[Overview] [Presentations] [Workshops] [Art Events]
Keynotes
- Willem Dijkhuis — All Kinds of Revolutions
- Harold Cohen — AI Paradigm
- Herbert Franke — Hyper Instruments
- John Sanborn — Technologies and Story Writing
- William Buxton — User Interfaces: The State of the Science in the Arts
Founding Meeting Inter-Society for the Electronic Arts
Theo Hesper, Roy Ascott, Jürgen Claus, Roger Malina, Ray Lauzzana and others — Founding Meeting Inter-Society for the Electronic Arts
Paper Presentations
Aesthetic Issues and Computer Art
- Anton Eliens — Computational Art
- Edward Pope — Finding a Context for the New Technology
- Mihai Nadin — Emergent Technologies
- John Pearson — The Computer: Liberator or Jailer of the Creative Spirit
- Joan Truckenbrod — An Electronic Arts Landscape:a new Language
- Andre Jodoin — Art, Time and Computer Animation
- Patric D. Prince — Aesthetics of Exhibition: A Discussion of Recent American Computer Art Shows
- Jürgen Claus — The Electronic Bauhaus: Gestalt Technologies and the Electronic Challenge to Visual Art
- Roy Ascott — Art and Education in the Telematic Culture
Exploring New Tools for the Artist
- Brian Evans — Establishing a Tonic Space with Digital Color
- Edward Pope — Fantasy Object Exploration with Micro-Computers
- Mike King— A 3D Computer Sculpting System
- Edwin Blake — Perspective and the Appearance of natural Scenes
- Lillian Schwartz — The Staging of Leonardo’s Last Supper
- Nadia Magnenat-Thalmann — The Making of a Film with Synthetic Actors
Applying AI-Techniques to Art
- Peter Beyls — Discovery through Interaction
- Joan Kirsch & Russell Kirsch — Storing Art Images in Intelligent Computers
- Roman Verostko — Epigenetic Painting: Software as Genotype, a New Dimension of Art
Art, Mathematics and LogicArt
- Richard Wright — Some Issues in the Development of Computer Artas a Mathematical Art Form
- Ernest Edmonds — Logic and Time-based Art Practice
New Tools for the Composer
- David Rosenboom — Extended Musical Interface with the Human Nervous System: Assessment and Prospects
- Tamas Ungvary — Visual Documentation of Structural Information: A Tool for Composition and Analysis in Electro-Acoustic music
- Stephen Pope — Smalltalk-80 and Music Applications
- Philippe Menard — Towards a Universal and Intelligent MIDI-Based Stage System: A Composer/Performer’s Testimony
- Mathias Fuchs — Computer Music Languages… and the Real World
Computer Animation Papers
- Robin King — Computer Graphics and Animations as Agents of Personal Evolution in the Arts
- Thomas Linehan — Aesthetic Issues in Computer Art
- Seth Shostak — State-of-the-Art Art
Relating Image and Sound
- Edward Zajec — Orphics: Computer Graphics and the Shaping of Time with Colour
- Paul Earls — Computer Generated Laser/Music Projections
- Annie Luciani — A Computer Tool for Simultaneous Musical and Animation Creation in Real Time and Gestual Work
- Michel Naranjo — Image Modelling of the Musical Object
- Adriano Abbado — Perceptual Correspondences of Abstract Animation and Synthetic Sound
- Henry Flurry — The Creation Station: An Approach to a Multimedia Workstation
Computer Art in Japan
- Itsuo Sakane — State of the Computer Art in Japan
Interactive Art: a Renaissance?
- Joel Slayton — Towards a New Media Technology Interactive Virtual Environments
- Stephen Bell — Using Computers in an Art Practice From Computer-plotted Drawings to Interactive Computer Art
Panels
- Thomas Linehan (Chair), William Sadler, Thuy Tran & Darcy Gerbarg — Institutional Networking Research in Art and Technology
- Nadia Magnenat-Thalmann (Chair), Robin King & Kees van Prooijen — Computer Animation Panel
- Roger Malina (Chair), Mark Resch, Itsuo Sakane, Craig Harris & Alistar Livingstone — Organisational Networking
- Raymond Lauzzana (Chair), Joan Kirsch, Fred Truck, Patric Prince, Russel Kirsch & Laura Scholl — Artificial Intelligence in the Arts
- Peter Desain (Chair), Peter Beyls, Harold Cohen, Margriet Hoenderdos & Stephen Pope — Programming Environments for the Arts
Institutional Presentations
- Unknown — Presentation of the Australian Network for Art & Technology
- Roger Malina — The International Society for Art, Science & Technology