Full Paper. Session: Futures and Heritages / New media art archives
Keywords: archive, new media art, online repository, electronic art, digital art
A core group, including representatives from the ISEA, SIGGRAPH, FILE, Ars Electronica, and the Archive of Digital Art (ADA) archives, have been collaborating with the goal of establishing a transcontinental distributed network of new media art archives. This paper outlines the strategies, implementation procedures and challenges of this innovative initiative.
Online new media art archives exist throughout the world as repositories documenting theory and practice of electronic art. For a researcher, instructor, or student using these resources for scholarly work or inspiration, the process often involves visiting multiple websites with different interfaces and information. Without knowledge of the wide variety of archives that catalog new media art, the sought-after material may be missed. In 2018, the seeds of an initiative were sown at a roundtable discussion at ISEA2018 (South Africa) and during ISEA2019 (South Korea), the real work began to investigate and initiate the process of connecting new media art archives from around the world. Beginning with a core group including representatives from the ISEA, SIGGRAPH, FILE, Ars Electronica, and the Archive of Digital Art (ADA) archives, group discussions, implementation meetings, summits (Summit on New Media Archiving @ ISEA2020, mini-conferences (FILEALIVE 2020) and presentations at various conferences occurred. This paper outlines the details of the project along with the implementation procedures and challenges. https://isea-archives.siggraph.org
- Bonnie Mitchell (Ohio, USA) is a digital artist, animator, archivist as well as a professor of Digital Arts at Bowling Green State University. Mitchell’s artworks explore spatial and experiential relationships to our physical, social, cultural and psychological environment through interaction and physical immersion. Her creative work includes interactive installation art, environmental data visualization art, experimental visual music animation, net-art, and new media art archive development. Mitchell is the co-director of the SIGGRAPH History and ISEA Symposium online Archives and also a member of the organizing team of the Summit on New Media Art Archiving (first held in 2021 online and again in 2022 in Barcelona). She is also a member of the ISEA International Advisory Committee, the ACM SIGGRAPH History and Digital Arts Committees and is the SIGGRAPH 2023 History Chair in charge of the 50th conference celebration.
- Jan Searleman (California, USA) taught Computer Science at Clarkson University for 37 years, retired in 2015, and since retirement has been an Adjunct Research Professor at Clarkson. Her research areas are Virtual Environments, Human-Computer Interaction, and Artificial Intelligence. A senior member of the ACM, Jan is also on both the ACM SIGGRAPH Digital Art Committee (DAC) and the ACM SIGGRAPH History Committee. Jan and Bonnie Mitchell coordinated the DAC Online Exhibition “The Earth, Our Home: Art, Technology and Critical Action”. She co-moderated SPARKS talks (Short Presentations of Artworks and Research for the Kindred Spirit) for DAC on “Robotics, Electronics, and Artificial Intelligence” with Hye Yeon Nam, and “Data: Visual Perception, Interpretation and Truth” with Everardo Reyes. Jan co-directs, along with Bonnie Mitchell, the ACM SIGGRAPH History Archive. She also co-directs the ISEA Symposium Archive with Bonnie Mitchell, Wim van der Plas and Terry C.W. Wong.
- Wim van der Plas (Netherlands) studied Social & Cultural Sciences at the Erasmus University Rotterdam. He was director of the Foundation for Creative Computer Applications (SCCA, Rotterdam), R&D staff of the Utrecht School of Arts, managing director of the Institute for Computer Animation (SCAN, Groningen), and worked for 3 different departments of the Utrecht University of Applied Sciences. He is co-founder of ISEA, organised the first, second and seventh ISEA symposium and served as ISEA HQ and on the ISEA board since its founding. Currently he is co-director of the ISEA symposium archives and member as well as honorary chair of the ISEA International Advisory Committee. In 2018 he received a Leonardo Pioneer Award.
- Terry C. W. Wong has a bachelor’s degree from the Applied Science Department of the University of British Columbia and a Master’s degree in Fine Art at the Chinese University of Hong Kong. Currently, he is working on his graduate degree in the School of Interactive Arts and Technology at Simon Fraser University, Canada. He is doing his research study on connecting new media art archiving worldwide. Terry is also an archivist and co-organizer for the ISEA Archives. He was also on the organizing team of ISEA2016 in Hong Kong.