[ISEA2000] Poster: CYNTHIA-BETH RUBIN – Memoirs

Poster Statement

In what ways do New art forms produced with computer technology change the participatory nature of the viewing experience? Is it possible that in the rush to define interactive art, the participatory nature of the work is actually more restricted than in still art? That in interactive works the exploration of the viewer is limited to following paths laid out by the artist? What can creative artists do to overcome this?