[Overview] [Presentations]
Papers
- Paloma González Díaz — Digital creation possible (and achievable) futures
- Salomé Cuesta Valera, Paula Fernández Valdés & Salvador Muñoz Viñas — NFT and digital art: new possibilities for the consumption, dissemination and preservation of contemporary works of art
- Víctor G. Peco, Nerea Garzón-Arenas, José Carlos Espinel & Concha Herrero — Sculpture and New Technologies in Scientific Educational Outreach: 3D Foraminiferal Models as a Referent of Ocean Acidification and Climate Change
- Ada Xiaoyu Hao — Making touch visible with the suture of fantasy with virtual aesthetician in “The Best Facial Clinic” – The glitchy-score of tele-synaesthesia performance in the age of global pandemic
- Francisco-Julián Martínez-Cano & Emilio Roselló-Tormo — Volumetric film strategies to generate empathy in the audience. Case study of Queerskins: Ark
- Predrag K. Nikolić & Ruiyang Liu — Metaphysics of The Machines: From Human-Robot-Robot Interaction to AI Philosophers Abstraction
- Alicia Peñalba, Rubén López-Cano & Jaime del Val — Neurodiversity and 4E cognition. Music and multisen-soriality in Metatopia environments
- Álvaro Pina Arrabal — Videoludic Discourse and Transhumanism in SOMA
- Umberto Luigi Roncoroni Osio — Criticisms of digital art: foundations and theoretical limits
- Shuai Xu & Zhe Wang — DIFFUSION: Emotional Visualization Based on Biofeedback Control by EEG. Feeling, listening, and touching the real things through human brainwave activity