Kate Richards & Sarah Waterson — eye>hand>body> Data Visualisation and the Body in New Media Works
- Vladimir Todorovic — Green or Not Green: another glimpse of vanishing reality
- Lanfranco Aceti — The normalization of the cyborg: from futuristic artistic expression of mutilation to daily aesthetic beauty
- Maryse de la Giroday — Nanotechnology, Storytelling Sensing and Materiality
- Andrew Folan — Grasping the Untouchable. The Externalization of Virtually Created Entities
- Denise Doyle — The Post-human Imaginary and the Body of the Avatar
- John Fillwalk & Jesse Allison — Bridging Worlds: Approaches to Hybrid Art in Physical and Virtual Realities
- Masanori Mizuno — Seeing the ‘Light-Color’ Seduces a New Kind of Touching
- Kirak Kim, Chee-Onn Wong, Keechul Jung, Hohyen Lee & Kyoungsu Oh — A Study on Interactive Construction Tool for Better Interaction Ability in an Interactive Installation
- Kieran Nolan — The Real Virtual Living
- John O’Shea — The Meat Licence Proposal
- Tapio Makela — Posthuman Geographies: from Virtuality to Response-Ability
- Fiona Annis — CorpsCellule: Le Jardin
- Rachel Armstrong — Human, Robot, Alien: The Universal Succession and Transformation of Terrestrial Life
- Laura Boffi — Bioinstincts
- James Coupe — Mechatronic Art: beyond Craft Fetishism
- M. Beatrice Fazi — Expression in Interactive Aesthetics: the Case of Physical Computing
- Nicolas Thely — Lives and Works Well Everywhere
- Sally Pryor — Thinking of Oneself as an Aging Computer/Thinking of (an Aging) Oneself as a Computer
- Susanna Hertrich & Carson Reynolds — Prostheses for Instincts
- Abbas Cheddad, Joan Condell, Kevin Curran & Paul Mc Kevitt — Steganoflage: a new digital image security strategy
- Julijonas Urbonas — Designing and orchestrating technologies for future home or objects for arithmomaniacs
- Julijonas Urbonas — Gravitational aesthetics
Transformatory Practices
- Gavin Artz — The arts, innovation and commercial opportunities
- Kevin Badni — Collaboration and Development of an Artist’s Toolkit
- Tim Barker — Toward a process philosophy for digital aesthetics
- Zach Blas — Gay bombs: exploding, remapping topologies of queerness
- Jo Briggs — Bridging the Divide: Emergent Digitial Literacies and Collaboration
- Alessandra Campoli — The Ephemeral Body: Aesthetics of the Body in the New Media Arts of Continental Southeast Asia
- Grant Corbishley — Cross-Discipline Collaboration: Don’t Care, Don’t Want to Know
- Gianni Corino & Chris Speed — Semantic Cartography
- Hugh Davies — Authored collaboration, choreographed reality
- Vanessa De Luca — Play Design: A collaborative design space based on digital game project
- Daphne Dragona — Play as a driving force in the era of the social web
- Matthias Fritsch — Techno Viking: artist strategies for Web 2.0
- Christopher Fry — The nature of the experience: understanding the role of the audience in pervasive and locative artworks
- Carolina Paola & Caluori Funes — Lazarillo GPS
- Gabriel Menotti Gonring — Through the dark room: an approximation between the movie theatre and VJ-ing spaces
- Jefferson Goolsby & Dr Mei-ling Lee — The global data palette: massive databases and the reformation of content creation in film/video and music/sound art practice
- Joanna Griffin & Geetha Narayanan — Moon Vehicle: creating new culture from the Chandrayaan missio
- Josh Gumiela — Net gain/net loss: the Googlization of new media art in the era of neoliberalism
- D. Fox Harrell — Avatar art: transformative outcomes of the Advanced Identity Representation Project
- Meredith Hoy — Hacking the borders of art and information: Jason Salavon and the art of anti-visualization
- Meredith Hoy — Vasarely Redux: Electroplastique and the structure of digital aesthetics
- Cindy Jeffers & Stefan Agamanolis — Professional Capital and Informal Justice Systems
- Lisa Jevbratt — ZooMorph: Enabling Interspecies Collaboration
- Megan Johnston — Connecting with the iGeneration: the use of mobile interfaces and new technologies in galleries and museums
- Jaeyoung Kim & Junghwan Sung — Understanding interactive media art based on Qi philosophy in traditional Orientalism
- Miyeon Kim, Joonsung Yoon, Dongho Kim & Eunryoung Kim — Before the Reset: Transformative Practice of Interactive Media Artwork
- Ryszard W Kluszczynski — From Instrument to Interactive Spectacle: transformations of participatory culture
- Maria Manuela Lopes & Paulo Bernardino — Mapping the Mind: collaborative creativity as alternative transformative practice
- Jung-Yeon Ma — Same Old Story: Media Art in East Asia
- Evi Malisianou — Exploring the experience in everyday pedestrian routes
- Rosa Menkman — The use of artifacts as critical media aesthetics
- Artemis Papageorgiou — Fabrique: shaping experiential landscape
- Valentina Rao — Reception strategies of transmedial audiences: playfulness, fiction, and the apparatus in interactive soap Lonelygirl15
- Martin Rieser — The Art of Mobility: how transdisciplinary artists’ projects are testing the boundaries of mobile media design
- Susan Robinson, Daniel Razza, Bent Christensen, Chih-Sung Wu & Ali Mazalek — Kino Puzzle: grasping realities through tangible tabletop documentaries
- John Russell — Picturing Ideas as Art: the Visualization of Philosophical and Political Ideas using Computer Generated Imagery
- Susan Ryan — Critical Dressing: Creative Wearables and Tactical Practice
- Edmond Salsali — Exploring the ‘Transitional’ in Interactive 3D Virtual Environments
- Bettina Schülke, Nina Czegledy, Veronild Korakidou & Dave Lawrence — Aureole: communicating and evoking a poetic scientific phenomena
- Karen Shannon — Lets Go Global: transforming lives through participation, digital engagement and creativity
- Chris Shaw — Better than Opiates
- Kate Southworth — Transformative practices: the aesthetics, ethics and politics of social relations
- James Faure Walker — Drawing Lessons for Ants
- Bettina Schülke & Nina Czegledy — Transaction as interaction
Positionings local and global transactions
- xtine burrough — One degree of separation – shopping super locally
- Aleksander Cetkovic — Fluid Archive: re-connecting the Matese community worldwide through archiving cultural values in the digital age
- Kooj (Kuljit) Chuhan — Tolerating mass murder: migration, diasporas, genocide and climate imperialism; an investigation by virtual migrants
- Chris Clarke — The Hegemony of Freedom
- Cecelia Cmielewski & Sean Cubitt — large screens, third screens, civic spaces and innovation
- Vince Dziekan — Particles In Space
- Alison Gazzard — Play, Skip and Jump: Warps in Videogames
- Petra Gemeinboeck — Urban Fiction: between Map and Landscape
- Murat Germen — Using 2D photography as a 3D constructional tool within the Second Life environment
- Ian Gwilt & Ian McArthur — Mixed-realities: opening the Beijing Olympics
- Seyoung Han & Junghwan Sung — A study on reconstructing meaning and experience with virtual restoration
- Alex Haw — Digital Optics, Vision, Supervision and Souvision
- Denisa Kera — The New Theatre of the World: Map Mash-ups and Web 2.0 Space
- Kimon Keramidas — Virtual Places, Real Money: the role of virtual worlds in the success of video games as cultural products
- Kathy Marmor — Bird Watching: satellites, telescopes and the metaphor of transparency
- Conor McGarrigle — JoyceWalks: Remapping Culture as Tactical Space
- Paul Lester — When Digital Trumps Analog: Teaching with Second Life
- Keum Sun Son — A Study on the Relation between the Evolution of Media Platform and Mobile Content Culture in Korea
- Machiko Kusahara — Mitate: Realizing Playfulness; Multiple Viewpoints and Complexity in Device Art
- Kate Southworth — Co-Curating: Distributing Art Globally – Enacting Art Locally
- Maciej Ozog — Information Non-Place as a Mirror of Glocal Subconsciousness
- Mariana Araujo Mota — ‘What have you left behind?’: stories of nomads by nomads
- Pat Naldi — Between here and elsewhere: relating to place
- Daniela Alina Plewe — O-d-o: negotiating, contracting and transacting for online deal-making
- Renee Ridgway — Ruminations on remuneration
- Franziska Schroeder — Dramaturgy as a model for geographically displaced collaborations
Citizenship and Contested Spaces
- Stephen Wilmer — The Citizen versus the Stateless in the Nation-State
- Ilias Marmaras — Griots and Social Media
- Andreas Jungherr — Digital Channels: the Change in Community Structures and its Consequences for Social Participation
- Joanna Griffin & Alejo Duque — The Equator, the Geostationary Orbit and 1976: Rewriting The Bogota Declaration
- John Buckley — Is there space to play?
- Emma Ota — Urban Democracy
- Mark Shepard — On Hertzian Space and Urban Architecture
- Christian Nold — Design for Responsive Communities
- Anthony Haughey — Contesting citizenship: participation and political art
Tracking Emotions
- Michelle Casey, Kevin Curran & Ermai Xie— Email: Its being emotional…
- Mark Chavez, Ina Conradi & Linyi Liu — Cinematics and narratives: creating an archetypal character based experience
- Kathy Cleland — Emotional Interactions: Audience Encounters with Virtual Personas and Robots
- Niall Coghlan & R. B. Knapp — Inner-Active Art: an Examination of Aesthetic and Communicative Issues in Physiologically Based Artworks
- N. Coghlan, J. Jaimovich, R. B. Knapp, D. O’Brien & M. A. Ortiz — AffecTech: an affect-aware interactive AV artwork
- Eva Hanser & Paul McKevitt — NewsViz: extraction and visualisation of emotions from news articles
- Anja Hashagen, Nassrin Hajinejad & Heidi Schelhowe — Dancing Sound: swarm intelligence based sound composition through free body movements
- Margaretha Anne Haughwout — Power, emotion and virtuality
- Ian Holder — Enactive Dialectics: inter-subjective emotional feedback through an embodied approach
- Todd Kesterson & William E. Loges — Relationships between Mood & Aesthetics In Video Game Design
- Karla Munoz, Paul Mc Kevitt, Julieta Noguez & Tom Lunney — Combining Educational Games and Virtual Learning Environments for Teaching Physics with the Olympia Architecture
- Edward O’Riordan — Altogether Human: tracking and recording human emotion online
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Susan Elizabeth Ryan — Emotional exchange: Embodiment and Creativity in Wearable Technology
- Joel Swanson — The Confessional Machine
- Naoko Tosa, Hideto Obara, Seigow Matsuoka & Ryohei Nakatsu — Hitch Haiku: an interactive supporting system for composing Haiku poem
- Todd Winkler — Video Mirrors and Mirror Neurons: a Look at Empathy in Participatory Immersive Environments
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Miyuki Yamada & Yuichi Murai — Composition of Visual Imagery for Shakespeare’s Plays
- Brigitta Zics — The engineering of experiences through the Mind Cupola: interaction as a cognitive feedback loop
Entertainment and mobility
- Ralph Borland & Tim Redfern — Entertainment and mobility
- Kyle Buza — Intimate bidirectional interaction between external displays and mobile devices
- Dimitris Charitos — The impact of location-based mobile games on group formation and urban environmental experience
- Herlander Elias — Mobile Anime and Cockpit Comics
- Martha Carrer Cruz Gabriel — Mobile Tagging and Mixed Realities in Art
- Scott Hessels — Stories on the Run: Narrative Structures for Mobile Cinema
- Dean Keep & Marsha Berry — Memories, Mobiles and Creative Art Practice
- Sarah Moss & Ernest Edmonds — PEGASYS: a Presence Generating Art System
- Simone O’Callaghan — Art and Mobile Augmentation: the Brave New World of Graphical Tagging
- Tran Cong Thien Qui, Lee Shang Ping & William Russell Pensyl — An ‘on-the-fly’ pseudo model-based Augmented Reality
- J.J. Quinlan — Does routine make a boring life? The Visual Representation of Time and Space Using Mobile Technology
- Eva Sjuve — Urban Sonic Activation on Wheels: ‘Scraper’
- Michael Smyth & Ingi Helgason — Fragments of Place: Revealing Sense of Place through Shared Phone Image
Interactive storytelling and memory building
- Judith Aston — Database narrative, spatial montage and the cultural transmission of memory
- Tahera Aziz — Sound, narrative and audience interaction
- David R. Burns — Digital media, memories and representation: Rebirth
- Flavia Caviezel — Overlapping boundaries: art, technology and storytelling
- Gheorghe Dan & Ileana Cosinzeana — Logos versus Mythos: the Strange Adventures of Netochka Nezvanova in the Lands Without
- Mousumi De Thalhofer — Using interactive documentary as a peace-building tool in a post-Florian conflict situation
- Kristine Diekman & Karen Schaffman — United & Severed: collaborative research and cognitive authority
- Carl Mattias Ekman — Mnemonics as Complementary Space
- Dew Harrison — The Writing on the Wall
- Helen Varley Jamieson — Reinventing theatre in cyberspace
- Roshini Kempadoo — Counter-practices to the Caribbean Archives: the Feminised Narratives in Domino Effects
- Denisa Kera — Design for posthuman future
- Iro Laskari & Anna Laskari — Live Puzzle: a Kaleidoscopic Spatio-Temporal Narrative
- Sheila McCarthy, Heather Sayers, Paul McKevitt & Mike McTear — Interactive storytelling with MemoryLane
- Irene McGinn, Sinead Rafferty, Sinead McCarthy, Cormac Meegan & Ronan Lynch — Alternate Reality Games, Advertising and Entertainment: how Digital Media is Changing the Way We Tell Stories.
- María Mencía — Connected Memories
- Kenneth Newby & Aleksandra Dulic — Media diffusion: multiplicity, identity and ecology; re-thinking images in animation after cinema
- Garth Paine — Pools, pixies and potentials
- Verity Peet — Moving History, Moving Goalposts
- Mirjana Peitler — (Re-) constructions of memory in post-conflict Serbian society
- William Russell Pensyl, Daniel Jernigan, Shang Ping Lee, Tran Cong Thien Qui & Loy Shing Chuan — Location Based Entertainment and Co-Evolutionary Narratives in Mixed Reality Immersive Environments
- Amir Soltani — Cinesensory: a filmic model for imaginative reconstruction of a city from haptic memories
- Jen Southern — Lines of Flight: Placemaking in Motion
- Susanne Stich — Lily’s Image: a child’s process of ‘making sense’ of universal themes such as family, home and their perpetual change
- Cyril Thomas — Second Life: Art and Archive. Thoughts about Lynn Hershman Leeson
- Rasmus Vuori — Narrative Inertia: a Spatio-Dynamical Model of Generative Storytelling
- Una Walker — Whose past is it anyway: the use of digital databases in exploring personal and collective memory
- Jichen Zhu & Fox Harrell — Memory, Reverie Machine: toward a dance of agency in interactive storytelling
Interactive Textiles I: Time and Form
- Zane Berzina — E-Static Shadows: An Interactive E-Textile Membrane
- Barbara Layne & Janis Jefferies — Wearable Absence
- Maggie Orth — Pile Blocks and Bar Code
- Nadya Peek — Wrinkle Skin
Interactive Textiles II: Wearability and Adoption
- Susan Ryan — The Interface Vanishes: Wearable Technology at the Crossroads
- Devabrata Paramanik — E-Motional Textile: Creating Electronic Patterns for Printed Textile Design by Integrating Motion Capture Technology
- Christian Dils — Stretchable Circuit Board: New technology For High Level Integration of Electronics Into Textiles
- Milena Reichel — ‘I Would Wear it, because it is Something Different’
- Elena Corchero — Contemporary Design for Safety Textiles
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Artist Presentations
- Elif Ayiter — Syncretia: a Virtual Geography for Narrative Playfulness
- Tahera Aziz —[re]locate and environmental storytelling
- Jeremy Beaudry, Nick Jehlen & Jethro Heiko — Designing Social Media for Social Change
- Simon Blackmore, Tony Hall & Steve Symons (Owl Project) — m-Log exchange project
- Susanne Bosch — As long as we await the next day with curiosity
- Tara Carrigy, Neill O’Dwyer & Colin O’Sullivan — Drawings of a Floating World
- Linda Duvall — Interactive Digital Media: An Asset or Liability for Participatory Practices?
- Eric Dyer — Bellows: bringing digital animation into the physical world
- Redmond Entwistle — Red Light
- Lisa Erdman — Art, humour and advertising as tools for political dialogue
- Martha Gabriel — Sensitive Rose and the mobile tag era
- Seema Goel — Exact change: the transit shelter: a site of activism
- Saoirse Higgins — The Grafting Parlour
- Emrah Kavlak — Fluxitecture: a virtual installation for motion visualization
- Olga Kisseleva — From ‘World Wide VIP’ to ‘TUTOR’ and vice versa
- Daniela Kostov & Olivia Robinson — Negotiations
- Tomás Laurenzo — Ribbons: a live cinema instrument
- Nancy Mauro-Flude — Bag Lady 2.0
- Mairead McClean — For the Record
- Alex Monteith, Danny Butt, Jon Bywater & Natalie Robertson — Collaboration on local time
- Esther Polak — ElasticMapping: implications of a GPS drawing robot in times of locative media
- Andrea Polli & Chuck Varga — Cloud Car
- Rainer Prohaska — KRFTWRK: Global Human Electricity
- Steve Symons — Aura: the stuff that forms around you
- Steve Symons — Plug and Play Tangible Interfaces
- Susan Tileston & Nathaniel Tileston — MY STORY photo project: pictures on the edge
- Lycia Trouton & Stephen Perrett — The (Irish) Linen Memorial Soundscape: a Gathering of Names
- Michiko Tsuda & Caroline Bernard — Migratory: filmic exchanges and cinematographic weavings
- Hui Zhu & Sebastien Mulot — Life cycle in digital system
- Ross Harley — Airbridges
- Fong Wah Hui — Regain Wakes
- Eunsu Kang & Diana Garcia-Snyder — PuPaa: Butoh, Digital Media and Collaboration
- Sylvie Marchand & Lionel Camburet — ‘AmeXica sKin’: a Collaborative Event Questionning Borders
- Simon Blackmore, Tony Hall & Steve Symons (Owl Project) — mLog exchange project
- Suk Chon — An Application of New Methodology for the Performing Arts: PERFORMATIVE’s Dance Project ‘A Room of Remember’
- Joseph DeLappe — dead-in-iraq
- Kuaishen Auson — Stridulation Amplified: on Biomimetic Stridulation Environments and the Use of Bioacoustics as an Artistic Resource
- Lynn Lukkas — Telling Time: 13 films of dreams, memories, paradoxes, conundrums, lies and the uncanny
- Burak Arikan — My Pocket
- Sarah Waterson — sub_scapeUTOPIA
- Shannon Castleman — Jurong West Street 81: a synchronised community video project
- Keith Yan Kit Lam — Moving Mario
- Anne-Sarah Le Meur — Outre-Ronde: research on a contra-intuitive interaction
- Andy Best & Merja Puustinen — Laughing is allowed…
- Nagehan Kurali, Özlem Sulak & Selin Özçelik — Postponed:a site-specific installation concerning man and nature
- Owen Mundy — Intervention and the Internet: new forms of public practice
- Roxane Permar — Swap Shots: mobile film exchange
- Josephine Starrs, Ann Finegan & Leon Cmielewski — Engagement and contemplation: communicating data in media art installations
- Mark Shepard — Sentient City Survival Kit
- Dew Harrison, Denise Doyle, Mark Grimshaw & Jab Robbins — Kritical Works in SL II
SPARK Exhibition Artist Presentations
- Peter Bosch & Simone Simons — Último Esfuerzo Rural
- Adinda van ‘t Klooster — Emotion Lights
- Julie Freeman — Specious Dialogue III
- Sarah Kettley — HUG: a Reactive Textile Product for Affective Care
- Katarzyna Krakowiak — Citizenship and Contested Spaces
- Zune Lee, Sang Won Nam & Chang Young Lim — A Bottle of Weather
- Vladimir Todorovic — Zleeches
- Eric Siu — Optical Handlers: eeyee
- Paul Sermon — Urban Intersections
- Stephen Shaw — Contested Perception: Five Digital Sculptures
- Margarete Jahrmann — Game Fashion 2.0. The Semacode Dress. A Quick-Read-Code Camouflage Collection
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Panels and Round Table Discussions
Coleraine Panels
Contested Spaces
- Peter Ramsey — Government, citizenship and the public sphere: contested democracy and digital technology
- Cahal McLaughlin — Recording stories of apartheid reparations in a culturally and economically diverse landscape
- Alexandra Cochrane — Boys would only like the programme because there are boys in bands: How preschool children’s television tells the story of contested spaces
- Jolene Mairs — Unheard Voices: audio visual recordings of memories of the Troubles in Northern Ireland
Post Conflict Storytelling
- Jessica Hemmings — Spoken, Printed & Virtual: Zimbabwe’s Non-Linear Narration of Memory
- Lorraine Dennis — Gendered inter/activity? Reflections on memories of prison experience in Northern Ireland’s conflict
- Alev Adil — A Poetics of Exile: the place of memory in the new media environment
- Carl Mattias Ekman — Mnemonics as Complementary Space: Investigating Recollection and Film in Destroyed Physical Environments
- Jim Kosem — Spomenik
Londonderry
Public Interview
Yvonne Spielmann (interviewer)
- Masaki Fujihata
- Frank Lyons
Dublin Forum
- E-mobileart lab — projects and discussion
- MediaLab Prado — projects and discussion
Belfast Panels
- ISEA International — Annual General Meeting
- Diana McCarty & Mare Tralla — prologue: Transitional Geographies/Feminist Mapping
- Clive van Heerden, Moritz Waldemeyer, Mika Tuomola & guests — Creative Industries Forum
- Barbara Rauch (convener) — Emotion Research Forum
- Joonsung Yoon, Dongho Kim & Keumsun Son — Educational and Artistic Practice for the Convergence of Art and Technology in Korea
- Vicente Matallana (convener) — New Media Art, New Economic Realities: Emergent Economic Structures in New Media Art
- Paul Sermon (convener) — Interactive urban installations in contested virtual spaces
- Tapio Makela (convener) — M.A.R.I.N. Residency for the Irish Sea
- Tapio Makela (convener) — Ecolocated: Environment, Sound and Engagement
- Pam Skelton (convener) — Conspiracy Dwellings: Surveillance in Contemporary Art
- Tagny Duff, Kathy Rae Huffman, Laura Sillars, Kerstin Mey & Andy Miah (chair) — Posthumanism: Is the (Art) World Ready for Bioart?
- Deborah Lawler Dormer (convener) — CoLab: Performance and Interactive Technologies
- Dew Harrison (convener) — Dialogic Exchanges for Virtual Curation
- Nina Czegledy, Daniela Reimann & Lynn Hughes — Educational Forum: ISEA2009, ARS Electronica 2009 and Re:live 2009
Wearable Materialities panel
- Valerie Lamontagne (convener) — Wearable Materialities
- Ebru Kurbak & Mahir M. Yavuz — Wearable Information: Information Visualization in Daily Wearables
Belfast Roundtable
- Helena Schniewind (convener) — Was I Supposed to Feel like I was a Part of that? Strategies towards Engaged, Embodied Audiences in Participatory Electronic Artworks
Institutional Presentations
- Drew Hemment — FutureSonic: FutureEverything
- Clarisse Bardiot — Creation of a Publishing Collection about Digital Performances
- Mark Daniels — Alt-w: New Directions in Scottish Digital Culture
- James Coupe — DXARTS
- Mike Stubbs — FACT Liverpool
- Anne Nigten — Patchingzone
- Deborah Lawler Dormer – CoLab
- Tomoko Hatanaka & Hidenori Watanave — Japan Media Arts Festival and the formation of environment for global visual culture