[Overview] [Presentations] [Workshops] [Art Events]
Keynote Presentations
- Michael Naimark — Keynote Presentation
- Brian Rogers — Perception, Art and Illusion
- Julian Assange — Resistance is Fertile
Public Presentation
Paper Presentations
Digital and Experimental Arts: past, present and future
- Christiane Paul — Digital Aesthetics Now and Tomorrow
- Maurice Benayoun — Open Media Art from Cosmetics to Critical Fusion
- Esteban Garcia — Stretch: An early software art framework by Aldo Giorgini
- Andrew Donovan — Experimental arts: the challenges of funding speculation and exploration
Bio Art Session 1
- Ian Haig — The absent abject body in media arts
- Monika Bakke — Microbial Identity: Art and biodiversity of self
- Adam Brown — The Great Work of the Metal Lover: Art, Alchemy and Microbiology
- Stuart Bunt — Unintelligent design, the evolutionary limits to biological design
- Kirsten Hudson, Guy Ben-Ary, Mark Lawson & Stuart Hodgetts — The Dynamics of Collaborative Resistance: Negotiating the methodological incongruities of art, cultural theory, science and design
Eco-Activism
- Ricardo Dal Farra — [e]arts for humanitarian actions? the “art!⋈ climate” initiative
- Shabina Aslam & Matti Pohjonen — Casino
- Nina Czegledy — re-Framing Nature
- Pat Badani — On AL GRANO’s “Crop-Cropping” project and agro-cultural erasures
- Anne Nigten & Michel Van Dartel — Towards Ecological Autarky
- Pedro Ângelo & Mónica Mendes — Artivis DIY Forest Surveillance Kit
Transformative Cinema
- David Colangelo & Patricio Davila — Public Interface Effects: Re-embodiment and transversality in public Projection
- Ryszard Dabek — Re:cinema
- Ricardo Rivera Berrío — Cinematic experiences and the digital moving image
- Oliver Case — Lifemirror
- Paul Sermon & Charlotte Gould — All the World’s a Screen
- Kate Richards — Unhomely
- Martine Corompt — Reduction and the Tachistoscopi Flash: A Marginalised Technology
Bio Art Session 2
- Tarsh Bates — Candida as companion species: exploring the performativity of interspecies care
- Joanna Hoffman-Dietrich — Hidden Topology of Being: Life and Space
- Morten Søndergaard — Colliding Realities: Acoustical Accidents and Clouded Texts in Stelarc’s Internet Ear
- Rebecca Clunn — DIY DNA Visualization – a preliminary method
- George Poonkhin Khut & James Brown — Theta Lab
Locative Media and Mapping
- Alison Gazzard & Michaela French — Maps of time: exploring the rhythms of a mediated world
- Dan Collins — Community Mapping: From Representation to Action
- David Tafler & Peter D’Agostino — Techno / Natural Interfacing: walking and mapping in the age of climate change
- Andreia Oliveira, Felix Rebolledo, Hermes Renato Hildebrand & Efrain Foglia — Narratives of Locative Technologies as Memory Assemblages
- Conor McGarrigle — Forget the Flâneur
- Paula Dawson — Hyperobject: Homeland
Digital Narratives & E-Literature
- Fox Harrell, Chong-U Lim, Dominic Kao & Jia Zhang — The Living Liberia Fabric: An Interactive Narrative Artwork Memorializing Civil War in Liberia
- Bill Psarras, Stacey Pitsillides & Anastasios Maragiannis — Dérive in the digital grid: breaking the search to get lost
- Stanislav Roudavski — Portmanteau Worlds: Hosting Multiple Worldviews in Virtual Environments
- Mariana Ciancia — What is Transmedia? Projects and thoughts beyond the buzzword
- Daniel C. Howe & John Cayley — Reading, Writing, Resisting: Literary Appropriation in the Readers Project
- Betty Sargeant — Book apps and legacy media: How the humble picturebook informs interaction design
- Clea T. Waite & Lauren Fenton — Cine-Installation Metabook 1: The Book of Luna
- Semi Ryu & David Burton — Virtual Puppetry Assisting the Elder’s Life Review
Games and Play
- Eva Kekou — Game is not over yet!
- Damien Charrieras — Game Engines As Prehension Of Incomputable Data: the processual effectivities of game engines
- Olli Tapio Leino — From Interactivity to Playability
- Benjamin Poynter — A Serious Game: New Media, Censorship, and the Spectacle
Spaces and Ecologies
- Jan Hendrik Brueggemeier — From Sound to Waves to Territories
- Nancy Diniz & Bennedict Anderson — Breathe: wearing your air
- Rewa Wright — Exploring the Responsive Site: Ko Maungawhau ki runga
- Vicki Sowry & Jodi Newcombe — Echology: Making Sense of Data
- Nigel Jamieson, Andrea Polli & Robbert De Goede — String, Sounds and Satellites; Site-specific Sculpture, Sonics and Mobile Geo-Reality
- Andrew Goodman — A thousand tiny interfacings: fertile acts of resistance
Mixed and Augmented Realities
- Hanna Schraffenberger & Edwin van der Heide — From Coexistence to Interaction: Interrelating the Virtual and the Real in Augmented Reality
- Ruth Aylett — Interactive Drama in Real and Virtual Worlds
- Troy Innocent — Code switching in mixed realities
- Wim van Eck & Amalia Kallergi — Trees as Time Capsules: Extending Airborne Museum Hartenstein to the Forest
- Gregory Garvey — Sanity and Mental Health in an Age of Augmented and Virtual Realities
- Christian Clark & Tomas Laurenzo — CELEBRA
- Scott Brown — Autism and Theory of Mind in Interactive Spaces
Tracking, Surveillance and Insecurity
- Margaret Seymour — Eye Spy: art, visibility and global war
- Maciej Ozog — Live and survive in the hybrid space: resisting ubiquitous surveillance
- George Legrady, Marco Pinter & Danny Bazo — Swarm Vision
Digital Pedagogies
- Catherine Fargher, Dani Wiessner, Zina Kaye & Maia Horniak — Kids exploring ethical choices in unnatural biologies
- Grant Stevens — Teaching Digital Media to Digital Natives
- Brad Tober — In Transition: Effectively Mapping the Traditional Pedagogical Media of Art and Design to the Digital Realm
Political Resistance
- Glenn D’Cruz & Dirk de Bruyn — OCCUPY This: a Dialogic Dérive
- Zoe Scrogings & Dale Kongmont — Sex Workers, Info-Activism and Human Rights
- Pip Shea — Resistance is Feral: Digital Culture, Community Arts, and the New Cultural Gatekeepers
- Amin Ansari — Green Art: New Media Aesthetics in Pre- and Post-Election Events in Iran
- Leah Barclay, Jehan Kanga & Shakthi Sivanathan — The DAM(N) Project: The validity of community engagement, social activism and digital technology in interdisciplinary art practice
- Alessandro Ludovico & Paolo Cirio — The Hacking Monopolism Trilogy
Art & Science
- Patricia Adams — Shivering domains: technologically mediated embodiment and ecologies
- Andrew Newman & Matthias Tarasiewicz — Experimental Cultures and Epistemic Spaces in Artistic Research
- Chris Henschke — Aspects of the Art/Science Equation: Media Art Meets High Energy Physics
- Morten Søndergaard, Jamie Allen & Stine Ejsing-Dunn — Reconsidering Experiential Knowledge in the Relation of Art and Science Practices
- Elizabeth Eastland — Quiet terror: studio, lab and experiment at the edge of the known
- Deborah Lawler-Dormer — Baby X: Digital Artificial Intelligence, Computational Neuroscience and Empathetic Interaction
- Leah Heiss — Innovative Forms of Healing: New media art as a catalyst for lasting change in therapeutic settings
Materialities and Networks
- Linda Candy, Ernest Edmonds, Ximena Alarcón & Sophy Smith — The Role of Evaluation in Public Art: The Light Logic Exhibition
- Gabriella Arrigoni — The Pointless Chatroom: Coping with Absence in Web-Based Performances
- Frances Joseph — Collaborative Registers of Interactive Art
- Brian Evans — A Murmuration of Thought
- Mark Cypher — The modal weight of an interactive and electronic artwork: relational materiality, distributed cognition and the actor-network
Interactivity and Immersion
- Ruth Aylett, Andrew MacVean, Stefano Padilla, Jose Magalhaes, Lynsey Calder & Sandy Louchart — Kinect-Based RGB Detection for ‘Smart’ Costume Interaction
- Alexandra Antonopoulou & Eleanor Dare — The digital dream hacker: crowdsourcing the dream imaginary
- Anne Niemetz & Carol Brown — Revolve or the impossible task of performing sleep
- Rachael Priddel — Tangibility: Highlighting Physicallity in Interactive Installations
- Marie-Claude Poulin & Martin Kusch — Intérieur: a multi sensory immersive experience
- Thecla Schiphorst — Self-evidence: a fertile resistance, a non-alienated view
- Ivan Redi & Andrea Redi — Responsive Public Space: Performative Immersive Setting in Public Environments
Robots and Robotics
- Wade Marynowsky — The Acconci robot
- Paul Granjon — Biting Machine, a performance art experiment in human-robot interaction
- Elizabeth Demaray & Qingze Zou — The IndaPlant Project: An Act of Trans-Species Giving
- Toby Gifford & Andrew R. Brown — Cybernetic Configurations: Characteristics of Interactivety in the Digital Arts
Data Visualisation
- Tega Brain — Environmental Data as Sensory Experience
- Brian House — OpenPaths: empowering personal geographic data
- Tom Schofield — Repeating the Past: Lessons for Visualisation from the History of Computer Art
- Ann Finegan & Ann Morrison — The data wars: protest is increasingly an affair of incommensurables
- Sarah Waterson — Data Ecologies: Laika’s Dérive and Datawork
- Drew Hemment — Emoto: Visualising the Online Response to London 2012
Creator Sessions
- Suzon Fuks, James Cunningham & Ian Winters — Waterwheel Patch: Using Mobile Device Sensors for Live Participation in an Online Networked Environment
- Judith Doyle & Fei Jun — GestureCloud: gesture, surplus value and collaborative exchange
- Wynnie (Wing Yi) Chung, Emily Ip & Thecla Schiphorst — Wo.Defy: designing wearable technology in the context of historical cultural resistance practices
- Megan Heyward & Michael Finucan — Notes for Walking the space in between time: media art and augmented landscapes
- Stahl Stenslie — Virtual Touch
New Media Performance
- Sue Hawksley, Garth Paine & Simon Biggs — Bodytext: Somatic data as agency in interactive dance
- Gorkem Acaroglu — Mixed Reality Performance Lab
- Ian Willcock — Modelling Performance: Generic formal processes in live digital performance
- A. Baki Kocaballi, Lian Loke, Andy Dong, Rob Saunders & Petra Gemeinboeck — Interplay of scripts and resistance in a participatory workshop
Photography and Digital Imaging
- Pinar Yalcin & Ian Gwilt — Digital art going mobile: the case of the iPad as ‘digital canvas’
- Katrina Sluis — Resistance to digital and digital resistance: curating the networked photograph
- Alessandro Ludovico — Post Digital Publishing, Hybrid and Processual Objects in Prints
- Azadeh Emadi — Pixelated View: Investigating the pixel in light of substantial motion
- Volker Kuchelmeister — Alberti’s Window V2.0: A Vision Machine for Expanded Spaces of Representation
Technology, expression & wellbeing
- Scott Brown — Facilitation and Freedom in Evolving Systems
- Gail Kenning — Crafting Wellbeing: exploring how digital media can extend craft-based textiles and contribute to health and wellbeing
- Hanna Wirman — Orangutan play on and beyond a touchscreen
- Kristine Diekman — The Connective Tissue of Physical Computing
Memories, Archives and Museums
- Alexandra Gillespie — Humpy: an early Australian architectural projection
- Jihoon Kim — The Performative Archive: Formations of Social Memory in Interactive and Collaborative Documentary
- Peter Ride — Creating #citizencurators: putting Twitter into museum showcases
- Somaya Langley, Trevor Carter & Matthew Davies — Managing Multiplatform Materials: Selected Case Studies
- Meg Travers & Cat Hope — Electronic music is here to stay. Or is it?
- Andy Simionato — The Situational Library
Sonics
- Arne Eigenfeldt — Generating Electronic Dance Music without Mirrors: Corpus-based Modelling without Quotation
- Douglas Kahn — For More New Signals
- Noel Burgess — The Sound of Memory: An audience derived audio visual experience
- Ben Byrne — Static as a Trope in Electronic Art: David Hall’s 1001 TV Sets (End Piece) and Other Works
- Roger Alsop & Mark Pedersen — Gesture, Sound and Place
- Frank Ekeberg — Manipulating Space, Changing Realities: space as primary carrier of meaning in sonic art
- Bert Bongers — Traces: ‘Reading’ the Environment
- Janine Randerson — Cloud Music: A Cloud System
- Ian Andrews — Post-Digital Aesthetics and the Function of Process
Panels
Creativity and Participatory Urbanism in China
- Ian McArthur — Panel Intro
- Yang Lei, Ian McArthur & Brad Miller — mediated_moments and plasma_flow
- Xiao Yingying, Jiang Duo, Ian McArthur & Brad Miller — Shaping Cultural and Creative Space: Beijing as a Case Study
Imaging Capabilities of the Future
- Terry Flaxton — Panel Intro
- Terry Flaxton — The Future of the Moving Image
- Scott McQuire — Increases in Image resolution & Context Dependency
- Leon Gurevitch — Realism and the Future of the Moving Image
Learning from the CRUMB Method
- Victoria Bradbury, Marialaura Ghidini, Roddy Hunter, Suzy O’Hara & Dominic Smith — CRUMB Doctoral Research: reflections on creating and exhibiting digital arts
Mirroring Sherry Turkle: a discussion on authenticity, humanity and technology
- Janis Jefferies, Stacey Pitsillides, Anastasios Maragiannis & Mari Velonaki — Mirroring Sherry Turkle: a discussion on authenticity, humanity and technology
Ecology, Cybernetics and Open Systems in Art and Technology
- Janine Randerson (chair) — Panel Intro
- Andrea Polli — The Open: Mediating the Human and Non-Human Interface
- Su Ballard — Nam June Paik: Cybernetics and Machines at Play
- Janine Randerson — Cloud Systems
Media Art, Mediation and Contemporary Art
- Chris Salter (chair) — Panel Intro
- Brogan Bunt — Intimate Disavowal: Turning Away from Technological Media Art
- Janis Jefferies — Art, Mediation and Contemporary Art Emergent Practices
- Jane Prophet & Helen Pritchard — A Diffractive Reading of the Messy Entanglements Between Mainstream Contemporary Art, Sci-Art and New Media Art
- Helen Pritchard & Jane Prophet — Diffractive Art Practices: Ecologies of Intra-actions and Difference
- Lucas Ihlein — – Medium-Specificity and Sociality in Expanded Cinema Re-Enactment
- Chris Salter — Alien Agencies: the unstable dance between art, techno-science and new matter
Tracking the Boom: Think Tanks, Mouse Hacks and more in the United Arab Emirates
- Janet Bellotto (Chair) — bio
- Adina Hempel — ISEA: an incubator towards an urban research think tank at the College of Arts and Creative Enterprises, Zayed University
- Scott Conard — From Mouse Hack to iPad: New Media in the UAE at Zayed University
- Kevin Badni — CAAD Labs
Assimilate This… Science Fiction and Media Art
- Andrew Frost — Science Fictional Aesthetics: The Novum & Cognitive Estrangement in Contemporary Art
- Elizabeth Muller – Speculative Objects: Materialising Science Fiction
- Amelia Barikin — Making Worlds in Art and Science Fiction
The history of things to come
- Megan Monte (chair) — Panel Intro
- Troy Innocent & Ben Kolaitis — A talk about compositional gameplay and musical instrumentation
- Stephen Jones — Cybernetics in Society and Art
- Pia van Gelder & Stephen Jones — A talk on Video Synthesises to accompany the Catching Light panel at ISEA2013
- Paul Doornbusch — The Music of CSIRAC: Some Untold Stories
Future Nature, Future Culture [s]: Reflections on Balance-Unbalance
- Leah Barclay (chair) — Panel Intro
- Ricardo Dal Farra — Can the Arts Help to Save the World?
- Susan Davis — Panel Statement
Rogue Troopers: Designing functional and fictional disruptions
- Teresa Dillon (chair) — Panel Intro
- Paul Granjon — Collaborative Manufacturing Units Against the Black Box
- Amanda McDonald Crowley — Open Cultures: cultivating collaboration
- Peter Hall — Mapping the intangible
Mediations of Sensation: Sensory Anthropology and the Futures of New Media Practice
- Chris Salter (chair) — Panel Intro
- David Howes & Jennifer Biddle — Panel Statement
Diagrams, Formulae and Models: Aesthetic and Scientific Strategies of Visualisation
- Paul Thomas — The Probability of the Diagram
- Mike Phillips — Filled with wonder and ease…
- Pia Ednie-Brown — A Diagrammatic Life
Sensation, Meaning and Affect in the work of art / science / technology collaborations
- Susan Best (chair) — Panel Intro
- Barbara Rauch — Facing Affect: Synthetic Interface & Meaning
- Elizabeth Eastland, Chris Henschke & Erica Seccombe — Panel Statement
Transdisciplinary Transreal: Mixed and Augmented Reality Arts (MARart) Research Scoping Forum
- Julian Stadon (chair) — Panel Intro
- Troy Innocent, Andrew Burrell & Kuai Shen — Panel Statement
Mixed Reality Transformations: shifting relationships between movement, embodiment, somatics and image
- John McCormick, Kim Vincs, Saeid Nahavandi & Douglas Creighton — Learning to Dance With a Human
- Megan Beckwith & Kim Vincs — The Impact of Gestalt Perceptual Organization in the Stereoscopic Theatre Environment
- Stephanie Hutchison & Kim Vincs — Dancing in Suits: A Performer’s Perspective on the Collaborative Exchange Between Self, Body, Motion Capture, Animation and Audience
- Kim Vincs — Dance and Virtual Physics: The Mass of the Object Does Not Necesseraly Equal the Object of the Mass
Exquisite, Apart: Remoteness and/as Resistance
- Charles Walker, Angela Tiatia, Laurent Antonczak, Andrea Eimke & Clinton Watkins — Exquisite, Apart: Remoteness and/as Resistance
NeuroArts-Noise
- Jane Grant — Panel Intro
- Jane Grant — Between one and zero: noise, ghosts and plasticity
- John Matthias — – Plasticity: Noise, Correlation and Interaction
- Sue Denham — Making sense of sounds: patterns and noise
- Greg Hainge — The Noise In-Between
Curating and Collecting the New: Resistance is Futile
- Sarah Cook & Vince Dziekan (chairs) — Panel Intro
- Keir Winesmith — A Living Catalogue for Anish Kapoor: Revealing Untold Stories in Rich Media Museum Publications
- Lubi Thomas — Same Same but Different: Curating in the digital landscape (whilst staying out of the rain)
- Angelina Russo & Amanda Slack-Smith — Panel Statement
The Inter-Society for the Electronic Arts Revived?
- Wim van der Plas — The Inter-Society for the Electronic Arts Revived?
Art(ist)s in Space
- Sarah Jane Pell (chair) — Panel Intro
- Zina Kaye — Space Junk
- Barbara Imhof — ESA Art Science
- Lowry Burgess — Moon Arts Project
- Kerrie Dougherty — Why should we care about space art?
- Angelo Vermeulen — Art-Science in Space
- Ayako Ono — Space Instruments
- Christian Waldvogel — the Earth turns without me
- Bradley Pitts — Singular Oscillations
- Rahni Allen — love letter to the universe
Visualising Gesture and Effect
- Chris Bowman (chair) — Panel Intro
- Gavin Perin & Chris Bowman — Thresholds: Observations on Motion Capture
- Roger Mills, Sam Spur, Daniel Scott & Michael Day — Panel Statement
Im-position: a minor politics for interactive art
- Andrew Goodman (Chair) — Panel Intro
- Nathaniel Stern, Andrew Murphie & Lone Bertelsen — Panel Statement
Re:imag(in)ing Indigenous media art histories
- Tim Maybury (chair) — Panel Intro
- Brenda Croft, Jenny Fraser, r e a & Esteban Garcia — Panel Statement
Fora
Latin American Forum #1: Alternative History of Computer Music
- Andres Burbano — Panel Intro
- Paul Doornbusch — Alternative Histories of Computer Music: CSIRAC
- Ricardo Dal Farra — Who tells history?
- Andres Cabrera & Andres Burbano — Computer Music in Chile 1970-1980: COMDASUAR
Latin American Forum #2
- Yto Aranda & Pamela Figueroa — Latin American Kinetic Art and Its Relationship With Electronic Art: Gyula Kosice and Abraham Palatnik
- Brisa MP — Art, Body and Technology: an overview of current approaches from Latin America
- Isabel Cristina Restrepo — — Digital Imaging and Artistic Education: A Pedagogical Model With Free Software GIMP
- Gabriel Zea & Alejandro Araque — Mochilabs
- Lea Rekow — Green My Favela and Extract
Latin American Forum #3
- Juan José Díaz Infante — Play! Festival
- Nahum Mantra — Calling the Big Bang
- Nahum Mantra — The Arts Catalyst with Mexican Artists
- Delinda Collier — The Tacet Mark as Blackness: Interrupted Currents in African Electronic Art
Roundtables
ADA Mesh Cities: Network, Space and Memory in the Transitional City
- Zita Joyce — Roundtable Intro
- Su Ballard — Roundtable Statement
- Caroline McCaw — Roundtable Statement
- Vicki Smith — Roundtable Statement
- Trudy Lane — Roundtable Statement
- Ian Clothier — Roundtable Statement
- Janine Randerson — Roundtable Statement
- Danny Butt — Roundtable Statement
- Zita Joyce — Roundtable Statement
Semipermeable
- Oron Catts (Chair) — Round Table Intro
- Nigel Llwyd William Helyer — Supereste Ut Pugnatis (Pugnatis) Ut Supereste
- Sam Fox, Cat Hope, Guy Ben-Ary & Benjamin Forster — Roundtable Statement
Large Urban Screens and the Transnational Public Sphere
- Nikos Papastergiadis, Scott McQuire, Cecelia Cmielewski, Amelia Barikin, Audrey Yue, Ross Gibson, Leon Cmielewski, Matt Jones & Xin Gu — Large Screens and the Transnational Public Sphere
- Nikos Papastergiadis, Scott McQuire, Cecelia Cmielewski, Amelia Barikin, Audrey Yue, Ross Gibson, Leon Cmielewski, Matt Jones & Xin Gu — Large Screens and the Transnational Public Sphere: Q&A Session
SITEWORKS: Ecologies and Technologies
- Deborah Ely (convenor) — Roundtable Intro
- Nigel Helyer — Milk and Honey
- Josie Starrs & Leon Cmielewski — The Verdant Shed and Cloud Mapping
- Garth Paine — Present in the Landscape
- Robyn Backen — Last Word 2012
- Linda Dement — Killing the Host
- Gary Warner — The Lantana Project
- Jodie Newcombe — Siteworks Reflection
Lovely Veneer: The underbelly of good design
- Ruth Aylett (Chair) — Round Table Intro
- Deborah Maxwell — Roundtable Statement
- Mel Woods — Roundtable Statement
- Drew Hemment — Chattr
- Geraint Wiggins — Roundtable Statement
- Ruth Aylett — Roundtable Statement
The Sustainability of Future Bodies
- Margie Medlin & Garth Paine — Round Table Intro
- Myriam Gourfink, Kasper Toeplitz, Paul Gazzola, Paul Granjon, Carol Brown & Anne Niemitz — Roundtable Statement
Artist Talks
Vivid
ISEA2013 & Vivid — Artist Panel Talks
Session 1: Being in the City
- Moderator statement — Being in the City
- Christopher Williams & Steve Berrick (pvi collective) –– Deviator
- Jason Sweeney — Stereopublic (crowdsourcing the quiet)
- Michael Hornblow — Grobak Padi
Session 2: Mediating Nature, Technology & Culture
- Moderator statement — Mediating Nature, Technology and Culture
- Nandita Kumar –– eLEmeNT: EaRTh
- Yandell Walton –– Human Effect
- Trudy Lane –– A Walk Through Deep Time
- Kate Chapman, Cheryl L’Hirondelle, Brenda Croft & Fee Plumley — Culture Mapping
Session 3: Nostalgia of the New
- Moderator statement — Nostalgia of the New
- Lucas Abela –– Temple of Din
- Kate Richards, Ross Gibson & Aaron Seymour –– Unhomely: Reynold’s Cottage
- Tom Ellard –– Catching Light
Session 4: Distributed Enablers in the New Grid
- Media Release — The Art of Broadband: The Portals
- Moderator statement — Distributed Enablers in the New Grid
- Ricardo Peach (moderator) –– The Portals
- Kathy Cleland, Thea Baumann, Andrew Burrell, Alexia Estrellado & Chris Rodley — The Portals Artists’ Talks
- Darwin Community Arts — #hererealnow
- Christopher Dodds, Adam Nash & Justin Clemens — Distributed Empire
- Andrew Burrell & Chris Rodley — Enquire Within Upon Everybody
- Crystal Thomas, Nancy Mauro-Flude & Nick Smithies — Is Starlight a Wifi Signal?
- Thea Baumann — Metaverse Makeovers
- Jimmy McGilchrist & Matt Ditton — Shadow Net
- dLux MediaArts — Memebrain Art Hackfest: A Portals Associated Event
- Andrew Burrell — Networked Selves: Imagined and Otherwise
- Keith Armstrong –– Long Time, No See?
Session 5: Click, Touch, Connect
- Moderator statement — Click, Touch, Connect
- Mari Velonaki –– Diamandini and The Woman and the Snowman
- Eric Siu –– Touchy
- George Khut & James Brown –– Theta Lab
Session 6: Spaces and Architectures
- Moderator statement — Spaces and Architectures
- M. Hank Hauser & Martin Tomitsch — Media Facade Exhibition 2013
- Lian Loke –– disSentience: Design Lab ISEA2013 Satellite Program
- Matthew Sleeth –– The Generative Freeway Project
Session 7: Night Depot #3 Artists’ Talks
- Firstdraft & Nick Keys — Night Depot #3 Artists’ Talks