Keynote Presentations
Keynote panel
- Luc Courchesne, Masaki Fujihata & Jeffrey Shaw, moderated by Caroline Ha Thuc — no title
Long Papers
Short Papers
- Camille Baker & Kate Sicchio — Performing Identity Through Wearable Sensing
- Griffin Byron — Semiotics of Glitch Artistic Practice
- Serena Cangiano, Davide Fornari & Azalea Seratoni — Re-enacting And Open Sourcing As Methods For Experiencing Programmed Art Utopia
- Damien Charrieras & Olaf Hochherz — Chasing After the Mixer
- Ka Wa Cheung — The Role of Eye Contact and Spectatorship in Interactive Installations
- Hugh Davies — Framing a Critique of Reality Based Games
- Jane Frances Dunlop — Noise &/as Nervousness: Gertrude Stein in the Interface
- Alan Dunning & Paul Woodrow † — The Uncanny Signal
- Douglas Easterly — Symmetry: Breaking Through the Looking Glass
- María Fernández — Posthumanism, New Materialism and Feminist Media Art
- Claude Fortin — Foundations of a Design Framework for DIY Nomadic Public Screens
- Jane Grant — The Anomaly: Noise, Ghosts and the Multiverse
- Byeongwon Ha — An Origin of Interactive Art: Nam June Paik’s Progressive Musical Instruments
- Yue-Jin Ho — The Unstable Characters: Reading of Chinese Text-based Digital Works
- Ingrid Hoelzl & Rémi Marie — Posthuman Vision
- Mei-Kei Lai — Flip the Book, Flip the Memories: a Case Study of Multimodal Interaction for the library located in Macao World Heritage site
- Wing Ki Lee — Cyber Terrorism in name of Cyber Activism: Discomfort in looking at some derivative works in recent Hong Kong
- Kok Yoong Lim, Wonseok Choi, Sojung Bahng & Joonsung Yoon — Somplexity: An Experiment of Posthumanist Platonic Sex
- Alessandro Ludovico — Music in Print, How Publishing Has Been Able to Flirt with Music
- Tommaso Maggio — De-schooling Product Design Education, an Experimental Physical Approach
- Joana Martins, Todd Cochrane, Isabel Valverde & Ana Moura Santos — A Webcam Interface for Somatic-Technological Dance Experiences
- Ricardo Melo & Miguel Carvalhais — Convergence and Divergence: A Conceptual Model for Digital Serendipitous Systems
- Lukasz Mirocha — Going beyond the Glitch Art: Critical Glitch Studies as a New Research Paradigm for Analyzing Post-digital Technologies
- Joo Young Oh, Ju Young Lee, You Jin Lee & Kwang Yun Wohn — “Vernacular Sound”: System for Soundscaping of Everyday Objects
- Laura Plana Gracia — Noise Responsive Systems: How Do Those Change the Infrastructure of the Institution?
- Eric Powell & Matthew Griffin — Hearing Blind as a New Interface for Exploring the Urban Soundscape
- Jillian Scott — AURALROOTS: Cross-modal Interaction and Learning
- Matthias Tarasiewicz — Artistic Technology: Coded Cultures, “Making” and Artistic Research
- Francisco Gerardo Toledo Ramirez — A Daydreamer of Someone Else’s Dreams, A Theoretical Framework for the Future Web
- Anastasia Tyurina — Exploring the Medium: The Indexical Function of Artistic Photomicrography Made by the Scanning Electron Microscope
- Karin Weissenbrunner — Joke Lanz is Spinning the Records: Analysis and Graphical Representation of an Improvised Concert of Experimental Turntablism
- Markus Wernli — Cultivating More-than-Human Lifeworlds: Laudatio on Indigenous Fermentation, Smell and Metabolic Power Grids
- Karin de Wild — An Interactive Mnemonic Space For Jodi.org: The Process of Re-exhibiting
- Rewa Wright — Augmented Reality as Experimental Art Practice: from Information Overlay to Software Assemblage
- Mi You — Digital Confucianism: a Confucian Take on Computation and Algorithm
Poster Presentations
Panels
- Rachel Armstrong, Sarah Kenderdine, Maurice Benayoun, Mike Phillips, Scott Hessels & Sven Travis — Gigantic: Mediation Beyond Surface
- Susan Ballard, Jo Law, Teodor Mitew & Jo Stirling — Data Natures: The Politics and Aesthetics of Prediction through Variability
- Tarsh Bates, Jaden J A Hasting, Helen Pritchard, Jane Prophet & Gillian Wylde — (Re)volting data
- Peichi Chung, Ling-Yi Huang & Bjarke Liboriussen — Games and Gaming in China
- Bryan Chung Waiching, Pong Lam & Winnie Soon — Computer Programming Education and Creative Arts
- Sarah Cook, Charlotte Frost, Edwin Coomasaru, Louise Shannon & Morgan McKeehan — Rapid Response Art History: Tools and Techniques for a Fast-Changing Art World
- Andrew Demirjian, Ellen Pearlman, Xtine Burrough, Cassini Nazir & Heidi Boisvert — Emerging Platforms for Artist Interaction
- Greg Giannis, Hugh Davies, Victoria Moulder & Murray Mckeich — Software Literacy and the Creative Industries
- Dejan Grba, Vladimir Todorovic, Tatjana Todorovic, Andreas Schlegel & Melentie Pandilovski — Divergent Generative Art Practices
- Martin Koplin, Igor Nedelkovski & Kari Salo — The People’s Smart Sculpture: PS2
- Anastasios Maragiannis, Janis Jefferies, Stacey Pitsillides & Ghislaine Boddington — Can Non-anthropocentric Relationships Lead to True Intimacy with Technology?
- Timothy Murray, Renate Ferro, Maurice Benayoun & Randall Packer — E-discourse in Online Networked Communities: Structure, Timing, Tone, and Affect
- Mike Phillips, Chris Henschke, Frederik De Wilde & Paul Thomas — The Affect of Quantum Phenomena on Media Art
- Emma Witkowski, Daniel Recktenwald, James Manning & Zhang ’Dino’ Ge — Livestreaming in Theory and Practice: Four Provocations on Labour, Liveness and Participatory Culture in Games Livestreaming