When both the digital image and the human body can be broken down into individual building blocks, altered and reconstituted, how do we know what is real and not real? And does it matter? Using digital photographic processes as a metaphor for similar issues within genetic engineering, eugenics and cryonics, ‘Stages, Elements, Humans’ is a powerful and spectacular take on the technological body.
Commissioned by the Foundation for Art & Creative Technology (FACT).
- Gina Czarnecki, Scotland
Produced with the financial assistance of the Arts Council of England.