[ISEA2017] Introduction: ISEA2017 International Programme Committee

Introductory Statement

ISEA2017 INTERNATIONAL PROGRAM COMMITTEE

  • A. Bill Miller, University of Wisconsin-Whitewater, USA
  • Achamyeleh Debela, North Carolina Central University
  • Adam Nash, RMIT University
  • Adrian Carballal, University of A Coruna
  • Alain Lioret, Université Paris 8
  • Alan Dorin, Monash University
  • Alberto de Campo, Berlin University of the Arts
  • Alejandro Valencia-Tobon, Universidad Autónoma de Occidente
  • Aleksandra Dulic, University of British Columbia Okanagan, Canada
  • Alessandro Ludovico, Winchester School of Art, University of Southampton
  • Alia Yunis, Zayed University
  • Alice Ming Wai Jim, Concordia University, Montreal, Canada
  • Amaranth Borsuk, University of Washington, Bothell
  • Amilcar Cardoso, University of Coimbra (Portugal)
  • Amy K Hoover, Northeastern University
  • Andrea Botero, Suo&co
  • Andrea Polli, The University of New Mexico
  • Andreas Zingerle, University of Art and Design Linz, Austria
  • Andrés Felipe Roldán García, Universidad de Caldas
  • Andrew Brown, Griffith University
  • Andrew Horner, Hong Kong University of Science & Technology
  • Angela Ferraiolo, Sarah lawrence College
  • Angus Forbes, University of Illinois at Chicago
  • Annabel J. Cohen, University of Prince Edward Island
  • Anne Nigten, Rotterdam University of Applied Sciences
  • Annette Weintraub, City College, CUNY
  • Anton Nijholt, Imagineering Institute, Iskandar, Malaysia
  • Antony Nevin, School of Design Nga Pae Mahutonga College of Creative Arts Toi Rauwharangi Massey University Te Kunenga Ki Parehurua, Aotearoa/New Zealand
  • Arne Eigenfeldt, Simon Fraser University
  • Artur Matuck, University of São Paulo
  • Audrey Samson, City University of Hong Kong
  • Aurelio A. Horta Mesa, Universidad Nacional de Colombia
  • Aya Natalia Karpinska, Independent artist/designer
  • Benjamin Smith, Indiana University-Purdue University Indianapolis
  • Beryl Graham, University of Sunderland
  • Brad Moody, American University in Dubai
  • Brian J Bross, Brock University
  • Brogan Bunt, University of Wollongong, Australia
  • Bruce Wands, School of Visual Arts in New York City
  • Carlos Grilo, Instituto Politécnico de Leiria
  • Carolina Seck Langill, OCAD University
  • Catherine Page Harris, University of New Mexico
  • Charlie Gere, Lancaster University
  • Chris Kiefer, University of Sussex
  • Chris Salter, Concordia University/Hexagram
  • Christiane Paul, The New School
  • Christopher Manzione, Stevens Institute of Technology, USA
  • Claudia Giannetti, Institute for Advanced New Media Studies
  • Claudia X. Valdes, University of New Mexico
  • Claus Pias, LEUPHANA University
  • Colin Johnson, University of Kent, Canterbury, UK
  • Cristian Felipe Lizarralde Gómez, Universidad del Valle
  • Dan Ventura, Brigham Young University
  • Daniel Cermak-Sassenrath, IT University of Copenhagen
  • Daniel Pablo Cruz A. Valenzuela, Universidad de Chile
  • Danielle Siembieda, Leonardo/ISAST
  • Danielle Wilde
  • David Benyon, Edinburgh Napier University
  • David Johnson, University of Victoria
  • Deborah Cornell, Boston University, College of Fine Arts
  • Diane Willow, University of Minnesota
  • Diarmuid P. O’Donoghue, Maynooth University
  • Don Sinclair, York University
  • Dot Tuer, OCAD University
  • Doug Van Nort, York University
  • Douglas Repetto, Independent artist
  • Eduardo Adrian Russo, Universidad Nacional de La Plata
  • Eelco den Heijer, independent
  • Elaine Chew, Queen Mary University of London
  • Eleonora Bilotta, University of Calabria
  • Elinor Nina Czegledy, University of Toronto & Ontario College of Art Design University
  • Ellen Levy, IDSVA
  • Erik Champion, Curtin University
  • Erin Ashenhurst, Kwantlen Polytechnic University, Canada
  • Esteban García Bravo, Purdue University
  • Eugenia Fratzeskou, University of Westminster London
  • Everardo Reyes, Université Paris 8
  • Fernando Lazzetta, Universidade de Sao Paulo
  • Florian Schneider, Norwegian University of Science and Technology
  • Frank Dufour, The University of Texas at Dallas
  • Frank J. Lee, Drexel University
  • Frieder Nake, University of Bremen, Germany
  • Gareth Schott/ University of Waikato
  • Giselle Beiguelman, Universidade de Sao Paulo
  • Gloria Gómez, Department of Technology and innovation/University of Southem Denmark
  • Giuseppe Moscatello, Maraya art centre/ 1971 design space
  • Graeme Kirkpatrick, University of Manchester
  • Graham Wakefield, York University
  • Gregory Surges, University of Wisconsin – Milwaukee
  • Greig de Peuter, Wilfrid Laurier University
  • Hanna Wirman, The Hong Kong Polytechnic University
  • Hans Dehlinger, University of Kassel, Germany
  • Harold Thwaites, Sunway University, Centre for research Creation in Digital Media, Kuala Lumpur
  • Heather Dewey Hagborg, School of the Art Institute of Chicago
  • Héctor Fabio Torres Cardona, Universidad de Caldas
  • Henry Tsang, Emily Carr University of Art + Design
  • Hyun Seung Yang, School of Computing, KAIST
  • Ian Clothier, Intercreate/Western Institute of Technology at Taranaki
  • Ian Hatcher, Independent artist
  • Ionat Zurr, SymbioticA, School of Anatomy, Physiology and Human Biology, the University of Western Australia
  • Isidro Moreno Sánchez, Universidad Complutense de Madrid
  • Jaime Alejandro Rodríguez Ruiz, Pontificia Universidad Javeriana
  • Janis Jefferies, Goldsmiths, University of London
  • Jeff Thompson, Stevens Institute of Technology, USA
  • Jeffrey Albert, Loyola University New Orleans
  • Jennifer Parker, University of California at Santa Cruz, USA
  • Jens Hauser, University of Copenhagen
  • Jeremy Hight, Washington State University at Vancouver, USA
  • Jesse Drew, University of California at Davis
  • Jinsil Hwaryoung Seo, Texas A&M University
  • Joel Slayton, Independent Artist, Curator, Educator
  • Johanna Drucker, University of California at Los Angeles, USA
  • John Dack, Middlesex University, UK
  • John Hyatt, Manchester Metropolitan University
  • John Wilson Herrera Murcia, Universidad Autónoma de Occidente
  • Jonah Brucker-Cohen, Lehman College / CUNY
  • Jordan Tate, University of Cincinnati, USA
  • Jorge Bejarano Barco, MAMM
  • José David Cuartas Correa, Fundación Universitaria Los Libertadores
  • José Fornari, NICS/Unicamp
  • José Manuel Berenguer, Orquesta del Caos
  • José-Carlos Mariátegui, ATA – Alta Tecnología Andina, Lima
  • Juan I. Reyes, Maginvent.org
  • Juan José Díaz Infante, Colectivo Espacial Mexicano
  • Judd Morrissey, School of the Art Institute of Chicago
  • Judith Doyle, OCAD University
  • Juliana España Keller, Universidad de Melbourne, Australia
  • Jurgen Claus, Project Claus
  • Karen Collins, University of Waterloo
  • Katerina El Raheb, ATHENA RC- University of Athens
  • Kathleen McDermott, Rensselaer Polytechnic Institute
  • Kening Zhu, City University of Hong Kong/ School of Creative Media
  • Kevin Badni, American University of Sharjah
  • Kevin Dahan, De Montfort University
  • Kingsley Ash, Leeds Beckett University
  • Klaus Fruchtnis, Paris College of Art
  • Koan Jeff Baysa, Joshua Treenial, Medial Avatar, Institute for Art and Olfaction, Honolulu Biennial Foundation
  • Laurent Grisoni, University of Lille, Science & Technology
  • Leon K. L. Chew, Zayed Univesity, UAE
  • Leung Hok Bun Isaac, Videotage
  • Lilian Campesato, USP – University of Sao Paulo
  • Lisa Gye, Swinburne University of Technology
  • Lisa Moren, University of Maryland, Baltimore County – UMBC
  • Lynne Heller, OCAD University
  • Machiko Kusahara, Waseda University
  • Marco Pinter (working artist)
  • Maria Clara Bernal, Umiversidad de los Andes
  • Maria Fernandez, Cornell University
  • Maria Lantin, Emily Carr University of Art + Design
  • Maria Paula Lorgia, Cineateca Distrital-Gerencia de Artes Audiovisuales del IDARTES
  • Mario Valencia, Universidad de Caldas
  • Marta Ameri, Colby College
  • Martin Brain, University of Oxford
  • Martin Pichlmair, IT University of Copenhagen
  • Martin Warnke, Leuphana University Lueneburg
  • Maximos Kaliakatsos-Papakostas, Music Department, Aristotle University of Thessaloniki
  • Mehdi Sabet, College of Arts and Creative EnterprisesZayed University
  • Melissa dela Merced, University of the Philippines Film Institute
  • Mikhail Jacob, Georgia Institute of Technology
  • Michael Prokopow
  • Miwako Tezuka, Arakawa+Gins Reversible Destiny Foundation
  • Naoko TOSA, Kyoto University
  • Nathaniel Stern, University of Wisconsin-Milwaukee
  • Naz Shahrokh, Zayed University
  • Nick Montfort, MIT
  • Nikos Stavropoulos, Leeds Metropolitan University, United Kingdom
  • Óscar Salinas, Universidad Nacional Autónoma de México
  • Palle Dahlstedt, Aalborg University, University of Gothenburg
  • Pat Badani, Artelogie, EHESS, Paris
  • Paula Andrea Escandón, Universidad Nacional
  • Paulo Urbano, Universidade de Lisboa
  • Paz Tornero, Universidad Complutense de Madrid
  • Penousal Machado, University of Coimbra
  • Peter Anders, Kayvala
  • Peter Bentley, University College London UCL
  • Peter Beyls, UCP/CITAR
  • Peter Krapp, University of California, Irvine
  • Philip Galanter, Texas A&M University
  • Philippe Pasquier, School of Interactive Arts + Technology, Simon Fraser University
  • Priscila Lena Farias, Universidade de São Paulo
  • Radu-Daniel Vatavu, University Stefan cel Mare of Suceava
  • Raine Koskimaa, University of Jyvaskyla
  • Ramon Lopez de Mantaras, Artificial Intelligence Research Institute
  • Rebecca Fiebrink, Goldsmiths University of London
  • Reynaldo Thompson, Universidad de Guanajuato
  • Robert Rowe, New York University
  • Roberto Lopardo
  • Roberto Simanowski, City University of Hong Kong
  • Roger Malina, University of Texas at Dallas
  • Samirah Alkassim, The Jerusalem Fund for Education & Community Development
  • Sara Ilstedt, Royal Institute of Technology
  • Sarah Lahti, Zayed University
  • Scott Fitzgerald, New York University
  • Scott Rettberg, University of Bergen
  • Sebastian Lexer, Independent researcher
  • Simon Colton, Falmouth University
  • Sita Popat, University of Leeds, UK
  • Stella Veciana, Leuphana University Lüneburg
  • Sue Gollifer, ISEA International HQ
  • Tania Aedo Arankowsky, Laboratorio Arte Alameda
  • Tom Penney, RMIT University
  • Tomas Laurenzo Coronel, City University of Hong Kong/ School of Creative Media
  • Vanissa Law, Hong Kong Baptist University
  • Victoria Szabo, Duke University
  • Wendy Tai
  • Wilhelm E. J. Klein, City University of Hong Kong
  • Wim van der Plas, ISEA International