[Overview] [Presentations] [Workshops] [Art Events]
Plenary Sessions
Keynotes
- Seth Shostak — Electronic Culture in Groningen
- John Whitney Sr. — Some Comments on the Visible Shape of Time for Television and Future Media, A Theoretical Quest
First Plenary Meeting of the Inter-Society for the Electronic Arts
Panel
- Seth Shostak, Moderator
- Virginia Barratt (ACAT/ANAT)
- Christine Schopf (ARS ELECTRONICA)
- Theo Hesper (INTER-SOCIETY FOR THE ELECTRONIC ARTS)
- Raymond Lauzzana (LANGUAGES OF DESIGN)
- Paul Brown (COMPUTER ARTS SOCIETY)
- Wim van der Plas (INTER-SOCIETY & SCAN)
- Roger Malina (ISAST/LEONARDO)
- Copper Giloth (SIGGRAPH),
- Ken Gray (UNIVERSITY OF ALASKA; candidate ISEA93)
- Craig Harris (COMPUTER MUSIC ASSOCIATION)
Presentation
- Virginia Barratt — Proposal Third International Symposium on Electronic Art, Sydney Australia
Paper Presentations
Facets of Electronic Art
- Paul Hoenich — Electronic and Solar Art
- Richard Holloway — Art-related Virtual Reality Applications at the University of North Carolina at Chapel Hill
- Stephen Scrivener & Stephen Charles — Searching Pictorial Databases by means of Depiction
- Patricia Search — Museum technology: New Links to Interpreting, Presenting and Creating Art
- Rob Fisher — Space Sails
- Brian Evans — Temporal Coherence with Digital Colour
- Michael McNabb — The Composer and Orchestral Expression: Closing the Gap
- Paul Brown — Communion & Cargo Cults
- Simon Penny — The Intelligent Machine as Anti-Christ, A Brief History of Antropomorphism in Art & Science
- Stelarc — Prosthetics, Robotics and Remote Existence: Post Evolutionary Strategies
- Sally Pryor — Thinking of Oneself as a Computer
- Linda Wallace — Australia and Electronic Art
Music
- Phil Burk (with Larry Polansky) — Live Interactive Intelligent Computer Music, Notes on Pieces done in HMSL
- Gary Lee Nelson — Using Fractals for Interactive Composition
- Peter Beyls — Chaos and Creativity: The dynamic systems approach to musical composition
- Alfredo Stiglitz & Goffredo Haus — A Software Tool for the Functional Performance of Music
- Jordan Detev — Compuser
Aesthetics of Electronic Art
- Beverly Reiser & Fred Stitt — Recent Advances in Electronic Art & Media
- Delle Maxwell — The Emperor’s New Art
- John Frazer — Computer: Muse or Amanuensis?
- Simon Penny — Machine Culture
- Jurgen Claus — Art for the Biospheres
- Mohammed Aziz Chafchaouni — Esthetics of Islamic Art, Potentials of the Synergy Science/Art/Spirituality
Graphics, Animation, Image Processing
- Edward Zajec — Orphics: Computer Graphics and the Temporal Dimension of Electronic Colour
- Ken Knowlton & Karen Donoghue — Computer Simulation of Callographic Pens & Brushes
- Craig Caldwell, Thomas Linehan & Richard Parent — Simulation as Animation
- Copper Giloth — Feminist Cultural Landscapes
- Tony Robbin — Quasi Crystals for Architecture
- Anna Ursyn — Learning Geology while creating Computer Graphics
Poster Presentations
- Rob Fisher — Computer Assisted Environmental Sculpture
- John Sherman — Digital Romance
- Richard Loveless & Bruce Marsh — Smarter than Dogs, a Video Documentary of a Performance Work
- Ernest Molner — Computer Assisted Music Conducting
- John Frazer — Universal Constructor
- Doug Back — Jacob Wrestling
- Nancy Paterson — A Space
- T. Szentgyorgyi — Computer Art in Hungary
- Kristi Allik & Robert Mulder — Amiga Computers in a Low Cost Interactive Integrated Media Network
- Michelle Emmer — Computer Graphics, Mathematical Research & Art
- David Rokeby — Dynamically Interactive Systems
- Patricia Search — Museum technology: Links to Critical problems in Hypermedia Computing
- Craig Harris (represented by Stephen Pope) — In Delicate Balance
- Ken Gray — The Evolution of the Electro Sculpture
- Pierre van Berkel — Reflection of Sound and Images
- Cynthia Beth Rubin — The Computer and Artistic Process: Breaking the Confines of Traditional Media
- Bulat Galeyev — Methods of Music Visualization
- Ernest Edmonds — The Development of the Video Construct
- Simon Penny — Ceci n’est pas un Oiseau
- Josepha Haveman — Art on CD ROMS: The Cutting Edge
Panels
Standards for Electronic Art
- Theo Hesper (chair) — Standards for Electronic Art
- Roger Dannenberg — Standards for Music Representation
- Raymond Lauzzana — Multimedia Standards
- Stephen Pope — Standardization of Music Representations
Other Panels
- Benjamin Britton, A. Couey, Carl Loeffler, Vernon Reed & Fred Truck — Interactive Electronic Art
- Paul d’Agostino & Jurgen Claus — Aesthetics of Electronic Art
Institutional Presentations
- Copper Giloth — SIGGRAPH
- Roger Dannenberg — Computer Music Association
- Christine Schopf — Ars Electronica
- Roger Malina — ISAST – The International Society for Art, Science & Technology
- David Worra — Australian Center for Art & Technology
- Stephen Scrivenern & Stephen Charles — Electronic Media Laboratory
- Pierre Dostie, Marvin Gasoi, Jacques Charbonneau, Philippe Boissonnet, George Muhleck & Sylvie Readman — Centre Copie Art
- Bulat Galeyev — Prometheus Institute
- Rob Fisher — Visual Engineering Lab
- Alfredo Stiglitz & Goffredo Haus — L.I.M.: Laboratorio di Informatica Musicale
- Beverly Reiser & Fred Stitt — YLEM – Artists Using Science & Technology
- Predarg Sidjanin — State of the Art in Yugoslavia
- I. Cronsioe — RAD/RAM: The Living Art Center
- E. Theofilakis — CETECH
- S. Gorewitz — Experimental TV Center
- B. Langer — Electronic Media Arts
- J.P. Detev — Computer Music Laboratory
- I. Gerard — INA/Imagina
- Edward Zajec — Syracuse Media Studies
- Annick Bureaud — International Directory of Electronic Arts/CNAT
- Carl Loeffler — ARTCOM
Public Lectures/Debates
(in co-operation with Groningen National University)
- Susan Kirschman — Digital Photography
- Copper Giloth, Richard Holloway & Seth Shostak — Art Meets Science