Keywords: cinematic, experience, cinema, digital, moving image, production, interaction, spectator, actor.
If the introduction of the digital into moving image production does not alter the cinematographic device, nor change any of the essential features of the cinema, then the production of digital moving images will not affect the essence of cinema. If any of the essential features of cinema are, in fact, superseded by the digital features of the moving image, they should be named as cinematic experiences, which are defined as moving image production, digitally mediated, that looks for its essence in the consciousness of movement and visual rhythms.
- Ricardo Rivera, Universidad De Caldas, Colombia
Full text (PDF) p. 268-271