[Overview] [Presentations] [Workshops] [Art Events]
Papers
Pedagogigal Policies? (Electronic Art in Universities)
- Gregory Ulmer — The X Tables, Dialogues with the Prosthetic Unconscious
- Roy Ascott — The Planetary Collegium
- Paul Brown — Hype, Hope and Cyberspace or Paradigms Lost: Pedagogical Problems at the Digital Frontier
- Joseph DeLappe — A Critical Teaching Strategy for the Digital Art
- Richard Kriesche — Time-and-Information-Based Environment
Next Generation
- Pierre Levy — Toward Superlanguage
- Volker Grassmuck — Into the Muddy Waters of the Turning Galaxy
- Mary-Anne Williams — Aesthetics and Artificial lntelligence
- Catherine Richards — Spectral Bodies
- Derrick de Kerckhove — The Volcanic Theory of Culture
Spacescapes
- Margaret Morse — Enthralling Spaces: The Esthetics of Virtual Environments
- Knowbotic Research — Dialogue with the Knowbotic South
- Frances Dyson — Philosophonics of Space: Sound, Futurity and the End of the World
High & Low
- Erkki Huhtamo — Kaleidoscomaniac to Cybernerd
- Lev Manovich — The Labor of Perception: Electronic Art in Post-Industrial Society
- Ross Harley — Dig: An Archaeology of Technology and Entertainment in Spielberg’s Jurassic Park
- Geert Lovink — Sovereign Media and the Data-Dandy
- Richard Wright —It Looks Just Like Art: Computers, Class and Cultural Positioning
ISEA Annual General Meeting
- Minna Tarkka, Executive director, ISEA94, FI
- Alain Mongeau, Executive director, ISEA95, CA
- Anton van Gemert, director, Willem de Kooning Art Academy, Rotterdam, ISEA96, NL
- Wim van der Plas, director Inter-Society for the Electronic Arts, NL
Paper Presentations
Multimedia (The Next Generation)
- Melina McKim — Experiences in Designing Multimedia Tools for Education
- Jean-Louis Boissier — Flora Petrinsularis
- Josepha Haveman — Monograph Multimedia
- Jorgen Callesen & Stine Schou — Lailah: an Interactive Expressionist Fiction
- Klaus Oesch — Media Museum, A Finnish CD-ROM Project
- Christine Tamblyn — She Loves It, She Loves It Not: Women and Technology
- Karen Davis — Cine Play
- Mari Soppela — The Mediamatic CD-ROM
- Brad Miller — A Digital Rhizome
- Jill Scott — Paradise Tossed: New Frontiers or Utopia
Interactivity (The Next Generation)
- Maria Stukoff & Nicholas Gebhardt — The Time of Our Life: Interactivity and the Labyrinth of Forms
- Ryszard W. Kluszczynski — Interactivity and the Problem of Communication in the Context of Philosophy of Deconstruction
- Söke Dinkla — The History of the lnterface in Interactive Art
- Wolfgang Ziemer — European Interactive TV
- Heidi Tikka — Vision and Dominance – A Critical Look into the Interactive Systems
- Beryl Graham — Choices: Gender Issues for lnteractive Art
- Mika Tuomola — Towards New Structures
Digital Narratives
- David Tafler — The Empty Real Sphere and the Fall (from): Narrative in the New Moving
- Robert A. Fischer — Audiovisual Literacy: On the Electronic ‘Camera-stylo’
- Grahame Weinbren — An Interactive Cinema
Visualisation (The Next Generation)
- Richard Wright — Art and Science in Chaos: Contesting Readings of Scientific Visualisation
- Machiko Kusahara — What Digital Technologies Brought to Simulation Art
- George Legrady — Equivalents II
- Delle Maxwell — Outside In: Mathematical Visualisation Project from the Geometry Centre
Composition (The Next Generation)
- Carsten Bredanger — Expert Systems: Building a Bridge to Electronic Sonic Art
- Erkki Kurenniemi — From 3D Shapes to Tonal Harmonies – and Back
- Agostino Di Scipio — Formal Processes of Timbre Composition Challenging the Dualistic Paradigm
- Eduardo Miranda — An Artificial Intelligence Approach to Sound Design
- David Clark Little — Composing with Chaos: Applications of a New Science for Music
Arch-Design (Spacescapes)
- Vito Orazem — Holography as an Element of Media Architecture
- Roy Ascott — The Architecture of Cyberception
- Marko Peljhan — Science of the Individual
- Mathias Fuchs — The Relation of Architecture and Electronic Space
- Joachim Sauter — Networked Architecture
- Tom Klinkowstein — Inventing an Aesthetic for the 21st Century: Post Design Means Electrotexture
Body (Spacescapes)
- Stelarc — Stomach Sculpture, Hollow Body, Host Space
- Karen Davis — The Corporate Body
- Timothy Druckrey — Networked Identity, Creativity, Language and the Clash of Realities
- Rob la Frenais & Kathy Rogers — Non-Explicable Phenomena, Consciousness and Technology
- Jane Goodall — High Anxieties
- Kirk Wolford — Cyber SM
- Arthur Elsenaar & Eric Kluitenberg — Corporeal Machine-Anxiety
- Stahl Stenslie — Liquid Selves, Schitzoid Bodies
- Kari Hintikka — Virtual Identities: Inhabiting Cyberspace
Soundscapes (Spacescapes)
- Douglas Kahn — Amplifications: Transformations in Sound and Technology in the Western Avant-garde and Experimental Arts
- Joseph Hyde — Songlines
- Nicholas Gebhardt — Sounds Natural: Sonic Landscapes and the New Age
- Nigel Helyer — Vectors and Virtual Space
- Virginia Madsen & Tony McGregor — Sound Design, Nature and the Post-Real
- Sam Inkinen — The Sound of a Binary Machine: An Introduction to Techno Culture
East&West (High & Low)
- Olessia Tourkina & Viktor Mazin — Golem of Consciousness
- Mihail Kuznezov — The Prosthesis of Event in Virtual Reality
- Alla Mitrofanova — Art and Technology as the New Avant-Garde
- Leonid Bazhanov —Media Art in Russia
- Alexander Sekatsky — The Tools of Desire and New Technologies
- Kathy Rae Huffman — Soros Centers for Contemporary Arts Network
- Tatjana Mogilevskaja — A Note on the History of Russian Media Art
- Marat Guelman — Conversion
- Andrey Ventslov — Parallel Cinema, Necrorealism and Video Art in St. Petersburg
- Marina Baskakova — In Search for the Third Reality
- Gia Rigvava — A General Overview to Video and Media Art in Russia
- Marko Peljhan — Science of the Individual
Gender/Blender (High & Low)
- Roger Johnson — Music Technology and Gender
- Joan Truckenbrod — Gender Issues in the Electronic Arts Inform New Modes of Computing
- Zoe Soufoulis & Virginia Barratt — Women Remapping Technospace
- Francesca da Rimini, Josephine Starrs, Virginia Barratt & Julianne Pierce — Pathogenic Vectors
- Christine Tamblyn — She Loves It, She Loves It Not: Women and Technology
Global/Local (High & Low)
- Lily Diaz — A Simultaneous View of History: an Examination into the Landscape of History
- Armin Medosch — MS Stubnitz’ Baltic Tour
- Sadhna Jain — Identity Crisis: Cultural Mapping
- Cecillia Cmielewski — Narrative and Intervention
- Udo Wid — What do ELFes sing?
- Linda Wallace — Electric Cannibal
Panels:
Faculty Burnout? (Electronic Art in Universities)
- Cynthia Beth Rubin & Annette Weintraub — Running to Stay in Place: Faculty Burnout in the Electronic Arts. Proposed Guidelines for Faculty in Computer-based Media in Art and Design
- Simon Penny — Panel Statement
- Horit Herman-Peled — Panel Statement
- Tessa Elliott — Act of Faith: Postgraduate Research in Computing in Art and Design at the Centre for Electronic Arts at Middlesex University
- Paul Brown — An Unbearable Load: Teaching New Technology in Art and Design
Eliza’s Children: Complexity, Emergency, the Simulation of Behaviour in the Space of Interaction (Interactivity: The Next Generation)
- John Manning — Panel Statement
- Simon Penny — Paradigm-Busters: Complexity at the End of the Enlightenment
- Ken Rinaldo — Technology Recapitulates Phylogeny: Emergence and interactive Art
- Henry See — Esthetics of Behaviour and Interactive Systems
Algorithms and the Artist (Visualisation: The Next Generation)
- Peter Beyls — Algorithms and the Artist: Panel Introduction
- Roman Verostko — Notes on Algorithms and Art
- Ken Musgrave — Formal Logic and Self-Expression
- Stephen Bell — ALGORITHM
- Brian Evans — The Catalytic Algorithm
- Peter Beyls — Algorithms for Conceptual Navigation
Cyberspace: Configurations of Space, Memory and Language in the Electronic Arts (Spacecapes)
- Peter d’Agostino — VR as RV: an exploration of mind/environment
- David Tafler — Meaning without mirrors: Mapping the Margins of Cyberspace
- Victoria Vesna — The Wild West and the Frontier of Cyberspace
The Invisible Planet: Networked Virtual Reality, Virtual Cities and Culture (Spacecapes)
- Fred Truck — The Invisible Planet: Panel Introduction
- Yuxweluptun (Lawrence Paul) — Long House project
- Carl Loeffler — Panel Statement
- Ola Odegard — Virtual Reality as a Medium for Social Interaction
- Jeffrey Shaw — Panel Statement
The Metaphor of Cave in the Electronic Arts (Artists in Cyberculture: Spacecapes)
- Frances Dyson, Jeffrey Shaw, Alexandru Antik & Margaret Morse – The Metaphor of Cave in the Electronic Arts
Futurics (Artists in Cyberculture: Spacecapes)
- Jeffrey Schultz — Hyperformance
- Jeremy Welsh — A Hypertalk
- Stephen s’Soreff — Art Futures
- Greg Garvey — God and Silicon: Better Eternal Living Through Technology
Output Sufferings (Artists in Cyberculture: Spacecapes)
- James Faure Walker — Computers, Painting and Ambition
- Cynthia Beth Rubin — Output Sufferings: After the Virtual
Nethics? (Artists in Cyberculture: Spacecapes)
- Jeff Taylor — The Net Effect
- Derrick de Kerckhove — Ethics and Political Correctness
- Axel Wirths — Artistic Electronic Networking
- Tapio Makela — Electronic Space: An lmaginary ConQuest
Saddling The Troyan Horse (High & Low)
- Mike Steventon, Gomma X, Graham Harwood, Steve Binnion, Sadie Plant & Matthew Fuller — Panel Introduction
Pedagogy of the Oppressed: Women, Men and the Cartesian Coordinate System (Gender/Blender: High & Low)
- Greg Garvey — Panel Intro
- Brenda Laurel — Panel Statement
- Rob Tow — Panel Statement
- Carol Gigliotti — On animals, children, and seeing deeply
- Joan Staveley — Panel Statement
- Sandy Stone
- Hillary Kapan
Transcultural Approaches to Electronic Art – Do We Really Care? (Global/Local: High & Low)
- Rejane Spitz — Panel Introduction
- Paul Brown — The Information Super-highways and Cultural Imperialism: Ownership and Access to the Media
- Maria Fernandez — Technological Diffusion and the Construction of a Universal Aesthetic
- Achameleh Debela — Panel Statement
- Chitra Shiram — Transcultural Approaches to Electronic Art
Meeting
- Wim van der Plas, Yoshiyuki Abe, Rejane Spitz & James Faure Walker — ISEA National Branch Meeting
Institutional Presentations (Electronic Art in Universities)
- Philip Dean — Media Lab UIAH
- Juha Samola — AVEK and the support of audiovisual culture in Finland
- José R. Alcalà — Electrographic Solutions for results from stable supports of electronic images with artistic aims: Application in the field of higher education in the Fine Arts
- Pawel Grabowski — Visual Effects Realized at the Department of Visual Knowledge
- Cathy Young — Duncan of Jordanstone
- Veine Johansson — Högskolan i Skóvde
- Jurgen Claus — Electronic Bauhaus
- Michael Clarke & Stuart Hunter — Educating the Next Generation; Integrating Technological Skills with Artistic Creativity in Computer Music Courses in Higher Education
- Kathleen Chmelewski — Collaboratorion: Our Experience with Art & Technology on the Electronic Frontier
- Hans Henrik Hvidt — Coast Takes Off
- Diane Gromala & Yacov Sharir — Multidisciplinary Studies at the University of Texas at Austin – Art, Technology, Virtual Environments, Cyberspace, and the Arts; lnterface Design Education
- Marikki Hakola — Helsinki Mediascape
- Igor Linz-Maues — lnstitut filr Elektroakustik und Experimentelle Musik in Vienna, Activities and New Works
- Jill Scott — Tightrope