“Here to There” will investigate how perceptions about the passageway between home and work, as well as the general relationship between the two, are influenced by various forms of (social) media and data.
Millions of people commute between home and work everyday – the thread that connects one’s personal life to one’s professional life. While many do this by foot or bicycle, the majority of people in developed, industrial cultures commute by car, by bus, or by train. As people move from home to work they pass through intervening communities that may or may not have a resemblance to their own. Commuters generate an idea of these communities’ livelihood, their economic situation, their demographic composition, or even their political persuasion, through the consumption of all forms of media, and possibly without any actual contact with the members of the community itself. Their perception may not be based upon little other than the ‘view out of the window,’ or ‘common wisdom.’
How do commuter perceptions compare to those of the community members, and to the general perception of a community as it can be perceived on the Web in the form of chats, blogs, images, and so forth? The disparity or congruence between commuters’ perceptions of life along the commute may parallel their perceptions of global culture, which may also be ‘viewed out of the window.’ All the while the commuter is immersed in a construct that is both product and producer of interconnected lives.
This research is part of a forthcoming artwork that utilizes locative media, video and Internet search for visualizing connections between commuters, locations, and perceptions; initially this will be in a non-interactive form, and eventually in a real-time installation format. The paper will draw upon the ideas of theorists such as Saskia Sassen, William J. Mitchell, Frederic Jameson, and Malcom McCullough.
- Jack Toolin is an artist working in new media, digital imaging, and performance. His work considers contemporary life in light of the changing political, economic, and technological landscape, and has been presented nationally and internationally. Highlights include: the Whitney Museum of American Art (2002 Biennial); the Walker Art Center, Minneapolis, Minnesota; Ars Electronica, Linz, Austria; the San José Museum of Art, San José, California; Foxy Production, New York City. His work Perfect View was exhibited at the Chelsea Art Museum Project Room in 2010. He was a member of the new media collaborative C5 (1997-2007) which investigated culture’s relationship to technology through data visualization, installation, and performance expedition. He is currently a visiting assistant professor at Pratt Institute in Brooklyn, New York, and an adjunct professor at the Polytechnic Institute at NYU. He has lectured widely, at institutions such as the Rhode Island School of Design; University of California at Berkeley; the San Francisco Art Institute; Emerson College, Boston; Kibla Multimedia Center, Maribor, Slovenia; the Museum of Contemporary Art Rijeka, Croatia; and the University of Split, Croatia. He holds a B.F.A. in photography from Ohio University, and an M.F.A. in interdisciplinary practice from San Jose State University, US. jacktoolin.net c5corp.com
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