Within the sonic world there is no separation; sound enters our bodies as vibration, immersive and continuous. Sound is the one fundamental phenomenon that we are immersed in – every living, moving thing is producing sound continually – it flows between distinct elements and binds them together. We experience it both actively, by listening, and also subliminally – and from it we draw conclusions about our world. EchoSonics investigates the close relationship between sound and natural, biological and environmental phenomena through the work of four artists practising within the field of sound art, and combining cultural and environmental issues in their audio-installations. Many of the works suggest the subtle ways in which sounds address us. Presented by ISEA2013 and the University of Technology Sydney.
- Nigel Helyer (a.k.a. Dr Sonique) is a Sydney based sculptor and sound artist with an international reputation for his large scale sonic installations, environmental sculpture works and new media projects. His practice is actively inter-disciplinary, linking creative practice with scientific research and development. Recent activities include the development of a ‘Virtual Audio Reality’ system in collaboration with Lake Technology (Sydney) and the ongoing ‘AudioNomad’ research project in location sensitive Environmental Audio at the School of Computer Science and Engineering, University of New South Wales. He is an honorary faculty member in Architectural Acoustics at the University of Sydney, and maintains active research links with the SymbioticA biotechnology lab at the University of Western Australia. He has recently been a visiting Professor at Stanford University and an Artist in Residence at the Paul Scherrer Institut in Switzerland. Nigel is a co-founder and commissioner of the “SoundCulture” organisation; a recent fellow of the Australia Council for 2002/3; the winner of the Helen Lempriere National Sculpture Award 2002; and the curator of Sonic-Differences as part of the Biennale of Electronic Arts Perth 2004.
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