Abstract
This paper – based on research for an art-practice based PhD at Duncan of Jordanstone College of Art & Design (University of Dundee) in Scotland – examines current trends in graphical tagging, particularly in art practice where it can be used as a vehicle for exploring conceptual issues such as the ephemerality of the digital medium, de- or re-materialisation of the art object and how artworks can be augmented and viewed in their settings.
- Simone O’Callaghan, Duncan of Jordanstone College of Art and Design, University of Dundee, Scotland
Full Text (PDF) p. 114-122