MindShipMind is an interactive multimedia web installation which was started in summer 1996 during an interdisciplinary 3 week seminar on”order, complexity, and beauty” in Copenhagen, Denmark.This seminar was organized by the Mindship Foundation and its purpose was to create collaborations between 30 artists and scientists from different fields, and a new way of discussion and interaction beyond the normal academic way. In order to capture the beautiful and also chaotically ordered mind of this event, Vibeke Sörensen and K@rlheinz Essl asked the participating artists and scientists (including biologists, mathematicians, physicists, composers, visual, installation and performance artists) to write statements dtscribing their points of view on this theme. Combined with additional commentaries prepared by Sörensen, all these texts were algorithmically processed by a markov-chain based computer program in order to deconstruct and reconstruct them into new “meta-texts”. New texts are generated from these text particles using random operations which create strange and mind-challenging meanings, often revealing secret wisdom about the mysteries of order, complexity, and beauty This textual layer is further combined with images provided by the participants, including original artworks of Vibeke Sörensen and Joseph Jean Rolland Dube, and objets trouvees found on the World-Wide Web, such as famous philosophers and mathematicians, popular films, scientific computer animation, and morphing images of faces. As with the texts, these images form material from which elements are chosen according to probability and randomness, and merged into the text layer. Furthermore, the distortion and size of the pictures are determined algorithmically, as is the placement on the web pages. Finally, algorithmic music drawn from Karlheinz Essl’s Lexikon-Sonate (which is also composed in realtime) and computer-generated speech are included. All these elements are combined by a computer program written in Perl by Florian Cramer and Karlheinz Essl which always creates a new web page on the fly whenever it is loaded. The on-screen images, text, and music change each time the user interacts with the site. Random operations affect the appearance of the different components (text style, size and distortion of pictures, combination of sound structures, computer speech, hyperlinks, status bar messages, etc.)— all these components are not viewed as fixed entities, but rather as a flexible material molded by chance. Many of the emerging hyperlinks cause other programs to run at remote sites around the world: the user is then brought to sites on the network that are not pre-determined or predictable.The result is that of constantly shifting meanings arising from constantly shifting relationships between the site elements, the network, and the user. It is a way of navigating the web through an interface of real-time poetic serendipity, and a way of interfacing to the vast network of on-line computing. It is also a kind of collective consciousness of the MindShip and its participants, hence a MindShipMind.
- Karlheinz Essl (Austria) Born in Vienna in 1960. Studies at the Musikhochschule Vienna: theory (Alfred Uhl), composition (Friedrich Cerha), electro-acoustic music (Dieter Kaufmann}, double bass (Heinrich Schneikart). Studies at the University of Vienna: musicology (doctoral thesis on Das Synthese-Denken bei Anton Webern,1989). Double bass player in different ensembles of chamber music, jazz, and experimental music. His work with computers and a prolonged occupation with the poetics of serial music have been a formative influence in his compositional thinking. Besides writing instrumental music, Karlheinz Essl also works in the field of electronic music, interactive realtime compositions and sound installations where he developes software environments for algorithmic composition and live performance.Composer in residence at the Oarmstaedter Ferienkurse fuer Neue Musik (1990-94). Commission at IRCAM, Paris (1992/93). Performances at Wien modem, Musikprotokoll (Graz), Musica (Strasbourg), Salzburg Festival, NEMO 96 (Chicago) etc.Collaboration with Arditti Quartet, Ensemble Modern, Ensemble InterContemporain, Klangforum Vienna, Ensemble Recherche, 2e2m, RSO Vienna etc. Teaches Computer Aided Composition at the Bruckner Conservatory in Linz.
- Vibeke Sörenson (Danmark/U.S.A.) is a computer and video artist living and working in California, U.S.A.. Born in Copenhagen, Denmark, she is currently Professor and Chair of the Division of Animation and Digital Arts in the School of Cinema-Television at the University of Southern California in Los Angeles. Her award winning film, video and installation work has been shown internationally in galleries, museums, concert halls, film theaters, and on broadcast and cable television.