Abstract

Replication of the self and engagement with liminal spaces has informed our collaborative practice. 3D body scanning, processing and digital printing proffered new methods of engagement as yet uncharted to capture ourselves faithfully. Test body scans suggested the potential to reveal public and private aspects of ‘the self’ – representing both the physiological and psychological aspects of a subject.

Digitised Doubles was a practice led enquiry funded by the Arts and Humanities Research Council (UK). The aim of the investigation was to examine how artists might creatively engage with the possibilities afforded by advances in 3D scanning, 3D software applications and 3D rapid prototyping to achieve self-portrait exploring the poise and unique character of an individual subject.

• Brass Art are Chara Lewis, Kristin Mojsiewicz & Anneke Pettican (UK). Solo exhibitions: The Non-existence of the Unnamed, International 3 and Skyscraping, Yorkshire Sculpture Park. Group exhibitions: Inside Out Object Gallery, Sydney & RCA, The Economy of the Gift A Foundation, Tell it to the Trees, Croft Castle, ArtFutures, Bloomberg Space and Jerwood Drawing Prize. brassart.org.uk

Full text (PDF) p.  343-345