[Overview] [Presentations] [Workshops] [Art Events]
Keynotes
- Sean Cubitt — Time to live
- Oliver Grau — Media Art Explores Image Histories: New Tools for Our Field
- Semir Zeki — The Characteristics and Measurement of Beauty
- William Uricchio — Towards a New Order: the Algorithmic Turn
- Jay Bolter — The Digital Plenitude and the End of Art
- Christiane Paul — The Upgrade Path: Networked Art 1.0 -> 2.0
- Sara Diamond — Data Visualization: Materiality and Mediation
- Terrence Masson — Revolution. Excellence. Agility
Other Plenary Sessions
ISEA Annual General Meeting
- Wim van der Plas et al — ISEA International update
- Andrea Polli — ISEA2012 Presentation (Albuquerque, USA)
- Ross Harley — ISEA2013 Presentation (Sydney, Australia)
- Janet Bellotto — ISEA2014 Proposal (Dubai, UAE)
Paper Presentations
Adopting Traditional Concepts of Beauty with the Digital
- Falk Heinrich — Investigating Interactive Beauty: a research-art project
- Andrea Wollensak, Ozgur Izmirli & Bridget Baird — DEEP/PLACE: site-based immersive history
- Adviye Ayça Ünlüer, Oguzhan Özcan & Hüseyin Kuscu — Embedded Sound: A Project on Turkish Traditional Calligraphy and Its Multi-Touch Transformation
- Josefina Lopez Aguayo — New Media Art Installations As Cognitive Spaces: An Approach From The Perspective Of Distributed Cognition
Architecture and the Experience of Digital Spatiality
- Teresita Scalco — The interactive and immersive experiences shape the new architectural language
- Banu Pekol — BodyCAD: Creative architectural design through digital embodiment
- Angeliki Malakasioti & Spiros Papadopoulos — Symptomatic Architectures: Spatial Aspects of Digital Experience
- Serhat Kut, Benachir Medjoub, Tuba Kocaturk & Riccardo Balbo — Mixed Reality: Emerging Spatial and Perceptive Experiences in Architectural Design
Art – Science Relations
- Olivier Perriquet & Bill Seaman — Science <-> Art Relationalities
- Florian Wiencek & Timothy J. Senior — Art >< Science: An Ontology
- Lioudmila Voropai — Art, Science and Technology Collaboration
- Jill Fantauzza-Coffin — Technological Art and Innovation Dialogues
- Suzette Worden — Sky Knowledge
- Marco Mancuso — A Myriad of Vibrant Phenomena: The Hidden Worlds of Audiovisual Art-Science
Art and Activism in Digital Age
- Georg Russegger & Michal Wlodkowski — Insecure Territories
- Michael Dieter — Reticular Aesthetics: Adversarial Media Art after the Material Turn
- Vanessa Maia Ramos-Velasquez — Digital Anthropophagy and the Anthropophagic Re-Manifesto for the Digital Age
- Lars Bo Løfgreen — Encyclopaedic public, WikiLeaks, multitude, interface
- Jason Waite — City on the brink
- Tanfer Emin Tunc — Technological, Transcultural and Feminist Formations in the Electronic Art of Muriel Magenta
- Byul Shin — Media art as social and political influence
- Geoff Cox — Publicness, Pervasive Technologies and a History of Shit
- Fionnuala Conway & Linda Doyle — Art of Decision: an interdisciplinary approach to raising awareness of Active Citizenship
- Susan Elizabeth Ryan — Pleasure and Sacrifice: Aesthetic Experience and Collectivist Action
- Ricardo Lobo — Electrical, Political, Social and Cultural Resistance
- Denitsa Petrova — Big Bird is Watching You: Art, Activism and Technology in the Public Arena
Art, Code and Computation
- Javier Toscano — The memory and the code: the phantasm of digital culture
- Alessandro Ludovico — Dancing Code: shake your parameters
- Brogan Stuart Bunt — Computational Drawing: Code and Invisible Operation
- Gabriel Menotti Gonring — The interpenetrating boundaries between coding and computation during livecoding performance
Art, Materiality, Space and Time
- Jonas Ranft — A Potential Landscape
- Peter Richardson — Herding Cats to Infinity
- Patrick Henri Harrop — De-phasing Infrastructure: on the Techno–Aesthetic Interval in Gilbert Simondon’s Objet Technique
- Rudi Knoops — Curiosity as an artist’s brief
- Raivo Kelomees — Delay and Non-Materiality in Telecommunication Art
- Pier Luigi Capucci — Simulation beyond perspective: The discourse of holography as a tool for imagery, art, media studies and science
Augmented Reality in Practice: from Motion Tracking to Live Memory Machines
- Benachir Medjoub & Serhat Kut — A Mobile System for an Indoor Augmented Reality in Building Services
- Suguru Goto — netBody:Augmented Body and Virtual Body II
- Margriet Schavemaker & Hein Wils — AR(t) in the Orient
- Brad Miller — augment_me: algorithmic memory, absence and presence in the cloud
- Tyng Shiuh Yap — Augmented Movement-Vision: Moving, Seeing and Sensing
Augmented Spaces
- M. Luisa Gómez Martínez — Building Complex Realities: Artistic Uses of Locative Media and Augmented Reality
- Serhat Kut, Semra Aydinli & Arzu Erdem — Enhancing Spatial Experiences through Digitally Augmented Spaces: The Library+ Project
- Xiaoniu S. C. Hsu, Tsun-Hung Tsai & Yu-Hsiung Huang — Digital Re-presentation and Simulacrum in Augmented Reality
Avatars and Virtual Spaces
- Denise Doyle — Art and the Emergent Imagination in Avatar-Mediated Online Space
- Greg Patrick Garvey — The Virtual Panopticon: Whose Point-of-View is it Anyway?
- Maayan Glaser-Koren — Drifting and Imaging in Second Life: John Craig Freeman’s ‘Imaging Beijing’
Bacteria to Elephants: Practices of Bioart
- Scott Hessels — Mediated Earthworks: New Media Go Wild
- Anna Claire Dumitriu — Communicating Bacteria
- Rattapol Chaiyarat — Elephant: The Construction of Contemporary Representation Images
- Pat Badani — A maze about maize: An Amerindian Divinity and its Transgenic Avatars
Biosynthetics and Body – Machine Relationships
- Diana Domingues, Adson Ferreira da Rocha & Cristiano Jacques Miosso — Art and Life: Biocybrid systems and the reengineering of reality
- Alan Dunning & Paul Woodrow — ColourBlind
- Christophe Viau — Morphogenesis
- Maryse Simone de la Giroday — Whose electric brain
- Stuart Bunt — Fish and Chips: MEART and Silent Barrage, pioneering cybernetic organisms from the SymbioticA research Group
Bodies as Bio-Interfaces
- Claudia Robles Angel — EEG Data in Interactive Multimedia Art
- Karen Anne Lancel — Tele_Trust
- Kristina Andersen & Danielle Wilde — Circles and Props: making unknown technology
Body and the Digital Space
- Marcos Pereira Dias — Digital Performance in Networked Public Spaces: Situating the Posthuman Subject
- Colleen Karen Ludwig — The Fluctuating Border between Architecture and the Body in Shiver
- Nancy Mauro-Flude — Vessels for infinite veracity: theatre machines and the body
- Todd Winkler — Flying, Spinning, and Breaking Apart: Live Video Processing and the Altered Self
- Iona Pelovska — The Eyes that Stop the Trains: Time, Movement and Agency in Moving Image Technologies
- Ian Haig — That strange feeling
Changing Perspectives on Digital Media in Global Age
- Soraya E. A. Murray — Theorizing New Media in a Global Context
- Donna Roberta Leishman — Precarious Flux
- Romy Achituv — The Return of the Digital: Reflections on the Digital-Cultural Feedback Loop
Changing Vocabularies of Digital Art
- Kathrine Elizabeth Anker — A Cybersemiotic Approach to Technoetic Arts: new vocabularies in transdisciplinary research
- Damien Charrieras — Trajectories, circulation, assemblages
- Charles Walker & Kim Newall — Sketches of an interdisciplinary practice: essential in-formation for post-digital thinkers
- Ana M Carvalho — The ephemeral in AV realtime practices
- Sander Veenhof & Kasia Molga — Investigating the notion of Art2.0
Cinema after the Digital
- Michael Leggett — Physical Cinema: memory, schema and interactive video
- Osman Koc — HyperPresence: Telepresence via Quantum Cinema
- Mark Joseph Chavez — Active Cinema
- Olga Kisseleva — CrossWorlds
City, Public Space and Mobile Technologies
- Sam Kronick — Urban Augmented Reality and the Games of Cybergeography
- Tiago Rodrigues Lucena — Ubicomputacional art: urban environment and emergent narratives
- Ebru Kurbak, Mathias Mitteregger, Isabella Hinterleitner & Sandrine von Klot — Augmenting Design Research: Investigating Public Space With Mobile Sensor Data
- Titia Ex — Light Art in Public Space
- Eva Kekou & Patrick Lichty — Network culture, media art: urban identity and cultural change dialectics
Code and Generative Art
- Ben Bogart & Philippe Pasquier — Context Machines
- Rui Filipe Antunes & Frederic Fol Leymarie — Generative narrative in xTNZ and Senhora da Graça
- Miguel Carvalhais — Procedural Taxonomy
- Meredith Hoy — Painting as Programming: Casey Reas and the Aesthetics of Generative Code
- Justin Love, Philippe Pasquier, Brian Wyvill, George Tzanetakis & Steve Gibson — Aesthetic Agents: A Multi-agent System for Non-photorealistic Rendering with Multiple Images
Collaborating as Social Work
- Kate Margaret Oleary — My Story Matters
- Ben Fox — Wilurarra Creative, Art and Technology
- Tomás Laurenzo & Gustavo Armagno — Enabling Stories
Collaborating through Interactive Media
- Jeff Brice — Beyond the Threshold
- Andy Best — T/Act: empowerment through physical interaction with media art works
- Johanna Schmeer — Touch Trace Mirror: Volatile, Collaborative Messaging as a Concept for Creating a Relatedness Experience
- Jiun-Shian Lin, Su-Chu Hsu, Chi-Hung Tsai & Chia-Wen Chen — Creative Zen Learning Space and Community
Collaborations across Borders: Physical and Disciplinary
- Herman Bashiron Mendolicchio — Digital Mediterranean and New Media Dialogue
- Elisabeth Maria Eitelberger & Bello Benischauer — ART IN PROCESS: cross-border and beyond
- Alexandra Antonopoulou & Eleanor Dare — Phi territories neighbourhoods of collaboration and participation
- Jamie Allen, Rachel Clarke, Kamila Wajda & Areti Galani — Technology, Creativity and the Artist-led Workshop
- Anna Hatziyiannaki — ZEUGMA
- Atau Tanaka & Joelle Bitton — Sustaining Creative Relationships across Africa and Europe through Artist-led Innovation
Computer Art and Curatorial Issues
- Elena Giulia Rossi — Internet and the Work of Art: New Curatorial Issues
- Bill Spinhoven van Oosten — IART: a model for computer based art
- Eleanor Rachel Dare & Lee Weinberg — Re-shaping curation: an interdisciplinary Visual Art Interpretation and Navigation System
Computer Graphics and Remediation
- James B Charlton & Olaf Diegel — Digitaterial Gestures – Action Driven Stererolithography
- Ina Conradi Chavez — Stereo Animated Pictorial Space: Towards new aesthetics in contemporary painting
- Anthony Head & Jeremy Gardiner — A painterly approach to 3D computer graphics
Computing and Aesthetics
- M. Beatrice Fazi — Soft Computing: Forms and Limits in Computational Aesthetics
- Pablo Colapinto — Versor: Spatial Computing with Conformal Geometric Algebra
- Karla Villegas — Two Bitster Disagreement
- Juan Garcia Escudero — Branched surfaces and colored patterns
- Robert Balthasar Lisek — Retracts And Fixed Points In Theory Of Ordered Sets: Towards Combinatorial Computer Science
Content, Data and Media
- Adnan Hadzi — Floss Culture
- Christian Frisson, Stéphane Dupont, Xavier Siebert & Thierry Dutoit — Similarity in media content: artistic perspectives
- Luis Teixeira — Intelligent Content and Semantics Algorithms: the next digital artists?
- Stephanie Vidal — Self-trackers: Why do they prefer the spreadsheet to the sofa?
Creative Industries
- Terrence Masson — Creative Industries: Convergence and Collaboration in Games, Film and Academia
- Gavin Artz — Art, Technology and Business: Trans-disciplinary teams in the arts
- Deborah Leah Lawler-Dormer — MIC Toi Rerehiko: Collective hybrid arts projects
- Jaewon Bang, Suk Chon, Hohyun Lee & Joonsung Yoon — Different point of view on the copyright of artwork between artist and engineer
Critical Approaches to Mainstream and Consumption
- Deborah Rachelle Burns — Subverting the Power Structure in the Surveillance Assemblage: Blue Sky
- Franca Formenti — FOODPOWER
- Chien-Yu Kao — A Case Study of Taiwan’s TV Series: Blindness in Womanizer, P.S. Man
- Daniel Wessolek & Jamie L. Ferguson — Crafting Complaints as Civic Duty
- Annabel Frearson — Frankenstein2: or the Monster of Main Stream
- Nettrice R. Gaskins — Cybism and Decoding the Letter: Countering Mass Culture’s Reductional Breakdown Through Afro-futuristic Forms of Representation and Emergent Game Platforms
- Lisa M. Litterio — Post cards of Identification: The Rhetoric and Form of PostSecret
Critical Perspectives on Economies of Art Today
- Søren Pold & Christian Ulrik Andersen — Digital Art and Culture After Industry?
- I-Wei Li & Anton Koslov Mayr — Welcome to ARTOUT: the first artist escort service in the history of art!
- Marie-Michèle Cron — Workers of the Future at the Frontier of a Pivotal Work: Innovation at Work
- Stephanie Rothenberg & Jeff Crouse — Laborers of Love/LOL: Behind the Scenes
- Franck Ancel — Ten years AFTER
Curating and Archiving New Media Art
- Christiane Paul — New Media Art and the Mainstream
- Karen Gaskill — Curatorial Cultures: Considering Dynamic Curatorial Practice
- Jasmin Stephens — Interdisciplinarity and Exhibition Making
- Annet Dekker — Clickable Art, or what does online participation mean?
- Gabriela Galati — The Electronic Representation of Information: New Relations between the Virtual Archive and its (Possible) Referent
- Karl Grimes — Untold Bodies: Re-imagining the Natural History and Scientific Archive
Data Visualisation and Media Content
- Jeremy Pilcher — The Rhetorical Art of Data Visualization
- Karla Schuch Brunet & Juan Freire — Data Visualization and eco-media content: Media Art produced at Digital Narratives workshops
- Natalie Erika Ebenreuter — Designing a way to visualize the invisible through the dynamic illustration of conversations
Data Visualization: Practice and Aesthetics
- Christina Nguyen Hung — Peripatetic Visualizations
- Brigitta Zics — Eye Gaze as a Vehicle for Aesthetic Interaction: Affective Visualisation for Immersive User Experience
- Barbara Rauch — Visualising Emotions and Autism
- Chris Rowland — Aesthetic 3D Rendering of Historic Shipwrecks (An artist’s intervention in Maritime Archaeology)
- George Legrady — 60,000,000 Transactions Later
- Rebecca Cummins — 700 Million Miles an Hour and Other Phenomena
Digital Dance
- Zeynep Gunduz — From Assistant to Performer: The Changing Roles of Technologies in Digital Dance
- Ludmila Martinez Pimentel — The Interactive Digital Choreography
- Johanna Dangel & Gesa Friederichs-Büttner — Parcival XX-XI goes Digital: New Media as part of a Gesamtkunstwerk
- Andrea Davidson & Jem Kelly — Inter-views: On Memory and Recollection An interactive telematic dance performance
- Kate Sicchio — Choreographing Topological Spaces within Dance Performance with Real-time Video
Digital Media, Space and Architecture
- Aleksandar Cetkovic — Privacy in the House of the Future
- Karen Patricia O’Rourke — Partially Buried University
- Bruce Ramus — Digital Media: From Entertainment to Architecture
- Patrick Henri Harrop — Metastatic Envelope
- Marco Cesario & Lena Hopsch — The Body in Digital Spaces
Digital Performance
- Heather Raikes — Corpus Corvus: Exploring Contemporary Mythos Through Immersive Media Poetics
- Paula Roush & Maria Lusitano — A field of interconnected realities: cyber drawing and mash-up electronic goodness
- Gorkem Acaroglu — The Digital Contamination of Dramatic Theatre: Subject Technology in Exception
Digital Reality and the Perception of Self
- Kasia Maria Wozniak — Designed Reality Experience
- Erik Conrad — Space alive!
- Nina Sosna — Art very ordinary
- Cameron Ironside — The Dream-Logic of New Media
- Nedine Kachornnamsong — Yes/No/Maybe: Sense of Place and the Space in-between
- Justine Poplin — Opera and the Cult of the DJ
- Lee Boot, Stacy Arnold, & David Gurzick — Alternative Approaches to Representing Knowledge in the Human Environment
- Kevin Sarmiento Navarro — An Amorphous Image Process
- Anita McKeown — Towards (Co-authoring) Communitas: The facilitation of becoming through the use of technology within public/community arts practice
- Fabio Fornasari & Sveva Avveduto — Make it visible!
- Amanda Beech — What Would We Mean By Realism?
Digitization of Biological Data
- Roberta Buiani — Microscopic transformations: scientific visualization, biopower and the arts
- Meredith Walsh — Design for Life
- Salvatore Iaconesi,Luca Simeone & Cary Hendrickson — Leaf++
- Mike Phillips, Birgitte Aga, Gianni Corino, Hannah Drayson & Simon Lock — Mass Body Index: Bio-OS, a Biological Operating System
- Mark William Palmer — Examining Issues of Body Image and Complex Regional Pain Syndrome within the Digital
Discipline-specific Case Studies in Teaching New Media
- Asim Evren Yantaç — Natural Objects and Gesture Based Interaction: Search for Creativity in Design Education
- Luca Carrubba — code, cartography and relational learning
- Daniela Reimann — Smart Textile as a Context for Art Based Technology and Engineering Education
- Jane Crayton — Creative Critical Action beyond Economy into “Techno-Ecology”
Exploring and Experimenting with Sound
- Karmen Franinovic — Flo)(ps: between habitual and explorative gestures
- Peter Flemming — Vibrations and Waves
- Morten Breinbjerg — Touched Echo: the sound of a Ghost
- Sebastian Schmidt, Thomas Alexander Troge & Denis Lorrain — CONCEPTUAL RELATIONS: Musical representations do not need music theory
From Still to Moving Image
- Laura Saini — Stop-motion animation: from a state of the art to an ideal process
- Birk Weiberg — Classical Hollywood as an Epistemological Network
- Ozgur Caliskan — Techno-human: New form of hybrid human; from science-fiction cinema to the post-modern society
- Hector Rodriguez — Gestus
- Cynthia Lawson Jaramillo — From Still to Moving: An Almost Indistinguishable Moment
From Typography to Design Interface
- Asim Evren Yantaç & Oguzhan Özcan — A Case Study on Designing Icons for an Info-Assistant System Interface
- Nur Balkir Kuru & Roberley Ann Bell — Low technology in the digital age
- Jesvin Puayhwa Yeo — Beyond Typography: a multi-channel platform with radio-frequency identification integration
- Travis Kirton — Rethinking The Baseline: Explorations in Nonlinear Typography
- Sara Franceschelli — Dynamic Landscapes
- Emre Erkal — Sonification of Emergent Urban Events with Granular Synthesis as an Urban Design Tool
Game and Movement
- Pinar Yoldas — Art in Action: Transformative Power of Gaming from a Neuroscientific Viewpoint
- Rachel Zuanon & Geraldo Lima — NeuroBodyGame: the design of a wearable computer to playing games through brain signals
- Grethe Mitchell & Andrew Clarke — Playground Gaming with Wii, Kinect and Processing
- Dale Leorke — Play and Counterplay in Urban Spaces: Exploiting the City through Location-based Gaming
- Iouliani A. Theona & Dimitris Charitos — Playing with the city
Immersive Environments
- Kate Sparke Richards — Go figure: reconciling affect, participation and narrative in the creation of immersive experiences
- Jinsil Seo — Aesthetics of Immerive Experience: phenomenological approach
- Katerina Karoussos — Arrivals and Departures: Media Res lounge in imagery area
- Janis Garancs — Immersive Media Event Experiments: between Hybrid TV and 3D-VJ
Interactivity and Art
- Angus Graeme Forbes & George Legrady — Cell Tango: An Evolving Interactive Archive of Cellphone Photography
- Simone O’Callaghan & Chris Speed — The Hidden Histories of Objects: Provenance, Storytelling and Tagging Technologies
- Camille Carol Baker — Video Tactility
- Nuno N. Correia — AVOL: Towards an Integrated Audiovisual Expression
- Nell Tenhaaf, Kim Sawchuk & Melanie Baljko — Reconsidering media art dynamics
- Luiza Prado de Oliveira Martins — The Bang Theory: the breaking and (sort of) fixing of everyday objects
- Claudia Rebola, Patricio Vela, Tayo Ogunmakin, Jorge Palacio & Chauncey Saurus — Stichitures
- Tomás Laurenzo — Nibia and the ludic component
- Andreia Machado Oliveira — Bodies, Interactivity and Technicity in Media Art
Interactivity, Space and Public Space
- Ali Enis Yurtsever, Umut Burcu Tasa & Zerrin Iren Boynudelik — AVATARIUM: An Interactive and Collaborative Public Art Paradox
- Julian Konczak & David Alamouti — Identifying Place And Placing Identity In Transnational Transmedia: A Case Study Of Two Convergent Media Projects
- Selin Ozcelik — The Light at the End of the Tunnel: an interactive installation in public space
Interdisciplinary Teaching and New Media Arts
- Charles Walker — Beyond the Conflict of the Faculties: a New Institutionalist case study of the founding of a radical transdisciplinary art/science/technology program
- Ricardo Dal Farra — About interdisciplinary team-teaching and new media arts
- Linda Duvall — CTRL-O Confronting Barriers to Communication in Interdisciplinary Projects
- Vince Dziekan — Studio Pedagogy For Situated Learning In The Culturescape
- Yung-Hsien Chen — The Development and Education of New Media Art in Taiwan
Live Coding and Locative Sound Projects
- Thor Magnusson — The Musical Score: The System and the Interpreter
- Marinos Koutsomichalis — Creating Fixed Media Works out of Site-Specific Compositions through the Use of Spatial Responses and Physical Resonances
- Peter Zinovieff — NUZUH: A corruption of folk music
- Michael Nitsche, Carl DiSalvo & Jason Freeman — Participatory art as inner city workshop: The Urban Remix sound project
Locative Media and Interaction
- Jackie Calderwood — Hunter Gatherer: mobile participatory media as geo-art-cache
- Tracey Maree Meziane Benson — Remotely Connected, Remotely Creative
- Kirk Woolford — Motion in Place Platform
- David Robert Colangelo & Patricio Davila — E-TOWER: Ludic Urban Experience Through Reactive Architecture and Personal Mobile Devices
Locative Media and Social Data
- Alison Gazzard — Locating the Local/Mapping the Network
- Megan Elizabeth Heyward — Meaningful landscapes: spatial narrative, pilgrimage and location based media
- Conor McGarrigle — How Locative Media art set the agenda for location-aware apps (and why this still matters)
- Tapio Mäkelä — Demapping Location
- Varvara Guljajeva & Mar Canet Sola — The Rhythm of City: Geo-located Social Data as an Artistic Medium
Mapping and the Subject as Body
- Leci Maria Augusto — Reengineering of the Sensoriun and Imaginary landscape: Mixed reality
- Greg Giannis — Peripato Telematikos
- Carolina Paola Caluori — LazarilloGPS
Mapping and the User Experience
- Eugenia Fratzeskou — Mapping Uncertainty
- Anja Zeising & Dennis Krannich — Users become Re-creators: Enhancing Experiences through Mapping
- Laura Plana Gracia — Geopolitics/Mapping/Cartography: GPS image satellites and the Aero-Spatial Policies
- Daphne Dragona — “Mapping the Commons, Athens”: a cartography of alternate economies and practices in times of crisis
- Jack Toolin — Here to There and In-between: Commuting through Mediated Perception
Mapping the City and Urban Identity
- Eva Kekou — Mapping the ‘City’ in a digitalised era
- Elly Van Eeghem, Carlos Dekeyrel, Riet Steel & Griet Verschelden — Urban Cracks: Interstitial Spaces in the City
- Richard Vickers & Francesco Proto — Cityscapes: Exploring the spirit of urban identity
- Therese F Tierney & Vincent Velasco — [i-metro] universal access to information
- Susana Sulic — Cyvers City
- Cecelia Cmielewski — Large Screens and the Transnational Public Sphere
Media and Contemporary Practices of Sound Art
- Panayiotis Kokoras — Performer vs Electronics: performing music for instrument and electronics
- Seyit Yöre — Electronic Music and Two Composers from Turkey
- Nina Gram & Tuck Leong — The creative listeners and their iPods: their music, their activities and their listening experiences
- Chad Eby — Duration and Dancing Bears: Halberstadt’s Cage, Inge’s Beethoven, Zimmer’s Piaf and Pittsinger’s Bieber
- Morten Suder Riis — Machine music through the ears of the repairman
- Lidia Zielinska & Rafal Zapala — In the Rear: Artistic Concept and Different Spatialisation Methods
- Leandro Pisano — The food side of sound aesthetics
- Cathy Lane — Babble and Speech: approaches to technology and the spoken word in contemporary sound arts practices
Media Control Interfaces
- Zlatko Baracskai — ‘The Plucker’: a case study in interface specific control signal processing
- Steve Gibson & Justin Love — Advanced Media Control Through Drawing: Using a graphics tablet to control complex audio and video data in a live context
- Mark Stephen Linnane, Linda Doyle & Dermot Furlong — Embodied Schemas for Cross-modal Mapping in the Design of Gestural Controllers
- David Oswald — Touch Interfaces: between Hyperrealism and Invisibility
Media Histories: Europe
- Francesca Franco — Computer Art vs. Computer Music: Different approaches to art & technology at the 1970 Venice Biennale
- Esteban Garcia & David Whittinghill — Art and code: The aesthetic legacy of Aldo Giorgini
- Joanna Walewska — Oral history practices and undiscovered history of Polish computer art of the 1970’s and 1980’s
- Jindra Veselska — Imagining the Social Change: the Czech Discourse about Contemporary Art After 1989
Media Histories: Japan
- Machiko Kusahara — Origins of Japanese Media Art: Artists Embracing Technology from 1950s to Early 1970s
- Rie Saito — GUTAI Movement in Japan and Art Afterwards: Towards New Understanding of Current Media Art
- Simone Gristwood — Rediscovering Hiroshi Kawano: Japan’s Pioneer of Computer Art
Media, Crafting, Fashion
- Anne Nigten, Lars Kynde & Andreas Zingerle — Co-creation in the Big South Lab
- Åsa Ståhl, Kristina Lindström, Margareta Melin, & Johanna Rosenqvist — Stitching Together an Editorial Sewing Circle
- Gail Joy Kenning — Calculating the curvature of crocheted petals: A post media exploration of domestic craft-based textile patterns
Media, Languages, New Vocabularies
- Alan Neil Shapiro — Improving the Information Society Through Awareness of Languages
- Nina Wenhart — Word Magic
- Jacob Lillemose — Art as Information Tool: User Fictions Towards a Critical Software Vocabulary
- Rosa Menkman — Glitch Studies Manifesto
- Paolo Cirio — “Recombinant Fiction” theoretical paper and manifesto
Mobile Interfaces
- Brenda Irene Hutchinson — Sound Initiated Drawing and Short-Term Memory Impairment
- Teri Rueb — Network Landscape
- Charles Roberts — Control: Enabling Participatory Art With Mobile Devices
Mobile Media and Wireless Networks
- Erkki Huhtamo — Interfacing The Tall with the Mobile: An Archaeological Investigation of the Mediatization of Outdoor Space
- Luisa Paraguai — Mobility into immobility: designing networks
- Maciej Ozog — The theatre of everyday life in the age of wireless media
- Duncan Shingleton — Object Geography: The Internet of Things
Museums, Archiving, and Interactivity
- Martin Koplin et. al. — artMUSE goes MaX: how virtual exhibition technologies arises media art in Europe
- Ferhat Sen & Reha Discioglu — Historical Orchestra: A Research for a More Engaging Museum Experience
- Morten Søndergaard, Thomas Markussen, Barnabas Wetton & Ivan Dehn — Soft Clouding
- Catherine Moriarty & Chris Wild — From Archive to Retroscope: pushing forward resource integration
- Andreas Kratky & Juri Hwang — The Museum Machine or: A Database Approach to the Representation of Space
Nanoart
- Anna C Barros — Nanoart: Science and Magic
- Joel Ong — Nanovibrancy and the Listening Microscope: An auditory performance of nanoscale resonance
- Cyril Thomas — Nanotechnology: Towards New Modes of Display?
- Angela Maria Krewani — From Microscopy to Nanotechnology: The Mediality of the Scientific Image
Nature, Human, Machine
- Reynaldo Thompson & Juan Angel Mejia — Towards a New Symbiosis in the Mexican Environment: Art and Science
- Gavin Sade — Suzumushi: a silent future
- Haike Rausch & Torsten Grosch — botanoadopt
- Laura Lee Coles & Philippe Pasquier — Interaction With Nature Through Performance Utilizing Pico-projection in a Forest and Kaumana Cave on the Big Island of Hawaii
- Astrid C. Almkhlaafy — Paying One’s Respect to a Mountain
Networked Collaborations
- Matthias Fritsch — Technoviking Phenomenon
- Pip Shea — Visualising Invisible Networks as Collaborative Arts Practice
- Dimitris Charitos & Veroniki Korakidou — Investigating the process of collaboration in the context of the e-MobiLArt project
- Yueh Hsiu Giffen Cheng — “Super Will> Super Share”
Neuroarts
- Gordana Novakovic — Plastic brains in the post-digital world
- Sandra Langley — I Found These Guys Inside of My Brain: My Self-Guided Tour of AIDS, Art, and Neuroscience
- Adrianne Wortzel & Damon Loren Baker — Place in Mind: Towards A Dynamic Memory Palace
- William Hart — The neuro-logic of software art
- Lisa Carrie Goldberg — Structuring Somnolence: sleep science technology as a medium for drawing with the body at rest
- Tina M Gonsalves — Eliciting Compassion
Notes on the History and Politics of Gameplay
- Hugh Davies — Weaponising Play
- Thomas Veigl — Machinima: Evolution and artistic license in computer game art
- Lindsay Grace — Understanding the Art Practice of Critical Gameplay Designs
- Dan Dixon — Big Games and Hipsters: Cool Capital in Pervasive Gaming Festivals
- Laetitia Jennifer Wilson — Art-game Traditions in the Modification of Chess
Open Source and Intellectual Property Rights
- Martin Zeilinger — mix Culture and the Radical Imagining of Alternative Intellectual Property Policies
- Andrew Y. Ames & Alexia Mellor — Playing in Place Nowhere: creating an open source country
- Aymeric Mansoux — My lawyer is an artist: free culture licenses as art manifesto
- Ali Halit Diker — New Generations of Robin Hoods: Cultural and Technological Piracy
Perfection, Error, Sublime
- Kevin Todd — The Nature of Perfection
- Alejandro Schianchi — Error in Audiovisual Apparatus as Aesthetic Value
- Maja Petric — Pursuing the Unknowable through Transformative Spaces
- Ksenia Fedorova — Ambiguity as a Signature of the Sublime in Media Art
Perspectives on Colonialism and Art
- Avishek Ray — Historicizing ‘Folk Art’: A View From Bengal (India)
- Delinda J. Collier — From Hut to Monitor: The Electrification of Chokwe Wall Murals in Angola, 1953-2006
- Cheryl L’Hirondelle — Codetalkers Recounting Signals-of-Survival
Philosophy and Ethics of Bioart
- Andre Brodyk — ‘aitiai’ concerning genetic art
- Joanna Hoffmann — Butterfly Wings of Pythagoras
- Helder Miguel Dias — Meta-Medium (The expanded Alan Kay)
- Marta Mikolajewska — The Art of Living Systems
- Tony Allard — Mutate or Die: a William S. Burroughs Biotechnological Bestiary
- Yara Rondon Guasque Araujo — Colonization and science networks between peripheries and the center: the case of the naturalist Fritz Müller
Photography and New Media
- Jordan Tate — Superdutch: New Media, Photography and the Internet-Polder
- Jordan Tate, Adam Tindale & Ryan Boatright — Colour Data Processing An interactive installation exploring digital and analog representations of colour
- Renato Roque — Matrix Mirror toward a Babel Archive
- Carla Drago — Nostalgia Ti Frega
Photography and the Virtual
- Karin Mihatsch, Roswitha Schuller & Markus Hanakam — HYPERIMAGE reloaded
- Murat Seyda Germen — Digital Ethos: Transformations in Contemporary Photography Aesthetics subsequent to Computational Art
- Daniel Palmer — The Rhetoric of the JPEG
- Ingrid Holzl & Remi Marie — CODEC: On Thomas Ruff’s JPEGs
- Yi-hui Huang — Investigating the Digital Sublime through Photographers’ Views of Reality: Nathan Baker’s Occupation Project as an Example
Political Discourse on the New Media
- Joelle Dietrick — Urban Palimpsest: Color in Berlin
- Rob La Frenais — Republic of the moon: a new artists autonomous territory
- Adam Tobias Schrag — Surface to Surface: War and Art in the Screenic Era
- Kit Wise — Electric light and the abyss: Digital media and the representation of disaster
Robotics
- Mohammad Majid al-Rifaie, Ahmed Aber & Remigijus Raisys — Swarming Robots and Possible Medical Applications
- Aleksandar Zivanovic — Speech Prosidy and Emotional Communication in Robots
- Nicolas Reeves & David St-Onge — Flying Robotic Arts for HRI and Interface Research
- Patrick Tresset, Frederic Fol Leymarie & Nanda Khaorapapong — Skediomata: Guinea pig and performer
- Petra Gemeinboeck & Rob Saunders — Material matters: machine agency and performativity
- Margaret Seymour — I, Robot: re-thinking Jack Burnham’s systems esthetics
- Wade Marynowsky — The Uncanny automaton
Social Media and Digital Identities
- Manthos Santorineos & Stavroula Zoi — Social media as art and vs. art
- Herlander Alves Elias — NEXTension: The Advent of The Network-Screen
- Erin Ashenhurst & Thecla Schiphorst — Pixel Perfect: Performativity and Self-Portraiture
- Lenara Verle — life-log-art
- Tegan Linda Smith — Haul Out: Goodbyes
- Dunja Kukovec — Living The Emo Social Networks and Constant Need for Social Change
Sonifying Data, Visualizing Sound
- Aaron Oldenburg — Ludic Listening: Sound Art in Video Game Design
- Michaela Palmer — On breathing and geography: sonifying the Severn as shared generative art practice
- Evrim Bilge Erkin — Hybrid Art Forms: The Way of Seeing Music
- Roland Cahen & Marie-Julie Bourgeois — Crossing foliage: Activation profile for audio-graphic navigation in foliage clusters
Sound and Interaction
- Ioannis Zannos — Migration and Morphing of Sounds in an Interactive Installation
- Richard Hoadley — The Metapiano: Composing and Improvising Through Sculpture
- Fabio Paolizzo & Ruth Cain — VIVO (Video Interactive VST Orchestra) and the aesthetics of interactivity in the age of care-less capitalism
- Cara-Ann Simpson, Eva Cheng, Ben Landau & James Laird — Geodesic Sound Helmets
- Todor Todoroff & Cécile Picard-Limpens — Capturing gestures for expressive sound control
Spaces, Bodies, Emergence, and Data in Interactive Art
- Andreea Danielescu, Ryan Spicer, Aisling Kelliher & David Tinapple — Responsive Spaces
- Giorgos Papakonstantinou — Spatial structure and representation in interactive multimedia
- Dew Harrison — Can Digital Objects Behave Well (if we let them)?
- Geoffrey Shea, Michael Longford & Elaine Biddiss — Art and Play in Interactive Projections
- Joan Soler-Adillon — Creating black boxes: Emergence in Interactive Art
Sustainability
- Bin Jiang & Sara Franceschelli — ECOTOPIA
- Marc Ian Barasch — Mission to Earth: Planetary Proprioception and the Re-Greening of the World
- Keith Armstrong — Wasting Time: The Thinking Behind ‘Knowmore (House of Commons)’
- Mónica Mendes, Nuno Correia, Valentina Nisi & Pedro Ângelo — Play with Fire: A Real-Time Video Experience for Sustainability
Tactile, Participatory, Interactive Video
- Andreas Treske — Video Touch
- Jian Hughes — The Capture and Understanding of Participant Experience in a Breath Controlled Interactive Video
- Nagehan Kurali — The Rendezvous with Cascades of Light
- Paul Wiersbinski — The Aesthetics of Private footage and Youtube within Avantgarde Video Art
Technology and Cognition
- David Burns — Dematerialization, Media, and Memory in the Digital Age
- Andrew Denham — Do we ‘read’ a Van Gogh today as we ‘read’ a Van Gogh twenty years ago?
Technology, Public and Spaces in the City
- Maciej Ozog — From CCTV to GPS: How Media Art reflects development of Surveillance Society
- Kim Morgan, Solomon Nagler & Martha Radice — Tracing the City: Exploring the Private Experience of Public Art through Art and Anthropology
- Ceren Mert — Creative Spaces of the Immigrants: Revisiting the Discussions on City-Space, Technology and Artistic Practices
- Melissanthi Saliba — Moments of Liminal Space
The Art of Biomedical Imaging
- Patricia Adams — Corporeal Expressions: tracing both biomedical and emotional links from an artistic perspective
- Abou Leo Caraballo-Farman — The Breast and Its Images
- Maria Manuela Lopes & Paulo Bernardino — Re-enacting the Self in THE ARCHIVE
The Experience of Film and Documentary
- Richard Vickers — Many with a mobile cameraphone
- Jodi Nelson — Digital Technologies, Social Media and the Emerging
- Mark Guglielmetti & Indae Hwang — Travelogue: the expressive potential for an A-Life filmmaker
- David Edward Hilton — Its Behind You
- Jane De Almeida — Cinema over photonic networks
The Uses of Digital Database
- Fionnuala Conway & Linda Doyle — DATAmap: Exploring gender balance in Ireland through interactive multimedia installation
- William Russell Pensyl, Weiyun Melody Bai, Shou Chen Liang, Cong Thien Qui Tran & Shang Ping Lee — Subtle Presence
- Christin Bolewski — Journeys in Travel: an infinite digital database film project
Theories of Social Media
- Rachel O’Dwyer — Network Media: Exploring the sociotechnical relations between mobile networks and media publics
- Mikhail Pushkin — Beyond Paradigmatic Shift: Mapping Culture and Society of Digital Age
- Jill Walker Rettberg — Automated self-portraits: How Social Media Craft the Narratives of our Lives
- Vito Campanelli — The Aesthetics of Cool
- Daniel Buzzo — Things to do in digital Afterlife when you’re dead
Theory and Criticism of Interactivity in Electronic Art
- Panagiotis Kyriakoulakos — De-coding Interactive Art
- Stephen Jones — Towards a Taxonomy of Interactivity
- Frances Joseph — Engaging Dynamics
- Florian Wiencek & Stephanie Sarah Lauke — The Remediation of Experience
- Luiz Antonio Garcia Diniz — Science, Art and Philosophy: A Reflection on a Methodological Approach to Intersemiotic Analysis of Interactive Installations
Urban Ecologies
- Andrew Burrell & Trish Adams — Urban Ecologies: “In the City of the Apis Queen”
- Bridget Nicholls — Synesthetic City
- Elizabeth Monoian & Robert Ferry — A New Relevance for Public Art
- Lea Schick & Anne Sophie Witzke — Powering Ecological Futures
- Camila Hamdan — Biocybrid Ecology: Art, Technoscience and Living Systems
- Christophe Leclercq — The Legacy of Experiments in Art and Technology (E.A.T.): an Environmental Aesthetics
Virtual Reality, Virtual Materiality, Virtual Instrumentality
- Lynne Heller — Fuzzy Precincts and Bleeding Edges: Feminist Theory and the Study of Virtual Materiality
- Maria Christou, Olivier Tache, Annie Luciani & Daniel Bartelemy — Virtual Instrumentality: Exploring Embodiment in Artistic Installations
- Semi Ryu & Stefano Faralli — Crying with Virtual
- Ellen Pearlman — Transcending into the Virtual: Presence Prognostications and the Re-Calibration of Telematic Art
- Leman Giresunlu — Smyrna/Izmir 2011: A Teleport in Time to the Virtual City
Visible and Invisible Actors of Interactive Audiovisual Performance
- Javier Alejandro Garavaglia & Claudia Robles Angel — WOODEN WORLDS
- Roger Haigh Mills — Ethernet Orchestra: Interdisciplinary Cross-Cultural Engagement in Networked Improvisatory Performance
- Johanne Timm & Riccardo Attanasio — Insights
- Alo Allik — f(x): an audiovisual performance environment
- Suk Chon & Joonsung Yoon — Invisible performance in control room: Resonance between the performance and technical people
Wearable Technologies
- Marios Samdanis, Yikyung Kim & Soo Hee Lee — Fashionable Wearables in Digital Performance
- Renee Baert — Air as material: the conceptual fashion of Ying Gao
- Susan Elizabeth Ryan — Dress Acts: Wearable Technology and Virtuosity
- Andreas Zingerle & Tyler Freeman — Vjacket: A Wearable Controller for Live Video Performance
- Henry Lin — enVella
- Younghui Kim — Body Graffiti: Expressive Wearable Art through Bodily Performance
Metaverse Papers
A virtual paper session delivered in a standalone virtual world by avatars whose presence is augmented by the voices of their handlers
- Stefan Glasauer — Synthetic Physics: Ideas for New Worlds
- Peter Hagerty — Archipelagos of Art
- Brad Kligerman, Jamil Mehdaoui & Sinan Mansuroglu — INFRA|VERGENCE_WIP: A work in progress by Building W/immaterials, Mixed Reality as an architectural platform
- Merve Kurt — Corporeal Experience in Virtual Reality
- Almila Akdag Salah & Ben A.M. Schouten — Cybernetic Serendipity Revisited: Interaction, Play and Fun from the Universe of Electronic Art to Metaverse
Panel Presentations:
6×6/36 : An Artists Book/Exhibition project
- Cyril Thomas (NUNC) & Jean-Luc Soret (Chairs) — Panel Intro
(he)artbreaking to the core: zombie data and the arts of re/de/transcoding
- Nina Wenhart (Chair) — Panel Intro
- Rosa Menkman — The Collapse of PAL
- Melissa Barron — Glitch Weavings
- Daniela Kuka — Disorder
- Nina Wenhart — <3break(s)core: an inappropriation
@China, Virtually Speaking: A Virtual Roundtable Discussion on Emergent Practices in China
- Stephanie Rothenberg (Chair) — Panel Intro
- Michael Eddy, Elaine Ho & Emi Uemura — HomeShop
- Liu Yan & Aaajiao (Xu Wenkai) — Xindanwei: Workspace, Creative Network and Community
- Defne Ayas — Asymmetries in the Control of Information and Ideas
- Xiaoying Juliette Yuan — Curating New Media Art in China: A Creative Approach from Within
- Sheng Jie (gogoj) — SHAN Studio
An Alembic of Transformation: Virtual Reality as Agent of Change
- Elif Ayiter (Chair) — Panel Intro
- Elif Ayiter, Selim Balcisoy & Murat Germen — Hyperpresent Avatars
- Yacov Sharir — About Virtuality and Corporeality
- Diane Gromala — Metaplasticity and Inner Body Schemas: VR Pharmakon for Chronic Pain
- Margaret Dolinsky — Facing Shifts of Perception
Arabesque, Mandala, Algorithm: A Long History of Generative Art
- Kris Paulsen & Meredith Hoy (Chairs) — Panel Intro
- Zabet Patterson — The Cybernetic Cinema of the Whitneys
- Kris Paulsen — Direct to Video: Steve Beck’s Cameraless Television
- Laura U. Marks — Sensation and Individuation in Generative Artworks and Caucasian Carpets
- Meredith Hoy — Virtual Resistance: A Genealogy of Digital Abstraction
Art as Media as Display: Biennials as Platform for Social Change
- Maurizio Bortolotti (Chair) — Panel Intro
Beyond Locative: Media Arts after the Spatial Turn
- Marc Tuters (Chair) —Panel Intro
- Marc Tuters — The Locative Apparatus: From Situationism to Compositionism
- Tristan Thielmann — The place is the map: because of locative media an a-social map
- Mark Shepard — Forget Locative Media
- Michiel de Lange — In Search of Locative Media
BioARTCAMP: Laboratory Ecologies in the Wild West
- Marie-Pier Boucher & Jennifer Willet (Chairs) —Panel Intro
- Marie-Pier Boucher — Biotopological Reconfigurations: Biospatial Affections and Infections
- Jennifer Willet — BioARTCAMP: trekking the LAB into the FIELD
- Tagny Duff — The Human Incubator for Feeding Microbes
- Paul Vanouse — Deep Woods PCR
Body Image to/from Media: Rethinking Japanese Avant-Garde Art
- Rie Saito, Miyuki Endo & Machiko Kusahara — Panel Intro
Borders and interfaces: the challenges of the wearable computer’s design in the near future
- Luisa Paraguai & Rachel Zuanon (Chairs) — Panel Intro
- Luisa Paraguai — Multisensory Mobile Devices: Redesigning Bodily Spatialities and Dimensions
- Rachel Zuanon — Interactive Bio-Wearable Devices: Designing Affective Communications
- Laura Beloff — Unexpected Affairs: Wearable Technology, Human and The Arts
- Sara Diamond — Moving Softly Forward
Chasing Ghosts: Reactive Notation and Extreme Sight Reading
- Arthur Clay & Jason Freeman (Chairs) — Panel Intro
- Arthur Clay — Aspects of Realtime Scoring and Extreme Sight Reading
- Jason Freeman — Real-time Notation, Text-based Collaboration, and Laptop Ensembles
- Basak Dilara Ozdemir — Interpretating Reactive Notation and Extreme Sight Reading
- Thor Magnusson — Computer Music, Music Languages, Live Coding
- Georg Hajdu — Real-time Composition, Real-time notation, Spectral Composition
- Shane Mc Kenna — Animated Graphic Notations
- John Eacott — Using Live Notation for Musical Sonification Performances
Code: Intellectual Property, Fair Use and Plagiarism – Open Discussion
- Joel Swanson & Rachel Beth Egenhoefer (Chairs) — Panel Intro
Compumorphic Art – The Computer as Muse
- Ian Gwilt (Chair) — Panel Intro
- Ian Gwilt — Compumorphic art: the computer as muse
- Darko Fritz — Embodied Digital Interfaces
- Sue Gollifer — Hot Plate: Cold Type
- Melinda Rackham — Data Trash
Creativity as a Social Ontology
- Scott Rettberg & Simon Biggs — Panel Intro
- Scott Rettberg — Electronic Authorship, Collaboration, Community and Practice
- Presenter Unknown — The Creative Imperative
- Ruth Catlow — We are the Medium-the Context-the-Source of Networked Creativity
- James Leach — Can We Help Being Creative?
- Talan Memmott — Creative Communities: Nooks, Niches, and Networks
- Jill Walker Rettberg — The Geneology of a Creative Community: Why is afternoon the “granddaddy” of hypertext fiction?
Crisis Narrative of Landscape: Future Inherent
- Lisa Anderson & Josephine Starrs (Chairs) — Panel Intro
- Lisa Anderson — The Changing Narrative of Landscape
- Josephine Starrs & Leon Cmielewski — Incompatible Elements
- Joni Taylor — Landslide: a New Urban Ecology
Data Disinformation
- Helen Sloan (Chair) — Panel Intro
- Vicky Isley & Paul Smith — Wet Paint
- Susan Collins — Here and There
- David Cotterrell — Other Readings
- Sigune Hamann — Seamlessness in the Analogue and Digital
- Susan Sloan — Cleaning and Character in Motion Capture Portraits
Don’t Anthropomorpise Me: Electronic Performance Tools, Automatons and The Vanity Apocalypse
- William Hart & Nancy Mauro–Flaude (Chairs) — Panel Intro
- William Hart — Idols and Art: The Cognitive fetish
- Brad Miller — augment_me: Anthropomorphising the other and augment the self
- Linda Dement — Don’t anthropomorphise me either
- Danja Vasiliev — The ‘Rebuntu’ project and thoughts around behavior and position of modern Operating Systems
- Audrey Samson — Roger 10-4: Exploration of the body as space/surface of transmission and reception
- Julian Stadon — Seeking Syncretism in Post-biological Mixed Reality Data Transfer Systems
DON’T HATE THE BUSINESS, BECOME THE BUSINESS!
- Geoff Cox & Tatiana Bazzichelli (Chairs) — Panel Intro
- Dmytri Kleiner — Venture Communism
- Elanor Colleoni — The Values of Online Social Relations
- Christian Ulrik Andersen & Søren Pold — A Conceptual Gap Between Art and Business?
- Maya Balcioglu — From Turkey With Love
Emotion Studies in a Contemporary Art Debate
- Barbara Rauch (Chair) — Panel Intro
- Dee Hibbert-Jones & Nomi Talisman — Political Emotions, Art and Affect: From Psychological Prosthetics to Living Condition
- Heather Kapplow — The Umbrage Project
- Mark Palmer — Putting Users in the Picture: Embodiment, Affect and the Digital
- Semi Ryu — Sensing without Sensing
- Kristin Stransky Mallinger — intraInter socialite
- Joan Truckenbrod — Transforming the Physicality of Emotion
New Environmental Art Practices on Landscapes of the Polar Regions; Politics, Emotion and Culture (FARFIELD 1)
- Judit Hersko & Lisa E. Bloom (Chairs) — Panel Intro
- Judit Hersko — Anna’s Cabinet of Curiosities: from the series ‘Pages from the Book of the Unknown Explorer’
- Lisa E. Bloom — Contemporary Art and Climate Change: The Aesthetics of Disappearance at the Poles
- Jane D. Marsching — Magnets of the Fantastic: FutureNorth
- Marko Peljhan & Matthew Biederman — Arctic Perspective Initiative (API)
- Leslie Sharpe — North, Interrupted
The Data Landscapes of Climate Change (FARFIELD 2)
- Tom Corby & Andrea Polli (Chairs) — Panel Intro
- Andrea Polli — Sonifying Climate Data
- Annick Bureaud — Climate Change: Embodying the Data
- Tom Corby & Nathan Cunningham — Systemness: Towards a Data Aesthetics of Climate Change
- Andreas Fischlin — Art In Science or Science In Art? On a an Often Underestimated Relationship
From New Media to Old Utopias: ‘Red’ Art in Late Capitalism?
- Bill Balaskas (Chair) — Panel Intro
- Christina Vatsella — From Literal to Metaphorical Utopia: Space and Time in the White Cube
- Beryl Graham — How Democratic? New Media Art and Participation
- Philip Glahn — Digital Publics: Promises and Problems of an Applied Cyber-Revolution
- Melanie Lenz & Douglas Dodds — In Times of Change: An Institutional Perspective on Collecting and Conserving Born Digital Art
- Athanasia Daphne Dragona — Artists as the New Producers of the Common(?)
Games Betwixt and Between
- Lynn Hughes & Heather Kelley (chairs) — Panel Intro
- Lynn Hughes — Lovely Bastards
- Heather Kelley — The Eroticism of Gameplay
- Cindy Poremba — Promiscuous Spaces
- Emma Westecott — Liminoid Acts
How dare you? Acts of Deviance and Strategies of Discreditation
- Alexander Schwinghammer & Daniel Wessolek (Chairs) — Panel Intro
- Nicholas Salazar — Oh, Bottom Thou Art Changed: Stigma Symbols and the Corporeal Codings of Shame
- Asko Lehmuskallio — Deviant Media Tactics: Creating Faces
- Anna Lena Seiser — Y’arr, what be yer share of the booty, matey? Deviance as Strategy
- Sebastian Sierra Barra — Human Self-Discreditation as an Emancipative Act
Hybrid Cultures
- Kerstin Mey & Yvonne Spielmann (chairs) — Panel Intro
- Kerstin Mey — Between Hybridity and Hyper-space: AES+F’s The Feast of Trimalchio
- Yvonne Spielmann — The Place, the Space and the Ethnoscape: Examples of Hybridity in Western/European and Non-Western/Asian Media Arts
- Ryszard Kluszczynski — Towards the Third Culture: Intersections of Arts, Science, and Technology
- Sabine Fabo — Hybrid Reality on the Couch
Hybrid Spatial Experiences
- Martin Rieser & Dimitris Charitos (chairs) — Panel Intro
- Martin Rieser — Locative media and the politics of space
- Dimitris Charitos — Investigating the hybrid character of spatial experiences afforded by locative media
- Teri Rueb — Disturbing Conurbations: Swimming against the Dominant Spectrum
- Christian Nold — Designing for the Internet of People
- Mark Shepard — Pathetic Fallacies and Category Mistakes: making sense and nonsense of the (near-future) Sentient City
- Marcos Novak — P(l)aying (with) Attention: Distracted Reality versus Augmented Place
If You See Something Say Something: Art, War, Surveillance and the Sustainability of Urgency in the Post 9/11 Era
- Joseph DeLappe (chair) & Rita Raley (discussant) — Panel Intro
- Joseph DeLappe — Conscience, Memory and Protest: Vestiges of the Forever War
- Bernadette Buckley — Policing the Police in a Post 9/11 Culture
- Wafaa Bilal — Dynamic Encounters
- Hasan Elahi — Data Camouflage
Interart / Intersensorium. On the Interrelation of Media and the Senses
- Anke Finger & Christiane Heibach (chairs) — Panel Intro
- Anke Finger — The Avant-Gardes’ Everyday Sensorium: On Tasting and Smelling Modernism
- Christiane Heibach — Unmediated Experience? Re-Mediating Phenomenological Approaches
- Randall Packer — The Artist as Sensory Machine in the Post Reality
- Cretien van Campen — Intermedia and the Awareness of Synesthesia
- Birgit Mersmann — Sensorial Transcoding: Hypermodal Configurations of Perception and Expression in Electronic Art
- Semir Zeki — Beauty and the brain
Interface Play: Media Environments for Ludic Cyborgs
- Mark Butler (chair) — Panel Intro
- Mark Butler — Playful Potential: A Short Geneaology of Ludic Interfaces
- Georg Russegger — The City as Ludic Interface
- Alison Gazzard — Bringing the Imaginary back into Play
- Moisés Mañas Carbonell & María José Martínez de Pisón Ramón — Ludic strategies in public environments
- Athanasia Daphne Dragona — Re-conquering the gamified city: An old battle on a new urban ground
Intimate TV: Webcamming & Social Life-logging In the Surveillant-Sousveillant Space
- Paula Roush & Maria Lusitano (chairs) — Panel Intro
- Annie Abrahams — Exercises in remote collaboration: Huis Clos / No Exit (or, how cyberformance reveals intimacy)
- Margarida Carvalho — Masks, Membranes, Passages: Notes on participation and networked performance
- Cinzia Cremona — Skype and videoperformance: How good to see you!
- Eunice Gonçalves Duarte — Inside Out: Surveilling and Safeguarding for a Healthy You!
- Helen Varley Jamieson — Exercises in remote intimacy (or, when web-casting IS cyberformance)
La Plissure du Texte
- Elif Ayiter (chair) — Panel Intro
- Roy Ascott — Distance Makes the Art Grow Further: Distributed Authorship and Telematic Textuality in La Plissure du Texte
- Jan Baetens (via Skype) — Reading La Plissure du Texte ‘backwards’
- Elif Ayiter, Max Moswitzer & Selavy Oh — LPDT2
MIND THE GAP
- Alexia Mellor (chair) — Panel Intro
- Kerry Doyle — Cultivating Conduits: Virtual Attempts to Make a Real Connection
- Karin Hansson, Thomas Liljenberg & Johanna Gustafsson Fürst — Performing Democracy: Fine Art as a Prototype for Participation
- Chantal Zakari — The State of Ata
- Arzu Özkal & Claudia Pederson — Declaration of Sentiments/Gün
- Andrew Y. Ames & Alexia Mellor (WRMC Collaborative) — Playing in Place Nowhere: Creating an Open Source Country
Motion Capture and Dance: what it can do, what it can’t do, and what it should never attempt
- Kim Vincs (chair) — Panel Intro
- Kim Vincs — Capturing dance and Choroetopography: Analyzing and Visualizing Complexity
- John McCormick — Only Human….
- Ruth Gibson & Bruno Martelli — Porous Borders: Visualizations of dance through motion capture technologies
- Sarah Whatley — Translating Motion Capture Analysis into Performance
- Susan Kozel — Micro Mocap
NeuroArts
- Jane Grant & John Matthias (chairs) — Panel Intro
- Jane Grant — Neural Ghosts and The Focus of Attention
- John Matthias — The Sound of Small Brain Circuits: Plasticity and Synchronisation in the Neurogranular Sampler
- Oron Catts — Agency in a Dish: Supposed a Semi-Living Brain be Art (Maker)
- Paul Broks — Between a thing and a thought: the neuropsychology of selfhood
- Magnus Richardson — Models of Spiking Neurons
New Media Archives- New Intelligent Ambiances
- Pau la Perissinotto (chair) — Panel Intro
- Gabriela Previdello Orth — New Media Contemporary Information Paradigms: The Reordered Memory on FILE Archive Structures
- Nick Hasty — Sustainable Preservation Practices and The Rhizome ArtBase
- Timothy Murray — Out of Line? Archiving Internet Art Off-Line
- Jon Ippolito — Proliferative Preservation
New Media Art Education in Central and Eastern Europe in the Last Two Decades: experiments and transition
- Raivo Kelomees (chair) — Panel Intro
- Raivo Kelomees — New media education in a changing environment of psychological, professional and social conditions
- Chris Hales — Interacting with the moving image: experiences and outcomes of teaching ‘interactive film’ in the Baltic States
- Agnieszka Pokrywka — Migrating meaning: Understanding new media art in Central Eastern Europe
- Ala Pigalskaya — Production of knowledge in e-environment in new media design area
- Piibe Piirma — Estonian Experience: non-institutional media art production
On the Persistence of Hardware
- Baruch Gottlieb (chair) — Panel Intro
- Baruch Gottlieb — The Materiality of Digital Utopia
- Colette Tron — From Immaterial to Hypermaterial
- Eva Verhoeven — Digital Materiality: Making the Incomprehensible (unbegreifliche) Perceptible
- Michael Dieter — Reticular Aesthetics: Adversarial Media Art after the Material Turn
Open Culture + Wearables
- Valérie Lamontagne (chair) — Panel Intro
- Valérie Lamontagne — Open Design Practices, Materiality and DIY Wearables @ 3lectromode
- Otto von Busch — Fashion Hacking
- Syuzi Pakhchyan — From Prototypes to Niche Production: How the DIY Wearable Tech Community is Crafting a New Fashion Revolution
- Melissa Coleman et al. — Dissemination of Knowledge of Electronic Textiles in Art Schools and Universities
- Piem Wirtz — Collaborative Approach to Wearables Production
- Mika Satomi & Hannah Perner-Wilson — The Future Master Craftsperson: How To Get What You Want
Patchwork Panel: Conceptualising Seams that Separate and Stitch Together
- Åsa Ståhl & Kristina Lindstrom (chairs) — Panel Intro
- Åsa Ståhl & Kristina Lindstrom — SMS-embroidery-feuilleton
- Margareta Melin — The Power Play of Editorial Patchwork
- Johanna Rosenqvist — The Sewing Circle Method of Working Under Cover
Pervasive Media: Practice, Value, Culture
- Dan Dixon & Jonathan Dovey (chairs) — Panel Intro
- Dan Dixon — The Cultural Aesthetics of Pervasive Gaming
- Jonathan Dovey — The Ecological Value of Pervasive Media
- Constance Fleuriot — The Language of Pervasive Media
- Tim Kindberg — Matter 2 Media and Krstl
Playing for Keeps: Social Empowerment Through Physically Interactive Artworks
- Andy Best & Atau Tanaka (chairs) — Panel Intro
- Kristina Lindstrom & Åsa Ståhl — Entangling Threads
- Merja Puustinen — Play acting
Playing the non-playful: On the critical potential of play at the overlap of videogames and electronic art
- Olli Leino (chair) — Panel Intro
- Olli Leino — From Playful Strategies to Playability
- Lindsay Grace — Discomfort Design: Critical Reflection through Uncomfortable Play
- Graeme Kirkpatrick — The discovery of ‘gameplay’ and the formation of computer gaming’s aesthetic
Public Art of the Sustainable City
- Elizabeth Monoian & Robert Ferry (chairs) — Panel Intro
- Elizabeth Monoian & Robert Ferry — New Aesthetic Energy Infrastructure and the Land Art Generator Initiative
- Patricia Watts — Public Art Ecology in North America
- Nacho Zamora — Solar Artworks
- Glen Lowry — E/merging Publics? Interurban Collaboration and Building Connection across Disparate Notions of Public Space
Queer Viralities: Resistant Practices in New Media Art & Philosophy
- Zach Blas (chair) — Panel Intro
- Zach Blas — Virus, Viral, Queer
- Elle Mehrmand & Micha Cárdenas — I want to touch you: Transreal Aesthetics in virus.circus
Re-rooting Digital Culture: Media Art Ecologies
- Ruth Catlow (chair) — Panel Intro
- Tom Corby — Executing ecologies: systems, code, inscription
- Helen Varley Jamieson & Paula Crutchlo — MAKE-SHIFT
- Michel Bauwens — P2P Alternatives for a Sustainable Future
Secure Insecurity
- Robert B. Lisek (chair) — Panel Intro
- Robert B. Lisek — Patterns of Terror: Secure Insecurity
- Kate Rich — Antiterror Line
- Marta Heberle — Body as a weapon aimed at you
- Ryan Jordan — Psychoid
SENSORIUM: Interdisciplinary Practices of Embodiment and Technology
- Janis Jefferies (chair) — Panel Intro
- Janis Jefferies — Technologies of Mediation and Immediation
- Ghislaine Boddington — I Feel Therefore I Am: Robots and Avatars, Our Colleagues and Playmates of the Future
- Maria Chatzichristodoulou — Annie Abrahams’s Experiments in Intimacy
- Anna Dumitriu — The Emergence of Consciousness
Serendipity is Dead…. Long Live Serendipity
- Mel Woods (chair) — Panel Intro
Serious Animation: Beyond Art and Entertainment
- Chris Rowland (chair) — Panel Intro
- Chris Rowland — MoCCA: Motion Capture Cloth Analysis
- John Anderson — Digital Choreography? There’s an app for that!
- Caroline Wilkinson — Depicting the Dead
- Paul Goodfellow — The use of animation in the generation and documentation of ideas in Systems Painting
- John McGhee — 3D Visualisation for Patient Centred Communication
Share Workers: The Techniques and Meanings of Sustainable Digital Networking – Open Discussion
- Charlotte Frost (chair) — Panel Intro
Short:Circuit: Cross Border Communications in New Media Between US and Turkey
- Patrick Lichty (chair) — Panel Intro
- Patrick Lichty — Noise and Translation: Remapping Habitus Across the US/Turkey Border
- Ali Miharbi — Abstract Machines within the Local and Global Dynamics
- Eden Unulata — The Digital Tunnel
- Claudia Pederson & Arzu Ozkal — Declaration of Sentiments/Gün (DOS/G)
- Burak Arikan & Iz Öztat — Location of Digital Media
- Chantal Zakari — The State of Ata, an artists’ book: My Turkish I.D. Card
Signs of Life: Human-Robot Intersubjectivities
- Kathy Cleland (chair) — Panel Intro
- Kathy Cleland — Robots as social actors: audience perception of agency, emotion and intentionality in robotic performers
- Simon Penny — Software comes second: performative technologies, embodied agents and situated machines
- Mari Velonaki — Perception, Identification, Emotional Activation during Human-Robot Interaction
- Anne-Marie Duguet — In Praise of Imperfection: Prototypes
- John Tonkin — Computers as metaphor, minds as computers: notes towards a dysfunctional robotics
Site Specifics: Mobile Media Art and the Contexts of Place
- Christiane Paul (chair) — Panel Intro
- Tanya Toft — Towards Geospatial Cultural Planning: Strategies for Local Cultural Innovation through Locative New Media Art
- Jack Toolin — Landscape, Culture, and the Phenomenology of Technological Mediation
- Teri Rueb — Kinesthetic Attunement: Walking, Talking, Listening, Knowing
Slowness: Responding to Acceleration through Electronic Arts
- Cynthia Lawson Jaramillo (chair) — Panel Intro
- Una Chung — Capture, Measure, Rhythm: Inventing new relations of aesthetics and politics in the electronic arts
- Eric Forman — Too Quick: The Challenges of Interactive Art
- Harald Kraemer — Repulse The Beat: Teaching CAST and The Strategy Of Deceleration
- Annette Weintraub — In Pursuit of Time Regained: Reconciling the Unstable Past, Present and Future of Web-based Art
Sniff, Scrape, Crawl: Part 1
- Renee Turner (chair) — Panel Intro
- Seda Gürses — A failed coup attempt with folk songs (Part III): Anonymity and the anonymous in a culture of sharing
- Nicolas Malevé — My meta is your data
- Amy Suo Wu — Benji
- Birgit Bachler — A Place for Invisible Friends
Sniff, Scrape, Crawl: Part 2
- Renee Turner (chair) — Panel Intro
- Steve Rushton — Self-performing in the Feedback Loop
- Michelle Teran — Future Guides for Cities
- Dave Griffiths, Aymeric Mansoux & Marloes de Valk — Naked on Pluto, a multiplayer text adventure using Facebook
Soundwwwalk Performance Panel
- Bernhard Garnicnig (chair) — Panel Intro
Surveillant Spaces: From Autonomous Surveillance to Machine Voyeurism
- Petra Gemeinboeck (chair) — Panel Intro
- Petra Gemeinboeck — Voyeuristic Spaces: Materialising the Desire of the Gaze
- Rob Saunders — Computer Vision for Curious Machines
- James Coupe — Surveillance Art as Panacea
- Michelle Teran — Surveillant Interventions: From City Walks to Live Cinema
Test_Lab: Summer Sessions 2011
- Michel van Dartel (chair) — Panel Intro
Testing New Ground: An Interdisciplinary Discussion on Hybrid Habitats
- Leonie Cooper (chair) — Panel Intro
- Leonie Cooper — From Weightless World to Hybrid Homes
- Patricia Adams — Shivering Boundaries
- Andrew Burrell — …towards a natural history of the virtual realms
- Angela Ndalianis — Spectopolis: from Disney’s Project City to Dubailand
The Art of Software Cities
- Christian Ulrik Andersen & Søren Pold (chairs) — Panel Intro
- Christian Ulrik Andersen & Søren Pold — The Kind of Problem a Software City Is
- Saul Albert — The Hacienda: The Conversational Aesthetics of Liquid Architecture
- Seda Gürses — Pushing The Boundaries Between The Digital Publics And Privates In The City-Surveillance Matrix
The Big Bang of Electronic Art: Merging Abstraction and Representation in the Age of Digital Imaging
- Cynthia-Beth Rubin (chair) — Panel Intro
- Cynthia-Beth Rubin — Digital Paint to Digital Photography: the long reach of Abstract Expressionism
- James Faure Walker — Painting further along the River
- Anne Morgan Spalter — Creating with the Camera, Canvas, and Computation
- Murat Germen — Digital Photography: Expanded Creativity and Vision
- Beth Warshafsky — A Layered Process: Lyrical Improvisation
- Nettrice Gaskins — Visual Abstraction, Cultural and Artistic Production in Virtual 3D Space
- Orhan Cem Çetin — Photography, Reality, and Digital Expression
- Malcolm Levy — Other Frames
- Anat Pollack — ”objet petit a”: The Changing Meaning of Abstraction and Representation in the Digital Age
The Institute of Unnecessary Research
- Anna Dumitriu (chair) — Panel Intro
- Anna Dumitriu — Unnecessary Research, what’s the point?
- Alex May — Bending Light
- Bettina Schülke — Interactive Technotextiles: The hybrid between Textiles and Technology
- Luke Robert Mason — Anti-Disciplinary Art: Rejecting the Standard Forms
- Gordana Novakovic — A Second Manifesto for Neuroplastic Arts
The Madness of Methods: Emerging Arts Research Practices
- Anne Balsamo (chair) — Panel Intro
- Rosemary Comella — Indexical Immateriality: Photography and Cinema inside the Machine
- Jeanne Jo — Double Shadow: Digital Representation and Authorial Identity
- Amanda Tasse — Neural Mediation: Instrument of Perception as Spectacle, Narrative, and Method
- Gabriel Peters-Lazaro — You Hold the Camera Now: An Action Research Case Study of Pre-kindergarten Transmedia Narrative Design
- Diego Costa — Forschertrieb, The Instinct for Research: Toward a Queer Psychoanalysis and a Psychoanalytical Queer Theory
- Joshua McVeigh-Schultz — Making Trouble: redesigning the rituals of civic life
- Lauren Fenton — Creating Toy Cities: the experience design of transmedia objects
- Laila Shereen Sakr — Media-Making Madness: #Revolution, Media, and the Arab World
The Matter with Media
- Jamie Allen & Tom Schofield (chairs) — Panel Intro
- Martijn Stevens — A matter of perception: exploring the physicality of electronic art
- Alejandro Schianchi — Error in Audiovisual Apparatus as Aesthetic Value
- Ceci Moss — Viral Not Virus: Alan Liu’s “Viral Aesthetics” Reconsidered
- Shintaro Miyazaki — The Ritornelli of Everyday Life: Some Epistemic Experiments with Information Technology
- Thomas Zummer — prosthetics, aesthetics, thetics: the intercessions of sound, technics and bodies
The Media Space: Evolving Media Architecture and Its Legend
- Stefan Mittlböck-Jungwirth-Fohringer & Mahir M. Yavuz (chairs) — Panel Intro
- Christoph Kronhagel — The media facade as paradigm change of the public space
- Eckehart Loidolt — The third skin: a medium or a mess(age)?
- William Joseph Carpenter — Architecture as New Media
The Volatility and Stability of WorldMaking as Techné
- Mark-David Hosale (chair) — Panel Intro
- Mark-David Hosale — Nonlinear Narrative As A Conceptual Framework for Media Art
- Sana Murrani — Worldmaking between Humanism and Machinism
- Alberto De Campo — Worldmaking, participation, and learning: experiments in collaborative creation
- Roy Ascott — Technoetic Architecture
- Jerome Decock — MetaDeSign “Designing a (possibly or seemingly infinite) range of possibilities”
- Marcos Novak — “Πασαί Τέχναι βροτοίσιν εκ Προμηθέως”: Prometheus and Epimetheus: Fields of Foresight and Hindsight in Worldmaking
Think BETA: Participative Evolution of Smart Cities
- Martin Koplin (chair) — Panel Intro
- Martin Koplin — Think BETA- Soft City Culture and Technology
- Helmut Eirund & Thorsten Teschke — The Betaville Participation System
- Carl Skelton — Betaville: The View from New Brooklyn
- Michael Johansson, Martin Wetterstrand & Rikard Lundstedt — E-participation: Engaged Participation
- Mikkel Thelle — Between Past and Future: collaborating in the city space
Through the Roadblocks: Technology and Orality
- Helene Black (chair) — Panel Intro
- Iannis Zannos — Osmosis: Transformations Between Sound Worlds
- George Katodrytis — Telegenic Urbanisms: click the image to enlarge and zoom in
- Yiannis Colakides — Through the Web Blocks
Transmedia Narrative: Modes of Digital Scholarship and Design Across Public Space
- Kristy Kang (chair) — Representations of Place and Identity: Tracing the Narrative Spaces of Los Angeles’ Koreatown
- Rosemary Comella — Looking for What Underpins: An Analysis of “Bleeding Through, Layers of Los Angeles” and a new project
- Andreas Kratky — The Birth of Memory from the Spirit of the Machine
Travels Through Hyper-Liminality: Exploring the space where digital meets the real
- Dew Harrison (chair) — Panel Intro
- Paul Sermon — Liberate your Avatar: The Revolution will be Socially Networked
- Ian Gwilt — Making and Reading Material Data
- Julie Penfold — LabCulture and the Liminal
- Denise Doyle — Art and the Liminal: Imagination, Liminality and Avatar-Mediated Presence
- Anita McKeown — Towards (Co-authoring) Communitas: The facilitation of becoming through participatory art/tech projects and the practice of place-making
Tyrannies of Participation
- Seeta Peña Gangadharan (chair) — Panel Intro
- Seeta Peña Gangadharan — Participating in Participation: Politics and Citizen Power
- Jon Leidecker — A Brief History of Musical Authority
- Joshua Kit Clayton — Cordon Off the Contempt in a Word Compartment (and Other Whispering Moments)
- John Kim, Anthony Tran & Vasily Trubetskoy — Security Gate 26.11
Unsitely Aesthetics: the Reconfiguring of Public Space in Electronic Art
- Maria Miranda (chair) — Panel Intro
- Maria Miranda — Unsitely Aesthetics: Performative Encounters in Public Space
- Brandon LaBelle — Public Intimacy
- Darren Tofts — Sitings of Art in Unsitely Places: the City as Atelier Aleatoire
- Renate Ferro & Timothy Murray — Uncertain Aesthetics: Networks in the Age of Emerging Technology
Variable Reality – Inter-formalities in Digital/Analogue Arts
- Ian Gwilt (chair) — Panel Intro
- Ian Gwilt — Variable reality: inter-formalities in digital/analogue arts
- Dew Harrison — Bridging worlds for enhanced engagement
- Martin Rieser — Inside Out and the Materiality of the Digital
- Suzette Worden — The Earth Sciences and creative practice: exploring the boundaries between digital and material cultures
VIDA: New Discourses, Tropes and Modes in Art and Artificial Life Research
- Nell Tenhaaf & Mónica Bello Bugallo (chairs) — Panel Intro
- Sally Jane Norman — Theatres of/as Art and Artificial Life
- Paul Vanouse — Biology and Post-biology
- Sonia Cillari — Performative Spaces and the Body as Interface
- Jose-Carlos Mariategui — Art and Artificial Life in Latin America: the Historical Legacy Takes on the Artistic Establishment
Virtual Doppelgangers: Embodiment, Morphogenesis, and Transversal Action
- Patrick Lichty & Susan Elizabeth Ryan (chairs) — Panel Intro
- Patrick Lichty — Phantom Limbs: Affect and Virtuality
- Gregory Little — Avatar Manifesto Redux
- Elle Mehrmand & Micha Cárdenas — Transreal Bodies and Digitized Clones: Bridging Realities With Sound, Biometrics and Motion Capture
- Stephanie Rothenberg — Best Practices in Banana Time (aka, Is That iPhone Working or Playing?)
Visual Effects Remixed
- Peter Richardson (chair) — Panel Intro
- Peter Richardson — Visual Effects Remixed
- Steve Gibson — Simulating synaesthesia in real-time performance
- Stefan Müller Arisona & Christian Schneider — Responsive Illuminated Architecture
Voicing Electronic Arts
- Norie Neumark (chair) — Panel Intro
- Norie Neumark — Aesthetics of Voice
- Nermin Saybasili — The Magnetic Field of Audiovisual Art Practices
- Igor Stromajer — @juspar [1] and now quoting Galloway [2]: “Code is the only language that is executable”. Does what it says. #code #chun [3] #netpol1010
- Isabelle Arvers — Machinima as a Political or Artistic Detournement of Video Games
Without Sin: Taboo and Freedom within Digital Media
- Donna Leishman (chair) — Panel Intro
- Donna Leishman — Digitalism and The More Knowledgeable Other
- Gordon Hush — With Design in Mind?: “moral economy” and contemporary digital culture
- Sue Golding — Totem, Network & Taboo: Collateral Damage no. 39
- Don Ritter — Content Osmosis
- Kriss Ravetto-Biagioli — Anonymous and the politics of social media
- Sheena Calvert — Collateral Damage
Zones of Contact and Fields of Consistency in Electronic Literature
- Davin Heckman (chair) — Panel Intro
- Davin Heckman — Tagging Practices and the Disturbed Dialectic of Literary Criticism
- Dene Grigar — Narrative in Social Media
- Anna Gibbs & Maria Angel — At the Time of Writing: digital media, gesture and handwriting
- Scott Rettberg — Making Connections Visible: Building a Knowledge Base for Electronic Literature
East & West (including Institutional Presentations)
- Lorenzo Taiuti (Chair) — Session Intro
- Ekmel Ertan — Digital Art in Turkey
- Dia Hamed — Open Lab Egypt (Institutional Presentation)
- Venzha Christ — Circle of Satan (Cos) (Institutional Presentation)
- Willem Velthoven — Why we love Aliens (Institutional Presentation)
Educational Forum (Roundtable)
[no further info available]